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Doctor Who: Revelation of the Daleks - Episode 143 [DVD] [1963] [Region 1] [US Import] [NTSC]


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Product details

  • Format: NTSC
  • Language: English
  • Subtitles: English
  • Region: Region 1 (US and Canada DVD formats.)
  • Aspect Ratio: 4:3 - 1.33:1
  • Number of discs: 1
  • Classification: Unrated (US MPAA rating. See details.)
  • ASIN: B000EMG91I
  • Amazon Bestsellers Rank: 220,671 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: HASH(0x95373a7c) out of 5 stars 49 reviews
42 of 48 people found the following review helpful
HASH(0x95225264) out of 5 stars A first-rate Dalek story. The peak of an under-rated era. 7 Dec. 2000
By G.Spider - Published on Amazon.com
The Doctor and Peri arrive on Necros, the 'planet of the dead', where there is a whole complex filled with people in suspended animation whilst the Great Healer works on cures for whatever diseases they are suffering from.
But before long the 'Great Healer' is revealed to be none other than Davros, sinister genetic engineer and creator of the Daleks. Having been abandoned by the original Daleks, he is engineering replacements.
This is not only the best Colin Baker story, but also one of the finest Dalek adventures ever made. There is a very grown-up feel about it with genuine suspence, sexual undercurrents and horror which is suggestive rather than tasteless. The whole thing is filled with strong characters such as bounty hunters (a space-age knight and his squire), a superbly cold-hearted female villain and a futuristically-weird DJ. Davros and the Daleks (with impressive new white casings) are at their dramatic best and the music and scenery are first-rate. Watch for one partically memorable scene involving a glass Dalek.
Highly recommended. Even if you dislike Colin Baker (though personally I think he was an under-rated Doctor who should have been given more time in the series), this adventure is still unmissable.
7 of 8 people found the following review helpful
HASH(0x96196edc) out of 5 stars "I never thought precognizance of my own death would be so disturbing." 16 Aug. 2007
By Crazy Fox - Published on Amazon.com
Format: DVD
Well, if the Daleks have a Genesis and experience a Resurrection, I suppose it only follows that a Revelation is in store, and besides, the sixth Doctor well deserves his chance to reestablish his credentials as their enemy. To do so though invites the very real risk of simply churning out a cookie-cutter Dalek plot in a perfunctory manner, and that is exactly what does NOT happen here. "Revelation of the Daleks" is an incredibly inventive and creative storyline, almost to the point of being weird--just when you think a twenty-some-year-old TV show is out of surprises, it goes and throws you for a loop with something like this. Of course, sad to say, it was precisely around this time that the show's future was cast in serious doubt, making the cliffhanger where the Doctor is disturbed at coming across what seems like his own gravestone one of those surreal moments where fiction seems to be mirroring reality.

The Doctor's not the only one to get the willies, though. There's a lot that's disturbing in this one, along with some pretty gross imagery both on-screen and off. Much of this has to do with the setting: the planet Necros, funeral home and cemetery to the galaxy. The nitty-gritty details of death, what it does to one's corporeal remains, and the nasty job of obscuring these details from the bereaved during funeral ceremonies (stuff we usually like to not think about) are always hovering around in the background and in the conversations of the supporting characters. But then we go one step worse with Davros using a portion of these corpses to genetically engineer a new race of Daleks loyal to him and using the rest to fund his research in that regard (How? Well, that's grosser than gross, but I won't give it away). Finally, increasing the funereal atmosphere is the extremely high body count, with people killing and getting killed at every turn, including but hardly limited to some old-fashioned extermination courtesy of two different sets of competing Daleks--even Davros gets his one good hand shot off in plain sight of the camera, poor guy.

Speaking of Davros, yes, he's still around overshadowing his creations (this is really his "revelation" rather than that of the Daleks, truth be told). I'm sternly of the opinion that he should've stayed dead in "Genesis of the Daleks" and only the intent to avoid beating a dead horse keeps me from knocking this otherwise fine story down a star on his account. Besides, given that like it or not his survival is by now a done deal, one has to look at how his character is used in this story, and it is actually integral to the plot and makes sense. Besides, he's a far more interesting character here than the ranting two-dimensional lunatic of "Destiny" and "Resurrection", more sinister actually and yet we get creepy little glimpses of his psychology as we didn't before.

