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The Cutting Room Paperback – 1 May 2003

3.8 out of 5 stars 717 ratings

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Set in contemporary Glasgow, The Cutting Room is narrated by Rilke, one of the most engaging, flawed and hedonistic fictional creation of recent years. When this dissolute and promiscuous auctioneer comes upon a hidden collection of violent, and highly disturbing, erotic photographs, he feels compelled to unearth more about the deceased owner who coveted them. What follows is a compulsive journey of discovery, decadence and deviousness.

Product description

Review

The Cutting Room is a hugely commendable debut, assured and memorable. Crime fiction may have its prize-winner at last. -- The Independent

Astonishingly this is a first novel, catapulting Welsh straight into the superstar league, while establishing Rilke as a classic original. --
The Times

One of the most intriguing assured and unputdownable debuts to come out of Scotland in recent years. --
The Sunday Times

The year's most talked about crime debut. --
The Scotsman

This elegiac, elegant and atmospheric book is an original and compelling first novel. --
Daily Telegraph

About the Author

Louise Welsh is the bestselling author of The Cutting Room and Tamburlaine Must Die. She was chosen as one of Britain's Best First Novelists of 2002 by the Guardian, won The Crime Writers' Association Creasey Dagger for the best first crime novel, and the Saltire First Book of The Year Award, 2002. .

Product details

  • Publisher ‏ : ‎ Canongate Books
  • Publication date ‏ : ‎ 1 May 2003
  • Edition ‏ : ‎ Main
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 294 pages
  • ISBN-10 ‏ : ‎ 1841954047
  • ISBN-13 ‏ : ‎ 978-1841954042
  • Item weight ‏ : ‎ 249 g
  • Dimensions ‏ : ‎ 12.7 x 2.29 x 20.32 cm
  • Customer reviews:
    3.8 out of 5 stars 717 ratings

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Louise Welsh
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Customer reviews

3.8 out of 5 stars
717 global ratings

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Customers say

Customers find this book to be a fabulously gritty crime story with an utterly compelling character and superbly drawn style. The writing receives mixed reactions, with some finding it well written while others note excessive description. Customers disagree on the subject matter, with one describing it as a noir masterpiece while others find it difficult to engage with.

13 customers mention ‘Story quality’13 positive0 negative

Customers enjoy the story of this book, describing it as unusual and dark, with one customer noting its gritty crime elements.

"Did not enjoy. Good idea but too much about the 'hero's sex life for my liking and guessed the outcome half way through." Read more

"...for in a crime novel, it's here: nasty deeds uncovered, with plenty of suspense, action and consequences...." Read more

"...The story is incredibly dark, especially in the description of the seedy characters and establishments...." Read more

"...Thought opening chapters were brilliant but in middle I lost interest. But still finished it. Will try more by author as enjoy her writing." Read more

11 customers mention ‘Readability’11 positive0 negative

Customers find the book highly readable, with one customer noting it is exceptionally well written and another describing it as an old-fashioned modern novel.

"...It's an oddly timeless novel - it's set when it was written, but there's nothing much about modern life that intrudes for long, and the style is..." Read more

"The Cutting Room was recommended as one of the best British noir novels. It is indeed very strong stuff, both in terms of topic and substance...." Read more

"...I did this for a university course and thoroughly enjoyed it...." Read more

"This is an old fashioned modern novel; not a book a novel. Sop well written it just flows along. Thank you Louise Welsh." Read more

4 customers mention ‘Character development’4 positive0 negative

Customers appreciate the character development in the book.

"...There's a fabulous cast of characters and an examination of the grimier side of Glasgow that is done with love and care...." Read more

"I loved the Glasgow setting,also loved the character of Rilke and hoped it was someone Louise may bring back...." Read more

"...Rilke is an utterly compelling character, superbly drawn and the mystery that lies at the heart of the story keeps the reader turning every page in..." Read more

"A cracker of a book. Interesting characters, good story, and very very funny in places - though a mystery/thriller. Love the Glaswegian context." Read more

4 customers mention ‘Noir style’4 positive0 negative

Customers appreciate the noir style of the book, with one mentioning they loved the Glasgow setting.

