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The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America Library Binding – 1 Feb 2004
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"Engrossing . . . exceedingly well documented . . . utterly fascinating." --"Chicago Tribune
""A dynamic, enveloping book. . . . Relentlessly fuses history and entertainment to give this nonfiction book the dramtic effect of a novel. . . . It doesn't hurt that this truth is stranger than fiction."" --The New York Times
""So good, you find yourself asking how you could not know this already." --"Esquire
""Another successful exploration of American history. . . . Larson skillfully balances the grisly details with the far-reaching implications of the World's Fair."--"USA Today
""As absorbing a piece of popular history as one will ever hope to find."--"San Francisco Chronicle
""Paints a dazzling picture of the Gilded Age and prefigure the American century to come."--"Entertainment Weekly
""A wonderfully unexpected book. . . Larson is a historian . . . with a novelist's soul."--"Chicago Sun-Times
" Engrossing . . . exceedingly well documented . . . utterly fascinating." -- "Chicago Tribune
"" A dynamic, enveloping book. . . . Relentlessly fuses history and entertainment to give this nonfiction book the dramtic effect of a novel. . . . It doesn't hurt that this truth is stranger than fiction." " --The New York Times
"" So good, you find yourself asking how you could not know this already." -- "Esquire
"" Another successful exploration of American history. . . . Larson skillfully balances the grisly details with the far-reaching implications of the World's Fair." -- "USA Today
"" As absorbing a piece of popular history as one will ever hope to find." -- "San Francisco Chronicle
"" Paints a dazzling picture of the Gilded Age and prefigure the American century to come." -- "Entertainment Weekly
"" A wonderfully unexpected book. . . Larson is a historian . . . with a novelist's soul." -- "Chicago Sun-Times
From the Inside Flap
Bringing Chicago circa 1893 to vivid life, Erik Larson's spellbinding bestseller intertwines the true tale of two men--the brilliant architect behind the legendary 1893 World's Fair, striving to secure America's place in the world; and the cunning serial killer who used the fair to lure his victims to their death. Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.
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I found it fascinating. Holmes' story is certainly worth telling, but it was the story of the World's Fair that was the more absorbing of the narratives.
The details of committee meetings, labour disputes and even storm damage were deftly handled, and the characters brought vividly to life.
I found Holmes' story was almost in the background, and I feel this made for a better book than it might have been.
In Larson's hands, the story of the building of the White City is fascinating. The odds against success were huge - time was running short, the weather threw everything it had at the site, frequently destroying half-built buildings, a financial crash began while the City was half-built, and unions and management were regularly at loggerheads. Although many men (and a few women) were involved in bringing the thing together, the whole effort was largely co-ordinated by one man, architect Daniel H Burnham, who as Director of Works was responsible for getting together the best architects, planners, engineers and landscapers, and inspiring them to believe in his vision of a beautiful city rising from a derelict piece of lakeside land. Larson uses all kinds of sources to bring Burnham and the other major players to life - newspaper articles, journals, official records and personal letters. He tells the story almost as if it were a novel, never revealing ahead and regularly leaving a chapter with a cliffhanger ending, as a storm approaches or a bank crashes or illness strikes.
The story of HH Holmes is told in separate chapters interspersed throughout the main narrative. To be honest, though it was interesting and also very well-researched, I mainly found it broke the flow of the much more absorbing story of the Fair. Apart from the fact that both events took place in Chicago over the same time period, there was very little to connect them. I wondered if the Holmes strand had only been included because the author felt that more people would be interested in a serial killer than in the building of the Fair - and I can't argue with that, since it was the thought of the intriguing contrast that attracted me to the book. But when it came to reading it, I found I was rushing through the Holmes chapters to get back to find out how things were going on the building site.
Once the Fair finally opens, Larson gives a vividly credible account of what it might have been like to visit, including telling of some of the many attractions the fair had to offer - from orchestral music wafting ethereally over a moonlit lake to rather more earthy sideshows, such as the belly-dancers from Algeria. He tells us about Buffalo Bill Cody's Wild West Show, cannily sited just outside the Fair grounds and constantly competing with it for customers. And the crowning marvel of the Fair - the world's first Ferris wheel, built as a result of a challenge by Burnham to America's engineers to come up with something that would top the recently built Eiffel Tower in Paris. At the same time, Larson takes us behind the scenes to see the men responsible for the maintenance of the site, publicity, finance and the sheer logistical nightmare of feeding and cleaning up after the many thousands of visitors who passed through the gates each day. The Fair was so huge, Larson tells us, that it was considered that it took a fortnight to see everything it had to offer.
In a few chapters at the end, Larson tells us what happened to the men we've got to know so well in their later careers and shows how the Fair influenced architecture and fairs and even city-planning far into the future. And at the same time he concludes the story of the serial killer, but I won't spoil it by saying whether he was ever caught or convicted in case you're inspired to read the book and don't know the outcome.
A fascinating story very well told, I found this a totally absorbing read. The only real disappointment is that there are very few illustrations, so I had to turn to the Internet to fill that lack. But Larson has put the Chicago World Fair close to the top of the list of Things I Want to See When I Get a Time-Machine - till that day comes, the book makes a most satisfactory alternative. Highly recommended.
My reservation about the book is that although the pacing is near perfect, the novelistic style sometimes seems to slip too far into speculation, in a way that others (Sebastian Junger, for example) seem to avoid. Sometimes private moments, of which there can surely be no record, jump out of the text and disturb the flow of the narrative. Also, a name is occasionally dropped with no contextual information, so I found myself reaching for Wikipedia every now and again.
Otherwise excellent, fascinating, and thoroughly enjoyable.
As someone who has spent 3 months living in Chicago, it was fascinating to read about the history, especially presented in this historical fiction format. Larson intertwines the two separate tales of the Devil and the White City, as well as the separate tales of the cities themselves )Black and the White), brilliantly. Almost as if there was inevitability that one lead to the other.
Surprisingly though I thought it ran out of puff a bit. Definitely all the good bits of this story are in the build up, the drama around the building of the white city and the uncertainty surrounding it, the preparations made by Dr H. H. Holmes as he creates his own hell on earth, just around the corner.
But once the city is built, and the crimes have been committed, there seems little more to keep you interested, other than the less dramatic and inevitable demise of each in their own way. Larson tries hard, but I suppose the drama is in the ascent, not the descent!
There are lots of interesting references in the footnotes to "In Cold Blood", and the inspiration that Larson took from that other historical fiction book. I will read that with great interest now that this initial foray into the genre has been so satisfying!
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Most recent customer reviews
Wonderfully written history, thrilling stuff.
What I get is a slow plodding account of arcutects building theWorlds Fair in Chicago.Read more