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Director's Cut Box set

4.1 out of 5 stars 78 customer reviews

Price: £18.35 & FREE Delivery in the UK on orders over £20. Details
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Product details

  • Audio CD (16 May 2011)
  • Number of Discs: 3
  • Format: Box set
  • Label: Fish People
  • ASIN: B004S6RIF2
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (78 customer reviews)
  • Amazon Bestsellers Rank: 30,221 in Music (See Top 100 in Music)

Track Listings

Disc: 1

  1. Flower Of The Mountain
  2. Song Of Solomon
  3. Lily
  4. Deeper Understanding
  5. The Red Shoes
  6. This Woman’s Work
  7. Moments Of Pleasure
  8. Never Be Mine
  9. Top Of The City
  10. And So Is Love
  11. Rubberband Girl

Disc: 2

  1. The Sensual World
  2. Love and Anger
  3. The Fog
  4. Reaching Out
  5. Heads We’re Dancing
  6. Deeper Understanding
  7. Between a Man and a Woman
  8. Never Be Mine
  9. Rocket’s Tail
  10. This Woman’s Work
  11. Walk Straight Down The Middle

Disc: 3

  1. Rubberband Girl
  2. And So Is Love
  3. Eat The Music
  4. Moments Of Pleasure
  5. The Song Of Solomon
  6. Lily
  7. The Red Shoes
  8. Top Of The City
  9. Constellation Of The Heart
  10. Big Stripey Lie
  11. Why Should I Love You
  12. You’re The One

Product Description

CD Description

On Directors Cut, Kate revisits a selection of tracks from her albums, The Sensual World and The Red Shoes, a process that presents a fascinating portrait of an artist in a constant state of evolution. She has re-recorded some elements whilst keeping the best musical performances of each song – making it something of a director’s cut but in sound, not vision. A new version of "Deeper Understanding" will be released as a single in April. Although written some twenty years ago, the song may be more relevant today than ever…

BBC Review

When Deeper Understanding emerged as the first evidence of Kate Bush’s new album of revisions, the instant reaction was surprise tinged with anger. How dare she play with our memories? How dare she use Auto-Tune on the chorus vocal? "Butchered" and "almost unforgivable" cried the fansites. But as Bon Iver and Sufjan Stevens have already shown, Auto-Tune – a pitch-shifting tool typically used to mask defects – can also be used for beauty. It’s not as if Bush’s own vocal was altered. Instead, it’s just the song’s computer voice, which now resembles 2001: A Space Odyssey’s HAL 9000 rather than a demo on a kid’s Casio. A bonus two-minute coda of Talk Talk-style folk-jazz floatiness extends the mood of blissful angst. Butchered? More like reborn.

The problem is less that Bush’s new album consists of old songs than the fact she’s only released one album of new ones in 18 years. She’s had the urge to tinker before, sprucing up Wuthering Heights for her 1986 greatest hits, The Whole Story. All the vocals and drums on Director’s Cut – totalling four tracks from 1989’s The Sensual World, seven from 1993’s The Red Shoes – are new; if such a term existed, you could say the overall execution has been to ‘de-80s-fy’ the originals. Gone are the gated drums, the keyboard presets, the Synclavier washes; in comes a softer, golden glow. Minus the choc-box orchestra (plus subtly altered lyrics), the rest of Moments of Pleasure emerges into the light, shaded by a solemn choir. Rubberband Girl, which in context sounds like a knees-up down her local boozer, comes over like the work of a totally different band (weirdly, that band is now The Rolling Stones).

The Sensual World’s title-track, now re-named Flower of the Mountain and borrowing Molly Bloom’s soliloquy from James Joyce’s novel Ulysses as Bush intended (she was originally denied permission), is another major alteration. Yet, musically, it’s rather more cosmetic. Just as Bush sounds in great voice – richer, bolder, brighter, wiser – so the re-cast Lily and The Red Shoes’ title-track follow suit, but they’re hardly re-inventions. As much as it’s fascinating to hear Bush the Elder look back at Bush the Younger, is the tinkering worth a full album? Yes, because it’s a sign Bush the Artist is still alive (she’s working on new songs too) and Director’s Cut (a less prosaic title would have been nice) is a gorgeous body of work. No, because it’s writer’s block by any other name. No, because it’s not radical enough a move. But if Deeper Understanding raised hackles, imagine if Kate had gone dubstep or collaborated with Odd Future. World wars have broken out over less.

