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Directions to Servants (Hesperus Classics) Paperback – 29 Aug 2003
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''Directions to Servants' reads as a central document in the long, comic and sly history of Irish disrespect which includes Sterne and Sheridan and Wilde, Joyce and Beckett and Flann O'Brien... A stroke of genius' --Colm Toibin
''Directions to Servants' strikes back at the master-servant dependency with an amusing blend of cynical parody and puerile insolence.' --Independent Online
'The sarcasm veers into outright surrealism it's a good idea, Swift suggests, to fling several pounds of butter at the kitchen wall, and pluck it off as required as his satire turns somersaults. 'Directions to Servants' is in the end less an attack on slovenly staff than a gleefully scatological guide to enacting a filthy revenge on ingrate employers.' --Time Out
From the Publisher
Only available edition of this hilarious work by the author of Gullivers Travels.See all Product description
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Swift, hereditarily an Englishman born in Dublin who became an Anglican minister and who was eventually sent back to Dublin--"exiled" as he called it--for the remainder of his life, made himself a mouthpiece for the Irish people and a gadfly to any authorities who he felt overstepped their bounds. In his "Drapier" letters, he warns the Irish not to take any wooden nickels; that is, to reject the base-metal currency being foisted upon them by the English in order to scuttle their economy. In his poem on "The Legion Club" he hurls hilarious verbal salvos at members of the Irish Parliament who are selling out to the English, caricaturing them as monsters and demons.
"A Tale of a Tub" goes everywhere, but the main narrative thread is an allegory of the Reformation. Three brothers, Peter, Martin, and Jack, inherit a fortune from their father and proceed to conquer the world, but entrapment by the vices (personified as women) incites them to squabble and results in a schism in which Martin (Luther) and Jack (John Calvin) leave Peter (the Roman church) for their own haunts. Interspersed throughout this tale are playful swipes at literary critics and pedants, including a fantasy on the professional windbags known as the Aeolists. Harold Bloom has called "A Tale of a Tub" the best prose work in the English language, and furthermore has said that he reads it on a regular basis to punish himself, which I think speaks volumes even if you don't value Bloom's opinion.
Religion is naturally one of Swift's concerns. He generally likes it, but he has the sensibility to say, "We have just enough religion to make us hate, but not enough to make us love one another." He advocates religious sobriety; in the "Mechanical Operation of the Spirit" he ridicules fanatics who claim to be able to communicate with God. His "Argument Against Abolishing Christianity" offers solid rationale for preserving the institution, one reason being that the criticism of it is the only forum which allows certain writers to exercise their rhetorical talents.
This edition also contains a short list of Swift's epigrams, at least one of which has achieved some notoriety: "When a true genius appears in the world, you may know him by this sign, that the dunces are all in confederacy against him." Mostly these are observations of human nature and its folly, and while not all may resonate, some are surprisingly timeless: "It is a miserable thing to live in suspense; it is the life of a spider." Remember that the next time you decide to buy a lottery ticket.
" A Modest Proposal," where he asks parents in Ireland to eat their children for they are high in nutrition and by eating them, the parents will help hinder the threat of overpopulation. It appears to be gruesome and make a mockery of the Irish people, until we dig depper into the satirical peice to see that Swift was trying to convey the starvation and oppresion of the Irish people by writing the peice in an English publication as well as a time when you were either for England or for Ireland, but never both. Swift's humorous outlook is really an expression of disgust to the circumstances that surrounded the Irish under a harsh tolatarian English rule. He succesfully engages the reader through humor as well as a fascinating argument where he encourages the reader to agree with his argument.
I enjoyed " A Modest Proposal" because it had elements that other satries on the same subject lacked, humor. Swift is succesful at what he does because he does not tell the readers outright the conditions of the Irish people, but he weaves it skillfully into the essay, creating a fascinating, funny, and sharp essay.