Daisies [DVD]  [Region 1] [US Import] [NTSC]
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Top Customer Reviews
Daisies is a mad little film. It's about two young women who take it in turns to go on dates with rich men. The other then invites herself along also and they proceed to wreak cheeky, anarchistic havoc wherever they go. The uninhibited, slap-dash, try-everything invigoration of Chytilova's direction surpasses anything from Godard or Truffaut. I didn't even know there was a Czech New Wave until I found this. It was a wonderful revelation. The film ends with the girls spectacularly trashing a lavish banquet before swinging maniacally from the chandelier. It's allegorical potency need not be specific: I read it as a simple, wonderful freedom. It deserves to become an instigative tag-line:
"Daisies." Cue havoc and hilarity.
I don't know anyone else who's seen this. It deserves more attention. I know the French New Wave was hugely significant and seminal (Chytilova was obviously familiar with it) but many other film movements (the Polish New Wave, for example (See Wajda)) seem neglected by the masses. I wonder how this favouriting of the French movement become as total as it did.
What is very telling about such a vitriolic attack is the view taken of the two other films that are cited; namely 'Valerie; and her week of wonders' and 'Sweet Movie'. I will comment on those films since so much spite is vented against the supposed weakness of the feminist content in Daisies.
The first is a highly sensual and erotic story of a pubescent girl, some might say titillating, and all drenched in pretty images while the other a visceral naked romp in which the male director finds it necessary, in order to present a 'sophisticated representation of roles' as the review puts it, to strip all the women naked and have them participate in erotic and sexual acts...........
in 'Daisies' however, with a woman directing, the girls are not subject to the male psyche nor a spurious 'sophisticated representation of roles' which requires them to appear naked for our pleasure under the guise of some intellectual pretext. Their self-contained world is not pretty pretty and barely sensual let alone sexual and the characters, through the director, repudiate the predatory male world except on occasions to mercilessly exploit it by having lots of fun.
This certainly makes for a film less appealing to the voyeur but does make for a stunning piece of experimental cinema.
Vera Chytilova just about pulls off one of the most difficult projects in expertly using experimental film making techniques to create a coherent feature length film that is both visually stimulating and entertaining. If that's pretentious, I'm glad.
I suppose in retrospect it can be seen as a frivolous product of the Prague Spring, but it does capture a delightfully naive strain of Swinging 60s optimism that was brutally crushed in 1968, one it would have been impossible to convey on screen thereafter. If you like 'Une Femme est Une Femme' or even 'Help!', you may like this...
V'ra Chytilová, like French Agnès Varda, is one of the still universally rare female Czech film directors, especially in the 1960's. By this, I do not mean to imply that female directors are not behaving like directors, but that their choice of topics and view of the world is bound to have, while not necessarly a gender, non- or anti-masculine touch, a certain feminine dimension.
Chytilová is best known for her Czech New Wave film Daisies (Sedmikrásky, 1966), which became also the film that established her international reputation. The film follows the antics of two characters, Marie I and Marie II, who engage in a series of destructive adventures in a surrealist atmosphere. Such techniques, in Chytilova's own words, "restrict [the spectator's] feeling of involvement and lead him to an under-standing of the underlying idea or philosophy."
Though famous for its experimentation in form and content, Daisies is also marked by witty imagery and visual puns, not unlike the work of the Dada artists of the 1920s who pushed the limits of artistic expression with cleverness and anarchic humor. Film historians point out Chytilová's debt to Luis Buñuel and other Surrealists. The inventive and visually striking cinematography is by Chytilová's second husband, Jaroslav Kucera.
Those familiar with Chytilova's background in philosophy discuss the film as nihilistic or existential, while cultural critics see it as a statement against materialism and consumerism in modern society. Others focus on the antics of the two Maries in search of a feminist reading.Read more ›
Most Recent Customer Reviews
Marvellous film by Vera Chytilova - two anarchic women doing crazy stuff but I know where they are coming from. Breaks some male myths as these women are not to be messed with. Read morePublished 10 months ago by LeBrit
The movie is a jewel, I cannot say anything else. As regards the seller, I reccommend it! In 4-5 days the parcel was in my hands, and I live in Rome :-D
Thanks, I will buy... Read more
Real score: 5 stars
Adjusted for Amazon reviewers getting it wrong: 5 stars (not necessary! Only one idiotic review and it hasn't really affected the rating)... Read more
I bought this for my sister because we saw it a while ago together and we really liked it but its impossible to find in the states. It's nice to finally own it!Published 22 months ago by Daniela Rodriguez
I'm not exactly sure how to describe this film but it's certainly a bit Dada, a bit surreal, a bit of Bunuel, a bit feminist, a bit psychedelic, a bit satirical and a bit... Read morePublished on 12 July 2014 by K E Lloyd
What the bloody chuff did I just watch!? Two girls decide that since the world has gone bad they should follow suit. Read morePublished on 2 July 2014 by Rob Simpson
Saw this first when I was 22 (1985) on BBC 2. A time when such was possible on TV. Alas no more
The times sure have changed : we have slided off to a horrible mess... Read more