"...Altogether, this is a great example of contemporary noir that will appeal to any reader with strong nerves." Read more

"I loved the Glasgow setting,also loved the character of Rilke and hoped it was someone Louise may bring back...." Read more

"Gritty, dark and riveting. I really enjoyed this." Read more

"very interesting and good tribute to noir lit" Read more

3 customers mention ‘Style’3 positive0 negative

Customers appreciate the book's style, describing it as superbly drawn, with one customer noting its easy beauty and another mentioning its timeless appeal.

"...nothing much about modern life that intrudes for long, and the style is timeless too...." Read more

"...Welsh's walking on the wild side central character, Rilke - very well drawn, is also a devotee of somewhat dangerous sexual encounters...." Read more

"...Rilke is an utterly compelling character, superbly drawn and the mystery that lies at the heart of the story keeps the reader turning every page in..." Read more

12 customers mention ‘Writing style’8 positive4 negative

Customers have mixed opinions about the writing style of the book.

"Love writing style. Difficult subject matter - images stayed with me for days!..." Read more

"...territory - threats, blood, police officers - though this section is light on specifics, shying away from filling in the picture in forensic detail...." Read more

"Beautiful descriptive writing with an underlying darkness and drama. Such a tough subject that is hard to marry with beautiful prose...." Read more

"...Welsh clearly writes well, as I verified for myself by the 'look inside' What I hadn't realised though was that there were sections which read..." Read more

8 customers mention ‘Subject matter’5 positive3 negative

Customers have mixed reactions to the subject matter of the book, with some finding it very strong while others describe it as difficult and gritty.

"...It is indeed very strong stuff, both in terms of topic and substance...." Read more

"...eye and imbued with a frisson of something strange; by the startling subject matter, not something I'd anticipated from reading the brief blurb on..." Read more

"Gritty, dark and riveting. I really enjoyed this." Read more

"Pretty strong stuff." Read more

3 customers mention ‘Readership’0 positive3 negative

Customers find the book unengaging and frustrating to read.

"Did not enjoy. Good idea but too much about the 'hero's sex life for my liking and guessed the outcome half way through." Read more

"I found this, in the end, a frustrating and annoying hybrid, and I was left somewhat bemused by the literary plaudits...." Read more

"...grotesques and although well enough written the book does not really engage this reader...." Read more

