I like mystery / thrillers. In fact they are my favourite genre. This book fits neatly into that category, it is not a horror. What it is, is implausible, unrealistic, and nonsensical with one of the most annoying protagonists since Girl on the Train.
[SPOILERS, SPOILERS, SPOILERS]
[THIS REVIEW CONTAINS SPOILERS!]
So firstly Nora heads to the Hen Do, in the middle of nowhere, of a woman she has not seen in 10 years and she hasn’t even been invited to the wedding. Then we are meant to believe this grown adult female, is still coming to terms with the end of a relationship. A relationship that ended 10 years previously when she was 16 years old. It ended because she was pregnant and he buggered off. Or so she believes. We then find out Clare actually sent the text, dumping Nora so she could get in with James (the guy who buggered off.)
We are meant to believe Clare, would rather kill James, than have it come out that when she was 16, she sent a text which led to the end of her best friend’s relationship.
We are also meant to believe that James, on discovering the truth, was willing to end things with his current fiancée over a prank she did, at the age of 16, which caused the end of his teenage relationship. A relation which lasted SIX MONTHS!
It’s entirely predictable. I was about 4/5 chapters in before I correctly guessed exactly who the true villain was and exactly the nature of “The Text” James sent, which led to the end of the relationship. Nora is immature and it leads me to question the mindset of an author who thought this was a plausible storyline.
It is a page turner as you do want to find out the end. In that regard I will give it 2 stars instead of 1. But if you have not read it, don’t bother. Really. Don’t.
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LanguageEnglish
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PublisherVintage Digital
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Publication date30 July 2015
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File size3801 KB
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Product description
Book Description
The next big thing in crime fiction - does what for friendships what Gone Girl and The Girl on the Train did for marriages
--This text refers to an alternate kindle_edition edition.
About the Author
Ruth Ware worked as a waitress, a bookseller, a teacher of English as a foreign language, and a press officer before settling down as a full-time writer. She now lives with her family in Sussex, on the south coast of England. She is the #1 New York Times and Globe and Mail (Toronto) bestselling author of In a Dark, Dark Wood; The Woman in Cabin 10; The Lying Game; The Death of Mrs. Westaway; The Turn of the Key; and One by One. Visit her at RuthWare.com or follow her on Twitter @RuthWareWriter.
--This text refers to an alternate kindle_edition edition.
Review
I started IN A DARK, DARK WOOD on an airplane, kept dipping into it whenever I was left alone, devoured another big chunk on the flight home, and after that surrendered myself to it until the last revelation had bloomed, the final surprise had exploded, and the bittersweet conclusive turn had folded the final page. Ruth Ware has written an exciting, and in fact amazing book that never stops circling around behind the reader and clapping its cold hands over her eyes.--Peter Straub, New York Times bestselling author
I raced through this, totally unable to put it down...Dark, smart and compulsive.--Nicci Cloke, author of Lay Me Down
"So gripping. So glad my hen days are behind me. It's going to be huge."--Tamar Cohen, author of Dying for Christmas and The Broken
"Likely to be the next "Gone Girl.""--Elizabeth Willse "Surrounded by Books "
"An English psychological thriller...compared to "Gone Girl "and "Girl on the Train.""--Steve Bennett "My San Antonio "
"If the premise might be the sort that Agatha Christie would have toyed with had she been a 21st-century graduate, Ware's analysis of the power-games some women revel in - and the toxicity in the undertow of some female friendships - is more reminiscent of Sophie Hannah, Christobel Kent, or even Gillian Flynn and Harriet Lane."--Patricia Nicol "Independent " --This text refers to the hardcover edition.
I raced through this, totally unable to put it down...Dark, smart and compulsive.--Nicci Cloke, author of Lay Me Down
"So gripping. So glad my hen days are behind me. It's going to be huge."--Tamar Cohen, author of Dying for Christmas and The Broken
"Likely to be the next "Gone Girl.""--Elizabeth Willse "Surrounded by Books "
"An English psychological thriller...compared to "Gone Girl "and "Girl on the Train.""--Steve Bennett "My San Antonio "
"If the premise might be the sort that Agatha Christie would have toyed with had she been a 21st-century graduate, Ware's analysis of the power-games some women revel in - and the toxicity in the undertow of some female friendships - is more reminiscent of Sophie Hannah, Christobel Kent, or even Gillian Flynn and Harriet Lane."--Patricia Nicol "Independent " --This text refers to the hardcover edition.
Product details
- ASIN : B00UAXZ86I
- Publisher : Vintage Digital; 1st edition (30 July 2015)
- Language : English
- File size : 3801 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 354 pages
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Best Sellers Rank:
27,345 in Kindle Store (See Top 100 in Kindle Store)
- 809 in Noir Crime
- 990 in English Crime
- 1,907 in Murder Fiction
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Reviewed in the United Kingdom on 26 June 2017
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40 people found this helpful
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Reviewed in the United Kingdom on 6 April 2020
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I have written about Ruth Ware's book 'The Woman in Cabin 10 (see one star) and now there's this. Oh dear! Words, words and more words. Ware can fill a library with words and get no where. And that’s the problem with Ruth Ware’s writing. She writes too much. Yes, she’s a capable writer but it is far too self-indulgent. The expression ‘less is more’ has never crossed her keyboard. The result is that she digresses lavishly on too many small things, drags out tension far too long and then struggles to wrap up endings . The effect is that the novels stutter. Just when things get going, Ware slows it down with prolixity.