Whatever one thinks of Davros, though, everything else about this one shines unambiguously. A great concept, a fine script, top-notch directing. There is a large supporting cast of different characters all interacting in different ways, way too many to list here and yet each one very vivid and distinct and memorable, each with a definite role in the plot and all brought to life by really excellent acting. Colin Baker is superb as the Doctor once again, witty and yet a bit pensive, eccentric and yet crazy like a fox, short-tempered and yet extremely concerned for the welfare of Peri--speaking of which, she's still annoying but less so in this one, and after more than a year Nicola Bryant's acting, while not stellar, has improved discernibly. Her chemistry with the Doctor seems plausible here, and her character's distinctive interests (as in botany and rock music) are highlighted so that she's finally more than just a pretty face for the dads (and teenage dads-in-the-making). Moreover, the sets are incredibly convincing: futuristic buildings with slate-grey pyramidal mausoleums in the background, tacky glitzy gold and marble funeral halls built on top of old stone catacombs littered with different and various votive images and religious icons--all just what you'd expect from such a planet and yet overflowing with just the right kind of moody atmosphere this bizarre tale calls for. And on top of all of that, we get treated to morbidly dark humor as only the British can deliver. It only goes to show, "Doctor Who" is one series that just never gets old.
5 of 6 people found the following review helpful
HASH(0x958fae58) out of 5 stars Saward is God! 20 May 2004
By XK7 - Published on Amazon.com
I loved Resurrection of the Daleks and Earthshock is my all time favourite story, but this is still a very good example of the brilliance of Eric Saward and is as radically different to everything he wrote before as The Visitation was to what he did after it! Amazing man and an amazing time in Who history! This is the pinnacle of Colin Baker's era, where the mix of comedy and horror which his era attempted right from the start finally fulfills it's promise completely. If you liked psycho Peri-choking post reneration Baker, grisly TV violence on Varos, hand crushing Cybermen and bad puns from the Doctor on Telos, and the canabalistic butchery of Vegetarians with a little help from Pat Troughton, then this trip to the biggest funeral parlour in the galaxy where people eat their own dead and your dead's head is inside a see though Dalek with brains popping out will make your day! Left unchecked, Colin Baker's era may have evolved into a work of art unsurpassed in TV history, if this story is any indication of the direction it was taking. Dark satire with slick style and wicked humour, this is the blackest, smoothest dose of Dr.Who ever. It is not for everyone and that's for sure, but what a shame we never got to see what came next. Instead, BBC head honcho Grade stepped in (he hated the show!) and the Trial of a Time Lord followed instead. Ah, well.
12 of 16 people found the following review helpful
HASH(0x94ef0954) out of 5 stars Welcome to Tranquil Repose...and to ivory and gold Daleks 1 Mar. 2004
By Daniel J. Hamlow - Published on Amazon.com
The final story of the 22nd season of Doctor Who has the Time Lord dealing with his worst enemies, those Dalek pepperpots, only this time they have a really nice ivory and gold colour scheme.
The Doctor and Peri are paying their respects to Arthur Stengos, one of the galaxy's finest agronomists. His body is lying in the Tranquil Repose on the planet Nekros (perfect place for a funeral planet!). TR is a cryogenics repository where people with incurable diseases are suspended and later restored to life when a cure for their condition has been found. At the same time, TR's vain and arrogant supervisor, Jobel is ready to make funerary history, as he has just finished the president's wife and is ready, with his staff to receive the president. Jobel is played by Clive Swift, best known as Richard, Hyacinth's husband in Keeping Up Appearances. He has a great line at the Doctor's expense. After being insulted by the Doctor, who has survived a phony statue falling on him, Jobel retorts, "If the statue had been made of stone I doubt if would've killed you. ... It would take a mountain to crush an ego like yours."
Then there's Grigori and Natasha, the latter Stengos's daughter, who break into the catacombs, where the vaults are. She suspects her father's body has been stolen, and indeed it has. But where's the head? She and her partner find it, and it's being put to grotesque use.
However, that's not all the work going on at Tranquil Repose. The turbaned Kara (Eleanor Bron) is in charge of a factory manufacturing a high protein concentrate ready to sell to developing planets at such a low price, their accountants are embarrassed. Whatever profit she gains is being squeezed by the Great Healer, an alias used by Davros, creator of the Daleks and now master of a new breed of Daleks subservient to him rather than the Supreme Dalek. However, not to worry-she has hired Orcini, a professional assassin and excommunicated member of the Grand Order of the Knights of Oberon to get rid of Davros, and he is dedicated. He has an artificial leg with a faulty hydraulic valve, and rather than getting it replaced, he prefers the inconvenience as a reminder of his mortality and to keep his mind alert. He's also conscientious, as he gives any fees he gets to charity. Assassinating Davros is an honourary job he is willing to undertake.
Davros himself is aware of the Doctor's presence, but he has eyes and ears around TR. He rants against Jobel, who refused his offer of immortality, and uses Tasambeker, played by Jenny Tomasin (Ruby from Upstairs Downstairs) a fawning and not too good looking female employee infatuated with him, as a loyal servant, and later, orders her to kill Jobel, who conspires with employees Takis and Lilt against him. And he thinks the DJ, a prattling disc jockey, played funnily by Alexi Sayle, who pipes in announcements and 50's/60's music to the bodies in state, knows too much.
There is all sorts of violence here. A leg is blown off one person, a hand off another, but Script Editor Eric Saward defended the violence as being realistic instead of the phony violence one sees in US action movies. If you shoot someone's hand at close range, it gets blown off, plain and simple.
Saward had read Evelyn's Waugh's The Loved One, which takes place in a funeral parlour, where Aimee Thanatogenos, a crematorium cosmetician becomes infatuated with artiste embalmer Mr. Joyboy. Here, Joyboy becomes Jobel, and Thanatogenos becomes Tasambeker. Indeed, a line from Jobel on the president's wife also mentions the title: "she's a loved one who's passed on to pastures finer and lusher than those she knew in life."
There are actually places like Tranquil Repose on Earth, but would they be economically feasible? With overpopulation, future generations have no incentive to cure the sick from generations back, as they would be technologically and culturally out-of-date. What could they do if cured?
A worthwhile story, given that most of the story dealt with the non-Dalek shenanigans going on in TR, but afterwards, it was clear that Doctor Who was living on borrowed time.
3 of 3 people found the following review helpful
HASH(0x95064e94) out of 5 stars Awesome episode 19 Sept. 2002
By Burning Chrome - Published on Amazon.com
Verified Purchase
Dr Who and all its quirkiness is in its best form in this episode. Heavy on the satire with excellent "one-liners" and other gags (the Doctor offering his hand to Davros) and the Daleks looking their best in a long time. Colin Baker is tied with Tom Baker for my favorite Doctor and Terry Molloy is again excellent as Davros. The sets and effects are better than usual, especially for Doctor Who's pathetic budget. Good theme music sets the tone for the "creepiness" of this episode and all around strong acting. Entertaining all around. Glad to see this released on video as my original taped copy is starting to wearout.
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