Top reviews from United Kingdom

  • Reviewed in the United Kingdom on 11 February 2021
    There's a sense of something suspicious from the off, as auctioneer Rilke takes on a job - a large house to clear; three weeks' worth of work yet he's given barely one to do it. There's plenty of money in the furniture, fabrics and ornaments; and plenty of money on offer to have the items cleared quickly. But then he finds an envelope of photographs, explicit and then some, and he becomes determined to find out what happened to the young woman featured in some of them, even though it's possible they were taken many years ago.
    I'm hooked from the start: by Rilke; by a Glasgow seen from the corner of the eye and imbued with a frisson of something strange; by the startling subject matter, not something I'd anticipated from reading the brief blurb on the back. And I'm interrupted by the part of my brain that keeps saying "but is it a crime novel?" The Cutting Room sits in that delightful place, a grey area. While crimes abound in the pages, a quarter of the way in and neither I nor Rilke are sure that a major crime, the sort that usually defines a crime novel, has occurred - and if it has, it may have been half a century ago, and a stone-cold case.
    It's a slow burn as Rilke tries to investigate the photographs, visiting a series of contacts of varying degrees of shady - there's a definite sense of menace in some of the scenes. And then suddenly we're firmly in familiar crime fiction territory - threats, blood, police officers - though this section is light on specifics, shying away from filling in the picture in forensic detail. We get answers, but not explanations - really, there are no good explanations to be had.
    It's an oddly timeless novel - it's set when it was written, but there's nothing much about modern life that intrudes for long, and the style is timeless too. There's a feel of faded grandeur, of shabbiness, and the style is also a reflection of Rilke - the surface is poised, precise, a little old-fashioned; underneath are depths and charged emotions.
    It's fashionable in some critical circles to say that a crime novel "transcends the genre". To me this generally means said critic hasn't picked up a crime novel in the last decade or more, because those of us who pick them up every week have already figured out the breadth and depth of the genre is pretty much limitless. I prefer to say of books like The Cutting Room - though right now I can't think of anything quite like this novel - that they show how far you can push the envelope.
    Whatever you look for in a crime novel, it's here: nasty deeds uncovered, with plenty of suspense, action and consequences. There's a fabulous cast of characters and an examination of the grimier side of Glasgow that is done with love and care. Above all there is an easy beauty and poetry in Welsh's writing, an eye for hidden frailties and suppressed emotion that lingers in the mind.
    9 people found this helpful
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  • Reviewed in the United Kingdom on 17 February 2022
    The Cutting Room was recommended as one of the best British noir novels. It is indeed very strong stuff, both in terms of topic and substance. The events in the book start to unfold when auctioneer Rilke is tasked with dissolving the household of a recently deceased gentleman in the wealthier suburbs of Glasgow. In the attic, Rilke finds a fine collection of erotic literature and some pictures that may be staged or may just be real. Rilke trawls Glasgow’s underbelly of human sins in his quest to find out more about the provenance of the pictures. The story is incredibly dark, especially in the description of the seedy characters and establishments. There are also many explicit descriptions of sexual acts that cleverly show the blurring between the protagonist and the object of his obsession. The literary style and cadence of the narrative also add to a strange sense of detachment. For instance, I sometimes got the sense that the book was set at a different time. There were also several jumps in the narrative that made me think that I had missed something, which transferred the protagonist’s confusion to me. Altogether, this is a great example of contemporary noir that will appeal to any reader with strong nerves.
    4 people found this helpful
    Report
  • Reviewed in the United Kingdom on 5 September 2013
    Love writing style. Difficult subject matter - images stayed with me for days! Thought opening chapters were brilliant but in middle I lost interest. But still finished it. Will try more by author as enjoy her writing.
  • Reviewed in the United Kingdom on 13 March 2014
    I loved the Glasgow setting,also loved the character of Rilke and hoped it was someone Louise may bring back. I did this for a university course and thoroughly enjoyed it. The auction house background was extremely interesting and it was great having an insight here. There is some very explicit sexual descriptions,to be honest it didn't bother me a jot as the story was so good. I now look forward to beginning The Girl on the Stairs.
    One person found this helpful
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  • Reviewed in the United Kingdom on 29 March 2020
    Beautiful descriptive writing with an underlying darkness and drama.

    Such a tough subject that is hard to marry with beautiful prose. Quite an achievement I would say.

    I had to give myself a break from reading at times, it felt intense looking through the window of a dark and shifty Glaswegian world.
    4 people found this helpful
    Report
  • Reviewed in the United Kingdom on 9 November 2021
    I found this, in the end, a frustrating and annoying hybrid, and I was left somewhat bemused by the literary plaudits.

    Welsh clearly writes well, as I verified for myself by the 'look inside' What I hadn't realised though was that there were sections which read somewhat like creative writing school workshop exercises - and seemed somewhat self conscious.

    Welsh's walking on the wild side central character, Rilke - very well drawn, is also a devotee of somewhat dangerous sexual encounters. Emotional intimacy isn't what he is after, but the adrenaline of anonymous, (but consensual) sex, is. There are very very graphic blow by blow job encounters.

    I did wonder if the writer, as well as the somewhat self-conscious literary moments, was also being somewhat self-consciously edgy and noir, and whether some of those plaudits was because the in detail and absolutely graphic nothing left to the imagination encounters of anonymous males with each other, was written by a woman.

