- Actors: Freda Dowie, Pete Postlethwaite, Angela Walsh, Dean Williams, Lorraine Ashbourne
- Directors: Terence Davies
- Format: PAL, Anamorphic, Widescreen, Colour, HiFi Sound
- Language: English
- Subtitles: English
- Subtitles For The Hearing Impaired: English
- Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
- Aspect Ratio: 16:9 - 1.78:1
- Number of discs: 1
- Classification: 12
- Studio: Bfi Video
- DVD Release Date: 30 July 2007
- Run Time: 80 minutes
- Average Customer Review: 4.1 out of 5 stars See all reviews (37 customer reviews)
- ASIN: B000RJEINY
- Amazon Bestsellers Rank: 25,195 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)
Distant Voices, Still Lives  [DVD]
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DISTANT VOICES, STILL LIVES
A film by Terence Davies
Winner of the International Critics' Prize, Cannes 1988.
Terence Davies's stunning debut feature film Distant Voices, Still Lives was instantly recognised as a masterpiece on its release in 1988 and the director hailed as one of Britain's most gifted and remarkable filmmakers. Re-released in April 2007 as part of a complete retrospective season of Terence Davies's films at BFI Southbank, it was once again showered with critical acclaim.
The BFI now makes the film available on DVD for the first time, presented in a beautiful new digital restoration - a fitting showcase for this unforgettable film from one of contemporary cinema's true poets.
Drawn from his own family memories, Distant Voices, Still Lives is a strikingly intimate portrait of working class life in 1940s and 1950s Liverpool. Focusing on the real-life experiences of his mother, sisters and brother whose lives are thwarted by their brutal, sadistic father (a chilling performance by Pete Postlethwaite), the film shows us beauty and terror in equal measure. Davies uses the traditional family gatherings of births, marriages and deaths to paint a lyrical portrait of family life - of love, grief, and the highs and lows of being human, a 'poetry of the everyday' that is at once deeply autobiographical and universally resonant.
- Feature commentary by director Terence Davies
- Filmed interview with Terence Davies
- Filmed introduction with Art Director Miki van Zwanenberg
- Original trailer
- Fully illustrated booklet
UK | 1988 | colour | Optional hard-of-hearing subtitles | 80 minutes | 1.78:1 (16x9 anamorphic) | Region 2 DVD
'It's a heartbreaking work. Its cast is phenomenal; its songs flow through the film like blood...A masterpiece.' --Time Out
'I defy anyone not to cry. Humane, haunting and utterly unmissable.' --Metro
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Top Customer Reviews
From the opening scene we are given the pace of the film (slow and lingering) and we rightly sense that this isn't going to be a linear narrative. The film is shot with a restricted colour pallet, like the hand-coloured photographs popular at the time, to perfectly represent life faded and worn with the passage of time. In many ways the film looks more authentic than the black-and-white kitchen-sink films made in the 1950/60s.
Peter Postlethwaite is wonderful as the father who terrorises the family and even after his death is still a brooding presence, staring down from his photograph on the front room wall. Postlethwaite's face is straight out of the 1940's, flesh stretched taught over the bones of his skull by hard work and rationing. Indeed the whole cast, including Freda Dowie as the wife, is excellent. (Debi Jones as Eileen's friend Micky looks so period that I find it hard to believe she hasn't been spliced into the film from 1940's film clips, as in 'Dead Men Don't Wear Plaid'.Read more ›
I first came across "Distant Voices, Still Lives" when it was shown on Channel Four television in the early '90s. I decided not to watch it - I was only in my early teens at the time - but my parents did, and I occasionally found myself glancing at the television screen to see what it was like. It did not look like a "normal" film. There was something strange, and deeply haunting about its tableau-style images, and its use of music. I put it out of my mind until, a few years later, there was a South Bank Show devoted to the work of its director, Terence Davies, on the eve of the release of his new film "The Long Day Closes". Clips from both films were shown, and I was simply amazed by the beauty of their camerawork and cinematography. Even though I did not know what either film was actually about, I knew that their images would stay with me forever.
Eventually, I managed to watch both films, and they quickly became my favourites. "Distant Voices, Still Lives" is the more sombre and brutal of the two. It is a diptych: the first film, "Distant Voices", was made in 1986, and through a series of impressionistic moments puts us right inside the memories of a family, as they recollect their experiences of their terrifyingly violent father. "Still Lives" was made two years later (but you can't see the join), and puts us inside the same family's memories of the period immediately following their father's death. Two central themes stand out. The first is a portrait of a close-knit, somewhat stifling community, which is at once deeply fond and somewhat critical.Read more ›
This may be partly down to the device which helps give shape to the non-linear narrative, namely that the film is threaded around major events - weddings, funerals, Christmas - so we often see the family either in the process of having a commemorative photograph taken or frozen as if doing so.
And given that our memories have a tendency to simplify events over time, the complexity of the experience dwindling down into the information contained in the tangible souvenir of a photograph ("smaller and clearer as the years go by", as Philip Larkin put it), it's as though Davies has deliberately reversed this process in order to defy time's usual softening effects: here is that frozen moment we thought familiar from the snapshot; now the half-forgotten, half reinvented events behind it spring up, vivid and painful again.
But while there is pain in this film's account of the tyrannous father who rules the house, there is joy and magic as well, as we see the family, and the downtrodden mother in particular, gradually recover after his death in the second part. It's also worth saying that Distant Voices, Still Lives is an art movie, but an art movie without that term's negative connotations: there is never, when watching, any sense of frustration at the non-linear narrative.Read more ›
Most Recent Customer Reviews
So many memories brought back to me as I was growing up in Liverpool.I was so impressed with the singing in the pubs and how Terence Davies made it so authentic. Read morePublished 3 months ago by Adele Carlyle
It was good but if the film was put in the right sequences of the story such as chronological order, because some parts were "mix and match". Read morePublished 11 months ago by Elizabeth Foster
Did not enjoy this at all, but as the DVD was faulty I didn't see the ending. Didn't lose any sleep though. And I'm a fan of Pete Postlethwaite.Published 17 months ago by C. Moore
Excellent. Unfortunately loaned to a friend and never got it back.Published 18 months ago by Brian Ormerod