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Dogs at the Perimeter Hardcover – 2 Feb. 2012
- Print length272 pages
- LanguageEnglish
- PublisherGranta Books
- Publication date2 Feb. 2012
- ISBN-101847084907
- ISBN-13978-1847084903
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Review
'A gripping child's-eye view of the Cambodian genocide. Sure-footed and utterly convincing' --Financial Times
'This powerful novel brilliantly evokes 1970s Cambodia and leaves the reader deeply moved and, ultimately, hopeful' --Irish Times
`Extremely moving and honest while maintaining lyricism and beautifully balanced prose' --AL Kennedy
`This is a beautiful, deeply moving novel that addresses universal questions'
--Independent
About the Author
Product details
- Publisher : Granta Books (2 Feb. 2012)
- Language : English
- Hardcover : 272 pages
- ISBN-10 : 1847084907
- ISBN-13 : 978-1847084903
- Best Sellers Rank: 1,813,807 in Books (See Top 100 in Books)
- 133,659 in Contemporary Fiction (Books)
- 134,742 in Literary Fiction (Books)
- Customer reviews:
About the author

Madeleine Thien is the author of two books of fiction, Simple Recipes, a collection of stories, and Certainty, a novel. Her fiction and essays have appeared in Granta, The Walrus, Five Dials, Brick, and the Asia Literary Review, and her work has been translated into more than sixteen language. In 2010, she received the Ovid Festival Prize, awarded each year to an international writer of promise. She lives in Montreal.
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The book traces the splintering of family relationships under the ideology of the "Year Zero" return to a clean sheet for society. it also traces the splintering of the individual, as psyches are assaulted first by being cut adrift from others, then having to survive bodily the harshest of privations and then identities are deliberately stripped away as people are renamed and forcibly made to ascribe to the ridiculous sayings of "Angkar", the Khmer Rouge's authoritarian "Organisation". The sayings are part Marxism, part Buddhism and part nonsense. They are empty boasts from the very get go of the revolution. " I looked at the sky, at the trees, at the disturbed mound of earth and saw no possible gods". An agricultural people stripped from their spiritual atachment to the land through turning them into killing fields of dead bodies.
The reason I give this book 4 stars rather than 5 is because it sets up a potentially fascinating image, since the two main protagonists who have remade new lives in Montreal are both scientific researchers of the human brain. They engage with it at an electro-chemical level, stimulating the neurons, breaking down everything into the constituent chemical reactions. implicit in this is that human emotions too are just chemical reactions, including the suffering and emotional turmoil that plays merry hell with memory- what we retain, what we lose. But this theme is never really returned to, and the future lives of the two characters at the start of the book, remains an untapped resource for its bulk.
Loosely, it is about the separation, dislocation and loss of identity caused by the Khmer Rouge rule in Cambodia. We open in Vancouver with a woman, Janie, a neurological researcher looking for her colleague, Hiroji who has gone missing some three months earlier. Both Janie and Hiroji have ties to Cambodia – for Janie, it was the country of her childhood; for Hiroji it is where his brother disappeared in 1975.
What follows are a series of narrations, some set in 1970s Cambodia and some set in later (uncertain) times. The narratives can flick back and forth, use multiple points of view and characters change their names as various points in their lives. It is difficult to piece together a coherent narrative from the fragments – made all the more difficult by every key event being shrouded in opaque language. It probably could be pieced together but the characters all seem rather wooden and it hardly seems worth the effort.
There are some positives. The description of the horrors of the Khmer Rouge are written with a care and compassion. Yes, there were atrocities, but this was set against daily life, hope, ideologies. Some of the Khmer Rouge were kind idealists and some of the rural people (the old people) were welcoming towards the displaced urban people (the new people). However, the good was far outweighed by the bad – the arbitrariness of decisions and behaviours; the shortage of food; the mistrust of education; and the suspicion and intolerance of dissent. There are scenes of the evacuation of Phnom Penh; scenes in the villages; and scenes in a prison. Powerful though these scenes are, they are quite similar to Vaddey Ratner’s (far superior) Shadow Of The Banyan, suggesting that the two novels may have drawn their material from the same source.
Alas, the positives do not outweigh the negatives. The story of Hiroji is disjointed and the structure is wrong. Hiroji’s mystery is mentioned very briefly at the outset and is then followed by Janie’s story, only for Janie to be abandoned and Hiroji revisited at the end in a time sequence that frequently left the reader imaging one era and one character whilst then metamorphosing into someone else, somewhere else and at some other time. Much as one would like to express solidarity with those brave people who survived this awful time, it does not redeem a flawed novel.

