Dark Side of the Moon
|Price:||£8.99 & FREE Delivery in the UK on orders over £20. Details|
Fulfilment by Amazon (FBA) is a service Amazon offers sellers that lets them store their products in Amazon's warehouses, and Amazon directly does the picking, packing, shipping and customer service on these items. Something Amazon hopes you'll especially enjoy: FBA items are eligible for and for Amazon Prime just as if they were Amazon items.
If you're a seller, you can increase your sales significantly by using Fulfilment by Amazon. We invite you to learn more about this programme .
- Choose from over 13,000 locations across the UK
- Prime members get unlimited deliveries at no additional cost
- Find your preferred location and add it to your address book
- Dispatch to this address when you check out
Frequently Bought Together
Customers Who Bought This Item Also Bought
PINK FLOYD Dark Side Of The Moon (Rare custom pressed CD issued May 2002 to mark the closure of EMIs CD pressing plant in Swindon. These were made in very limited quantities & presented to factory staff members. This title was chosen as it was the first CD manufactured at the plant. The custom pressed CD has the words Dark Side Of The Moon - First And Last - EMI Swindon 1986-2002 in the matrix area. It comes complete with picture booklet numbered certificate and an additional
The official site for the umpteenth re-release of this old chestnut presents you with a daunting array of statistics that, if you're under the age of 30, will probably seem like the ravings of (appropriately enough) a lunatic. For if, by some freak circumstance (lost in Pacific jungle for thirty years/coma/just plain don't like lousy guitar bands etc.), you hold this CD in your hands for the first time, listen up: Dark Side Of The Moon spent an incredible ELEVEN CONSECUTIVE YEARS in the top 100 and has notched up a total of FOURTEEN YEARS lodged in the same place. That's a lot of Lear jets and football teams. But what new can be said?
Well, it now comes with an extra layer of new enhanced 5.1 surroundsound thingummy with (naturally) Dobly [sic]. And it's got a lovely new stained glass effect cover courtesy of Storm Thorgerson and his hilariously named Hipgnosis cohorts. And the music?
Contextually speaking this was the Floyd's saving grace. By 1972 they'd firmly claimed the avant garde (read: musically unadventurous but prone to hitting large gongs and setting fire to stuff onstage) art rock mainstream as their own playground. Yet these middle-class boys still craved, like, bread, man. After a prolonged period of fumbling soundtracks for European arthouse movies they'd finally emerged from under the shadow of founder/visionary/lost-marble icon, Syd Barrett with a coherently beautiful album, Meddle. Roger Waters had some big ideas about madness, life, death and all that deep stuff. EMI had a rather splendid studio with some top-notch engineers. Six months later...voila!
What made this concoction so popular at the time was a series of coincidences. The western world was now fully stereoed-up; the band hooked up with an immaculate engineer by the name of Alan Parsons (yes, that one with the project) and last, but not least, the band bothered to write some really fine songs. This was a long way from the half-baked nonsense that had plagued Ummagumma or Atom Heart Mother. Gilmour's guitar was now exquisitely tasteful (the heart still breaks over that little phrase about 36 seconds into ''Breathe'') and zen-like in what he could leave out (check the most underrated track ''Any Colour You Like''). The sound effects are as hackneyed as a 70s stereo demonstration record (that this album effectively replaced in most hi-fi stores at the time), yet the overall flow of the album still satisfies as it merges existential ballads (''Time'', ''Us And Them'') with cynical rockers (''Money'') and arena-impressing freak outs (''The Great Gig In The Sky'').
Too much scrutiny reveals a rhythm section that's laughably leaden, song structures that employ the same descending runs that appear on every Floyd album since Meddle (cf: ''Echoes'') and lyrics that embarrass with their sixth-form triteness. Yet how many writers will be saying the same of Radiohead's cosy attacks on globalisation and 21st century ennui on OK Computer (which owes such a huge amount to this album) in thirty years time? Ultimately it matters little. DSOTM is still a lovely record made brittle by overuse. One almost wishes that instead of spicing it up one more time, EMI had deleted it for a while to give us all room to breathe again... --Chris Jones
Find more music at the BBC This link will take you off Amazon in a new window
Top Customer Reviews
Disc 1 : is the original disc,remastered by James Guthrie again,his '94 remaster was perfect as far as i could tell and truth be told i cant really detect any noticeable difference,sometimes with these 'new' remasters i think you will convince yourself to hear something different.initially on first play i thought possibly a little clearer,the background voices slightly more audible,after a couple of listens with the headphones and comparing to the prev disc im not too sure.Whats not in dispute is this is a fantastic piece of music that has stood the test of time,beautifully arranged.played and recorded nearly 40 years ago,its hard to believe there will be a first time buyer,so i guess most will know already what their buying.