--Martin Aston

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Customer Reviews

Top Customer Reviews

Format: Audio CD Verified Purchase
I just wanted to say, a lot of the negative reviews on her are being pretty unreasonable. This triple disc version features ONE disc of reinterpretations. You also get the 2 original albums remastered. Kate wanted to try something different, for her own satisfaction, and released this boxset so as to present the originals with an improved sound quality AND her reinterpretations as an older woman. This is an extremely sensitive way to go about a project like this and represents decent value for money even if you're not interested in the new versions.I actually don't own 'The Red Shoes' and agree with Kate that the sound on 'The Sensual World' was very flat. I'm very happy with these remasters.
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Format: Audio CD
This caused a bit of upset when it was released. Many critics and fans wanted to know why did Kate Bush feel the need to re-record 11 tracks from two of her slightly less regarded albums (The Sensual World and The Red Shoes). As these songs were originally released so many years before, why record them again? And why not record some new material?

Well a few months later the excellent "Fifty Words for Snow" was released, so that's the second question answered. Regarding the first, whatever Kate's reasoning, Director's Cut gives us a set of 11 alternative versions to analyse and enjoy, so I am happy with that. All vocals and many of the instrumentals have been re-recorded or at least rearranged.

This 3-disc edition really gives the best of both worlds: obviously you get the new song versions released as Director's Cut. And if you are unhappy with them, you can still enjoy the originals as both previous records are included (The Sensual World unchanged, plus The Red Shoes remastered from an analogue source, and sounding great). This gives a clue as to Kate's motivation with the project. She had long been unhappy with the very bright digital sound typical of the 1980s, preferring the warmth of analogue, and this is one of the big changes here.

The whole thing is beautifully packaged in a hardback booklet format with lyrics, new photography and explanatory notes from Kate.

As for the music, what do you expect? It's superb. Her more mature singing voice doesn't have the extraordinary gymnastic ability it had when she emerged as a teenager all those years ago (none of the early stuff was included in her recent triumphant return to live performance).
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Format: Audio CD
Really glad I gave this another go, because my original review title was 'Not Many Moments of Pleasure' Given the nature of this album, it really has to be taken on a track by track basis, which is something I don't normally like doing. I must point out that The Red Shoes was never my favourite album. However reading KB's comments about the original digital mastering, I think that has had something to do with my dislike of the album. It always had an unlistenable quality about it, pity I didn't get the box set of this then!

Anyway, here goes

1. Flower of the Mountain - Musically softer & less vital but not radically different, lyrically the original has it.
2. The Song of Solomon - An improvement over the original for me, but Wop, Bam, Boom?
3. Lily - Pretty much the same as above, without the Wop, Bam, Boom bit
4. Deeper Understanding - Erm, Er, The original has it. Auto Tune, really?
5. The Red Shoes - Again I prefer this version, a more 'played' organic feel to it.
6. This Woman's Work - This was always the one that would struggle to win me over, and it hasn't. I'm not saying this new arrangement is awful, it's perfectly fine, but it isn't the same song that can move me to tears. And I don't think it ever would have, had this been the original version. Original wins!
7. Moments of Pleasure - Benefits from the stripped back production & calmer feel compared to the original. I do like the original, but this new arrangement is beautiful.
8. Never be Mine - As others have said nothing much different here, just a softer feel again. A pleasant reworking, that's all.
9. Top of the City - Never really liked the original, this is better..just.
10. And So is Love - Great song, this version does nothing to change that fact.
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Format: Audio CD Verified Purchase
This is a review of the three-disc Collector's Edition featuring newly-recorded versions of tracks from 'The Red Shoes(1993)'and 'The Sensual World(1989)'.The other two discs are a remastered Red Shoes and what seems to be an unchanged Sensual World.The newly recorded versions mainly feature new vocals,keyboards and percussion and are generally more stripped-down than the originals.Some songs are in a different key with entirely new vocal melodies and some are almost unrecognisable.I dont see this as an attempt to replace those old tracks-more like a re-imagining,like changing your furniture around.I have played the original recordings to death over the last 20 years and I personally prefer all of these updated versions.We again meet a quirky,playful and wierd Kate Bush,one that was maybe a little absent from the superb but earnest Ariel.

'Top of the City'from 'Shoes'I never really rated as a song,but the new version which is great,makes me realise that it was the original production that put me off,it always sounded a bit too big and epic for me,but this new take is better,less cinematic and leaner with more real sounding drums and shows off the song.

This version of Rubberband Girl is a real surprise-Something like 'Street Fighting Man'with muffled,naive vocals reminding me of Canned Heat or the really young Kate on Passing Through Air.

In a nit-picking moment I notice Eric Clapton's uninspired noodlings on And So Is Love remain intact.This song is probably the most unchanged rework on the record,but sounding much warmer than before

Moments Of Pleasure is revealed as a fantastic song-again free of the massive production that buried it before.This features a male-voice choir,maybe-giving a voice to the departed...
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