Doctor Who: Revenge of the Cybermen / Silver Nemesis
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(Aug 09, 2010)
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Silver Nemesis begins in 1988 on 23rd November. Lady Peinforte and her loyal servant Richard have travelled from the year 1638 for this moment. Herr de Flores' dreams of establishing the Fourth Reich rest on this point in time. The Cybermen's planned invasion of Earth is scheduled for the same time.
The link between the three? The statue Nemesis, fashioned from validium - the living metal first made by Rassilon on Gallifrey and capable of bestowing the power of life and death on any individual. Can the Doctor and Ace prevent its awesome power from falling into any of their evil hands?
In Revenge of the Cybermen, the Doctor, Sarah and Harry arrives on the Nerva Beacon, hoping to find the TARDIS waiting for them, instead the intrepid trio find a space station in the grip of a deadly plague that has wiped out most of its crew. But the Doctor soon comes to suspect that the 'plague' is no natural illness – and that some of his oldest and most fearsome foes are behind it...
The beacon has been set up to warn space traffic of a new satellite orbiting Jupiter, but one craft is taking no notice of the order to stay clear – a Cybership. The satellite is Voga, Planet of Gold, home to the seemingly harmless Vogans – but why are the Cybermen so determined to destroy it?
Without the TARDIS, the Doctor is unable to return Sarah and Harry to the 20th Century. But then Sarah falls victim to the mystery virus, and unless the Doctor can find a cure – quickly – she will never make it home at all...
◆ Commentary with actors Sylvester McCoy and Sophie Aldred, director Chris Clough and script editor Andrew Cartmel.
◆ Industrial Action - cast and crew look back at the making of this story. With actors Sylvester McCoy, Sophie Aldred and Gerard Murphy, director Chris Clough, writer Kevin Clarke, script editor Andrew Cartmel, stunt arranger Nick Gillard and musician Courtney Pine.
Deleted and Extended Scenes.
◆ Trails and Continuity - BBC1 trails and continuity announcements from the story's original transmission.
◆ Photo Gallery
Revenge of the Cybermen
◆ Commentary with actors Elisabeth Sladen and David Collings, producer Philip Hinchcliffe.
◆ The Tin Man and the Witch - a look back at the making of the story, with director Michael E. Briant, incoming producer Philip Hinchcliffe and outgoing producer Barry Letts.
◆ Location Report - New Doctor Tom Baker is interviewed by BBC News on location at Wookey Hole during the location shoot for the story.
◆ Cheques, Lies and Videotape - in the days before official VHS and DVD releases, Doctor Who fans had no option but to swap and trade episodes with other fans, often for extortionate sums of money. Featuring interviews with fans Jamie Wells, Paul Jones, Dave Hankinson, David Palfreyman, Alison Lawson and Damian Shanahan.
◆ Photo Gallery.
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The cybermen were not particularly threatening in either story to be honest - I think they displayed a bit too much personality and I also felt a bit like they were the butt of a few cheap jokes in Silver Nemesis. I did like the deranged Lady Peinfort though. Her and Richard were good together although again some cheap jokes had me putting my head in my hands. The cybermen arrival scene in episode one of SN was good though- sent a chill down my spine as Sylvester McCoy tells Ace "don't thank them yet- you may live to regret it". Shame that they never really seemed genuinely threatening throught the rest of the story, despite the apparently huge army of cyber warships hovering around Earth..
Interesting cast this one; most of 'em have done Dr Who before, those that haven't soon would do, except for the remaining one, who featured in the first episode of Blake's 7.
I seem to recall reading that Gerry Davis may not have been too happy with the finished script - increased location filming necessitating more and more re-writes - but I like this, however it may re-use a few ideas from Moonbase and Wheel in Space.
The atmosphere is solidly grim from the outset; political murder on Voga, and a corridor full of corpses on the beacon - don't kid me about sterile atmosphere, the smell in there would have been horrendous - the skeleton Nerva crew doing their duty however much the horrid Professor Kellman stands by and sneers at them - how admirably British; I'd have shot him and blamed one of the corpses in the corridor.
It says something for the plotting of this that the eponymous villains don't really get involved until the end of Episode 2, and that it still works perfectly happily - rather well, in fact, to have the first two episodes telling the massive backstory - the Cyberwar and Voga's involvement - and with sufficient clarity that the first time I saw it, I thought they were talking about the previous Cyberman story (alas there are no Glitter Guns in The Invasion). It is also something of an aceivement that the story is sufficiently well-told that the numerous holes in the plot are not immediately visible.