And now there's this novel. Same vein. But it is such a silly story that totally lacks credibilty. The protagonist is yet another woman with a peanut for a brain surrounded by characters cut from a cheap chic lit mag with all the intelligence of an average tree log. None is likeable. Don't waste your time. You've read it all before and probably given up as well. If you want a good female mystery writer, read the Australian Jane Harper.
And now there's this novel. Same vein. But it is such a silly story that totally lacks credibilty. The protagonist is yet another woman with a peanut for a brain surrounded by characters cut from a cheap chic lit mag with all the intelligence of an average tree log. None is likeable. Don't waste your time. You've read it all before and probably given up as well. If you want a good female mystery writer, read the Australian Jane Harper.
6 people found this helpful
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This was a ridiculous story. For a thriller to work for me, it has to be something that could happen in real life. This was just nonsense. And do people really talk about a “hen” as opposed to a hen party? It sounded so silly.
It was also written in American English, which always annoys me when the story is about English people living in England: words like snuck, gotta, skeet, and snit really jar. “Pocket money” is called an “allowance”, and “murder” is curiously described as “homicide”.
It was also written in American English, which always annoys me when the story is about English people living in England: words like snuck, gotta, skeet, and snit really jar. “Pocket money” is called an “allowance”, and “murder” is curiously described as “homicide”.
8 people found this helpful
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TOP 100 REVIEWER
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This is a most ingenious melodrama. When Leonora gets a most unexpected invitation to a remote hen party, the scene is laid for the coming together of a number of sharply disinctive people. Out of their inter-relationships grows an arresting plot and increasing friction and suspicion. The location, largely cut off from contact with the outside world, coupled with an increasingly supernatural influence ratchets up the tension towards an explosive climax. If you are seeking plausibility, this may disappoint, but I found it an enthralling read.
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Reviewed in the United Kingdom on 23 July 2020
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There’s no getting away from it - this is a convoluted story. I’ve just summarised it to my daughter and it sounds overblown and unbelievable. But, reading it, it is engaging and fast-paced and a great read.
When Nora is invited out of the blue to the hen party of a secondary school friend she hasn’t seen in more than 10 years she almost doesn’t accept. The hen party is in the north of England in a remote house. Despite being set far back from the road and surrounded by forest the house feels very exposed as the walls are set with massive picture windows on all floors.
From the beginning relationships are fraught and when tragedy falls the main character Nora needs to reconstruct her fragmented memories of the night to avoid ending up in prison for a crime she doesn’t *think* she committed.
A recommended read for anyone looking for an easy to read thriller and doesn’t mind stretching the realms of believability of how far a character will go.
When Nora is invited out of the blue to the hen party of a secondary school friend she hasn’t seen in more than 10 years she almost doesn’t accept. The hen party is in the north of England in a remote house. Despite being set far back from the road and surrounded by forest the house feels very exposed as the walls are set with massive picture windows on all floors.
From the beginning relationships are fraught and when tragedy falls the main character Nora needs to reconstruct her fragmented memories of the night to avoid ending up in prison for a crime she doesn’t *think* she committed.
A recommended read for anyone looking for an easy to read thriller and doesn’t mind stretching the realms of believability of how far a character will go.
VINE VOICE
Verified Purchase
As I neared the end of this book I wanted to race through for the conclusion, but also wanted to slow down, as I didn't want it to end. It has a fantastic combination of mystery, creepiness, suspense and a good old fashioned whodunnit, too.
Nora is unexpectedly invited to Clare's hen party, to be held in a cottage in the middle of the woods. Nora is surprised at the invitation, as she has not kept in contact for years, but nonetheless decides to go, along with her good friend, Nina. Each of the small collection of hen guests have a different history with Clare.
Ruth Ware creates great tension between the guests and brilliantly drawn and very different characters. Apart from Flo, who is overly obsessed with Clare, no one seems to be that close or that endeared to the bride to be, leading to the question of why were they invited?
Uneasiness surrounds the whole weekend, until things take an even more sinister turn.
Nora is unexpectedly invited to Clare's hen party, to be held in a cottage in the middle of the woods. Nora is surprised at the invitation, as she has not kept in contact for years, but nonetheless decides to go, along with her good friend, Nina. Each of the small collection of hen guests have a different history with Clare.
Ruth Ware creates great tension between the guests and brilliantly drawn and very different characters. Apart from Flo, who is overly obsessed with Clare, no one seems to be that close or that endeared to the bride to be, leading to the question of why were they invited?
Uneasiness surrounds the whole weekend, until things take an even more sinister turn.
One person found this helpful
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