    This almost seems to be within the territory of Shallow Grave/Trainspotting and Bret Easton Ellis, edgy edgy edgy, where edge itself is then seen as cool and truthful. Unremitting dark side is as missing nuance as unremitting safe Pollyanna land
    7 people found this helpful
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Top reviews from other countries

  • Anna Loest
    2.0 out of 5 stars Halfway through and bored to death
    Reviewed in Germany on 7 March 2023
    The story starts very promising: An old house, a dead man with a secret, an auctioneer (Rilke) who starts investigating pictures he found in the attic. And then there's just pages and pages of Rilke walking through Glasgow, meeting and making acquaintances, loads of talk about sex, endless descriptions of seemingly irrelevant people and looooong dialogues with hardly any content - all the while the story just doesn't move along. I'm now halfway through the book (and giving up), Rilke is no closer to finding out anything than he was at the beginning and I have lost interest along the way.
  • Lynn Hoffman, author:Radiation Days: A Comedy
    5.0 out of 5 stars Skilled Storyteller, Slightly Stained
    Reviewed in the United States on 1 January 2007
    "Oh purity: Is it still possible? Is it possible still to be pure again?"

    The question is asked by the poet Rainer Maria Rilke in one

    of his letters, but it is also the theme of this book, whose

    hero in the antiques auctioneer known only as Rilke. Rilke

    is a deeply flawed piece of work: he is not above misappropriating

    money or goods entrusted to him in the line of work. When

    circumstances warrant, he's perfectly willing to convey

    some drugs as a quid-pro-quo to a friend.

    And yet Rilke is ultimately, a very engaging, self-reflecting

    protagonist. In the course of clearing out the antiques

    from a home, he stumbles on some pornography that shocks

    him. (this in itself is no easy matter-his sex life consists

    of three anonymous encounters-in a park, a tavern's toilet

    and an rented room) The photos show what seems to be a

    sexual murder and Rilke is touched by compassion for the girl

    who appears to have been the victim.

    Even though the pictures are fifty years old, he decides to

    find out who this girl was and what happened to her.

    Unsurprisingly, his curiousity leads him to a world even less

    pure than his own and to the heart of a reality that is more

    chilling than death. Set in Glasgow, the book crackles with

    local color and language that lends a pleasant exoticism to

    the story. The writer's familiarity with the details of transient

    sexual encounters adds a certain gritty dailiness to our unlikely

    hero and this perfectly engaging tale.

    A skilled story-teller at work here in a place that's well past purity.

    --Lynn Hoffman, author of THE NEW SHORT COURSE IN WINE and

    the forthcoming novel bang BANG from Kunati Books.ISBN

    9781601640005
  • Ann
    5.0 out of 5 stars Perfect!
    Reviewed in Canada on 31 March 2022
    Fast shipping and very good quality. Thanks!
  • Kindle Customer
    4.0 out of 5 stars Read the other reviews then consider...
    Reviewed in the United States on 30 October 2015
    ... I'm too lazy to summarize the plot, detail the writing style, warn you about the adult themes, etc., but had to add my vote for this book. Well written, interesting, different. I usually never go wrong picking all my kindle reads based on one-star reviews, because most people just aren't as picky as me and life is too short to read the dreck people rave about on amazon. But in this rare case the free preview convinced me AND the writing quality bore up after (too often not the case!) so I'm glad I didn't listen to my old friends the nay-sayers, this once.
  • Sonpoppie
    3.0 out of 5 stars the journey is more interesting than the outcome
    Reviewed in the United States on 11 August 2018
    As one of the reviewers said the journey is more interesting than the outcome. The photographs, the netsuke, the antiques, the shady book seller are all interesting aspects. The plot is weak, the ending is weak, a cop out. This is a debut I believe and so I hope for a more resolved story next time. Warning of explicit gay sex.