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Day of the Dead [DVD] [1985]

4.4 out of 5 stars 116 customer reviews

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Product details

  • Actors: Joseph Pilato, Lori Cardile, Terry Alexander, Jarlath Conroy, Antone DiLeo Jnr
  • Directors: George A. Romero
  • Producers: Richard Rubinstein
  • Format: PAL
  • Language: English
  • Region: All Regions
  • Number of discs: 2
  • Classification: 18
  • Studio: Arrow Video
  • DVD Release Date: 20 Sept. 2010
  • Run Time: 97 minutes
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (116 customer reviews)
  • ASIN: B003TTBA1M
  • Amazon Bestsellers Rank: 177,671 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Product Description

Product Description

As a blend of horror, action, tension, and humour, Dawn of the Dead stan ds in a class of its own as the only true zombie epic of all time. A National Emergency grips the US as the zombie population grows at an alarming rate. Two S.W.A.T. officers, a helicopter pilot and his girlfriend escape the city and take refuge in an abandoned shopping mall after securing it following a series of flesh-shredding confrontations with the undead. Their survival is threatended when a band of looters leave a door open allowing the zombies access to the mall once more and a final stand-off for survival must play out.


- 4 Discs / 4 Sleeve art options / double-sided fold-out poster / For Every Night there is a Dawn collector s booklet


  • Theatrical Cut
  • Dolby 5.1, Stereo and Mono Audio


  • Commentary 1 with George A Romero, Tom Savini and Chris Romero
  • Commentary 2 with Richard P. Rubinstein


  • Director s Cut
  • The Dead Will Walk Documentary


  • Argento Cut
  • Publicity Vault containing: US and German Trailers, TV and Radio Spots, Reviews, Giallo Trailers (Macabre, Sleepless and House by the Cemetery)
  • Scream Greats

    • Document of the Dead
    • Commentary with writer director Roy Frunkes
    • Document of the Dead: The Lost Interview and Deleted Scenes
    • Fan of the Dead

    From Amazon.co.uk

    Day of the Dead, chapter three of George Romero's mighty zombie trilogy, has big footsteps to follow. Night of the Living Dead was a classic that revitalised a certain corner of the cinema, and Dawn of the Dead was nothing short of epic. Day of the Dead, however, has always been regarded as a comedown compared to those twin peaks--and perhaps it is. But on its own terms, this is an awfully effective horror movie, made with Romero's customary social satire and cinematic vigour--when a "retrained" zombie responds to the "Ode to Joy", the film is in genuinely haunting territory. The story is set inside a sunken military complex, where Army and medical staff, supposedly working on a solution to the zombie problem, are going crazy (strongly foreshadowing the final act of 28 Days Later). Tom Savini's make-up effects could make even hardcore gore fans tear off their own heads in amazement. --Robert Horton --This text refers to an out of print or unavailable edition of this title.

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    Customer Reviews

    Top Customer Reviews

    By Paul McNamee TOP 1000 REVIEWERVINE VOICE on 12 April 2010
    Format: Blu-ray
    Compared to the other two films in Romero's original trilogy (joined by a new trio in the last five short years) it is Day that gets the least praise from fans and critics alike. It's not as revolutionary as Night Of The Living Dead was and lacks the immediate social resonance of Dawn... Still, it's a film that rewards repeated viewing, and while certainly the least commercially viable of the three, it is also the most thought provoking, and in many ways, entertaining.

    Where Day... appears to have let people down is in its uncompromisingly nihilistic approach. There is nothing of the fun of Dawn... held over for this picture. From the locations and cinematography to the methods of ghoul dispatch, there is a touch of depression to this movie, no sign of anything resembling hope. Instead, Romero's focus is on the development of his creations. In the first truly progressive film in the series, he explores an idea only prodded at in the Dawn...finale- the living dead have memory, yes, but how can this be exploited? The plot of the movie sees a group of twelve holed up underground in a vaguely alluded-to research mission. The scientists are working away at increasingly risky endeavours while their assigned military keepers are dropping off, a point of contention with their leader-by-default, Captain Rhodes. While Dr. `Frankenstein' Logan toils away at training the zombies, Rhodes' and his men's behaviour begs the question if society is really worth saving at all.