Disc 2 : now i've never heard any live 70's recordings of 'dark side...' so this was my principle reason for buying and its well worth it,clocking in at around 12 mins more than its studio counterpart there a couple of moments were the band add in a little extra,nothing too much to change the overall feeling and what a performance,all four members on fire and a sound quality that frankly stunned me,i thought a recording 37 years old may suffer but this is absolute quality and worth the purchase price alone.
The sound quality on the remaster is excellent so no worries there,the packaging ,well that a different story.Read more ›
Floyd's music has always lent itself to cutting edge audio technology and the 5.1 SACD mix is proof of this. Using an SACD player and a 5.1 system you get true surround sound. Now this means that the voices in "Speak to Me" swirl around the listener, clocks chime as if their in your room and coins jangle about you. But more than this, now that there are 5.1 channels of sound the music is clearer and better defined. It has more presence, placing the listener in the centre of the music. It provides a full audio experiance.
Yet it it incredibly subtle. Now instruments are intricately placed to enhance the listening experiance; there are no gimmicks here. In "Time" the rototoms sound as if they are in the centre of the room, as if they are directly in front of you. The sax in "Us and Them" comes solely from the centre speaker given it far more clarity than before (the sax used to get lost in the mix before, I felt). Subtle effects, yet hugely effective.
All in all such near studio-like quality in the sound (this depends on how good your system is) adds to the music, sharpens it, makes a thirty year old album seem new.
For any Floyd fan DSOTM is an essential purchase and this SACD is just as neccessary. Get it whilst you can...
Unfortunately, what we have here is some superb musical treats for the Floyd fan, padded out with a load of unnecessary junk to bump the price up.
First, the music - the remaster of DSOTM is good as it has ever sounded. The quality of both the live performance disc and the bonus disc of demos and rarities are top-notch - they've been cleaned up superbly, and they sound dynamic and clear without a trace of tape hiss. Furthermore, the content itself is well worth hearing - Rick Wright's solo piano demo of "Us And Them" is worth the price of admission on its own, and the track from "Household Objects" is surprisingly good. If you are a Floyd fan, the bonus discs are must-listens.
The surround mixes of DSOTM are interesting - the inclusion of both Blu-Ray and DVD seems a bit unnecessary, as all the content is duplicated across both formats, and hardly justifies HD video, given its age - a single DVD-Video disc and a DVD-Audio disc would have been more than adequate, and could have held all the video and audio in both standard and HD formats.
And then we get onto the padding. The booklets are a disappointment - yes, a lot of photos, but the only words are the lyrics to the album, which we all have already, and a page from Storm Thorgerson telling yet again the story of how the band chose the cover artwork. Nothing from the band at all - there is so much that could have been included - interviews, reviews, reminiscences - but nothing. The concert ticket and backstage pass replicas are pointless.Read more ›
Granted there may be a small percentage of fans out there that want a bit of memorabilia, there's nothing wrong with a bit of fun, but surely not when it's at the expense of the remainder of the package. I would imagine the vast majority of fans out there who are prepared to fork out the top dollars for a set such at this want quantity and quality, gimmicks I imagine would be well down the list.
In terms of what is provided here the live at Wembley set from 1974 really does sound astonishingly good, absolutely miles above even the soundboard recordings readily available for share from this era. However as this is also available as part of the 'Experience Edition', the question is what does one get that makes this upgrade worthwhile?
The 2 DVD's / 1 Blu-ray discs are chocked up with surround versions of the album and replications of the projections (concert screen reels) played on the big screen behind the band at the time. The fact that this is what makes up the vast majority of 3 of the 4 bonus discs (to the Experience Edition) is IMHO what lets the Immersion set down big time. Firstly the SACD version of the album is readily available and to my ears absolutely flawless. It simply has to be one of the best hi-res surround sound releases on the market, so i can't imagine there would be too many folk out there that would actually be excited by, or need further surround sound versions of the album.
The concert screen reels are pleasant enough, but can really only be seen as bonus material as there's no concert footage of the band playing to go along with them.Read more ›
Most Recent Customer Reviews
Do I really need say anything about Dark Side of the Moon?
A brilliant album and a blast from my past! Well re-mastered. Recommended.Published 8 days ago by Clem