The Vogans are extremely well-realised; not just well-designed and well acted, but finely drawn; Vorus may be ruthless but his patriotism is beyond doubt; Tyrum may be well-disposed to Sarah and Harry, but he's a staunch separatist and obviously not to be trusted. Michael Wisher turns in a cheekily bronchial performance as Magrik. The 'Dove' and 'Hawk' designs are very good, as are the sets - though I do wonder how the Vogans copied the Great Seal of Rassilon (still, with all that gold, it's amazing what you can afford).
The Cybermen are commendably solid, and I like the voices and the head-mounted guns.
It's a tale of set-pieces; the Dr's escape from Kellman's cabin, the interrogation over the Pentallion Drive, the beacon/rocket/Voga climax, and the protracted massacre in Wookey Hole, entailing two Cybermen and a lot of dead Vogans. It says 'Don't mess with Cybermen' very loudly (especially if you're a Vogan).
The stuff filmed down Wookey Hole looks fantastic, well worth the inconvenience to Gerry Davis, even if the contrast with the studio sets jars sometimes.
The downside is that the BBC (who are selling this thing for money - it's not some cheap giveaway) have produced such a paltry Making Of, and in spite of You Tube amateurs being able to do up the video effects the BBC hasn't bothered - slapdash and shabby. The Cheques, Lies and Videotape is worth watching though - reminded me of a tenth generation copy of Robots of Death I used to own.
Oh, and the Vogan on the cover isn't the villainous Vorus, it's Magrick.
4/5 - for the story - the DVD production is poor.
It has a lot going for it: all shot on location, and Courtney Pine playing jazz; it's the twenty fifth year of Dr Who, so we've got to have something silver in it, better be Cybermen...
It looks very good; Arundel - both town and Castle - doubles very fetchingly as a cinematic double for Windsor; the South American stuff looks convincing, and even the gasworks, where the Cybermen blow the paramilitaries to perdition, looks impressive. In addition, the Cybermen are looking smart, there's a couple of nicely turned out Skinheads, the paramilitaries look the business, and the pair from the C17 ought to look good, cos their frocks are straight out of By The Sword Divided.
The Making Of indicates that the plot was pretty much slapped together, and it's as uncommonly similar to Remembrance as Attack was to Resurrection. Oops. Everybody seems to want the statue, but it needs the bow and arrow to achieve critical mass, so we can run around for an episode and a half in some nice scenery. One story where it turns out that the Dr has set the thing up all along may be counted an indulgence; two looks like laziness, as does copying the plot from two stories ago (and Ace being chased up flights of stairs by monsters).
But if you accept that it's nonsense, much of it is very good; the chase through Windsor Castle, the big shoot out in Episode 2, the stuff in South America, silly Mrs Remington, and the final catapult shoot out against the Cybermen among those creaking gantries - I do pity Sophie Aldred and the poor blokes in the silver suits - it cannot have been nice. Nice Cybership too, and when Sylvester says 'Cybermen!' you can tell he really loathes them.
Fiona Walker and Gerard Murphy do well, even if Kevin Clarke's understanding of 1638 is next to negligible (he refers to it as Jacobbean, even though King James had been dead for 13 years by then, and the idea that Lady Peinforte had anything to do with Roundheads is fatuous) and the time spell is ridiculous, but I like them appearing in the tea room, and they have some nice dialogue (and it could easily have been in iambic pentameter, but JT said no...). Anton Differing, in his last role, seems perfectly aware that he's acting in something very silly, and that he's only really in England for the tennis.
As for the Skinheads, why do they assume that the couple in C17 costume are social workers? I spent a lot of 1988 wearing C17 costume, and I wasn't a social worker, nor were any of my mates - and we never got bother off Skinheads.
The more serious downside is that this is not the extended play version that was on the VHS so, for instance, the aforementioned chase through Windsor Castle isn't in it, and the excellent American-made documentary that accompanied it is absent; this means that the DVD version is *less* good than the VHS - I understand there may be a rights issue, but the way to solve that is for the BBC to pay the money - they are selling this for money after all, and if they feel they're not raking in enough, they can take it out of the obscene amount of money they pay Jonathan Ross.
2/5 (but not a good 2/5)
Yes I will watch it again so it's a 4 not a 3.
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