    The film is built around a tight group of involving performances by turns frenzied and subdued. Joe Pilato is a fury of constantly simmering discontent, a military man whose frustrations and inadequacies prove lethal to his co-inhabitants. Pilato hams it up in arguably the most memorable role in any of Romero's canon.
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    By A Customer on 8 Dec. 2004
    Format: DVD
    What a film!!!!! The first scene where we get the first taste of the claustrophobic atmosphere that surrounds the film is brilliant. The scene makes you jump out of your seat and you know you're in for a movie that'll be full of surprises.
    The film has plenty of clever dialogue and, of course, plenty of gore (thanks to the brilliant special effects and the make-up skills of Tom Savini) . It might not be as long or have as many gore scenes compared to the classic Dawn of the Dead but is still enjoyable and terrifying at the same time.
    There is dialogue that will make you laugh or get you thinking philosophically and dialogue that will keep you guessing as to what might happen to the survivors in the film. The characters are cleverly drawn together and the zombies are scary looking, bar a few who look like they having a day out in the studio!
    You'll be reaching for the sick bag when you see the gory scenes like the one where one of the characters gets his "chest-flesh" bitten off by a zombie; the flesh, as it is bitten off, looks like the stretchy cheese you see on a pizza that hangs on the side of your mouth! You'll see plenty of body parts torn apart and eaten and plenty of zombies that look like they seriously need to see their dentist, as well as their dermatologist!
    Romero keeps you guessing as to who are the real bad guys (only one woman not a zombie in the film and she's a goodie!) and you only find out in the last few scenes.
    If you've seen the previous two Dead films and not Day then you'll love this film (If your're a real fan you'll realise that the actor who plays the Army Boss is the guy who was in Dawn of the Dead as one of the "cops" that escapes in a boat before the main characters fly off in the helicoptor)
    Top marks for everything then to Romero for this third installment of the Dead Trilogy.
    Buy the film! It's a true classic!
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    Format: DVD Verified Purchase
    In my opinion Day of the Dead is the best of George A. Romero's Dead trilogy. Night was pure suspense, Dawn a satire, and Day a science v. nature parable. We learn what drives the zombies while also wondering if we should; the studies shown raise moral questions which are fun to chew. If it's the smartest, however, Day of the Dead also the goriest. There's more blood, entrails and dismemberment here than in the first two films put together.
    In a masterful opening scene we meet Sarah (Lori Cardille), a tough scientist trapped underground with army psychos, including Captain Rhodes (Joseph Pilato) and Miguel (Anthony Dileo Jr.), fellow doctors Logan (Richard Liberty) and Fisher (John Amplas), helicopter pilot John (Terry Alexander) and radio operator Bill (Jarlath Conroy). Tensions rise as Logan pushes for more "specimens"; nicknamed Dr. Frankenstein, he's been studying the zombies' cognition. They keep a herd sectioned off and try "domesticating" them with strange tests.
    Though the army guys are typical jarheads, a la James Cameron's films, the scientists aren't spotless. As cold as he is, Rhodes has a point; Logan and Fisher happily risk his men for their experiments then repay them by defiling their remains. Real conflict occurs between a quest for knowledge and a need to survive. In this respect you could argue that Day is also the darkest Dead film. It isn't as nihilistic as Night or as epic as Dawn, but it provokes troubling thoughts. Who's the real villain here, Rhodes or Dr. Frankenstein? Standing outside the fray are Bill and John, who waxes philosophical. This of course is a tradition; each film has a wise black man and a sympathetic white woman. Sarah, meanwhile, is the strongest and most likeable Dead heroine.
    The soldiers' acting can be ropey.
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