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The Cutting Room Paperback – 1 May 2003
- Print length294 pages
- LanguageEnglish
- PublisherCanongate Books
- Publication date1 May 2003
- Dimensions12.7 x 2.29 x 20.32 cm
- ISBN-101841954047
- ISBN-13978-1841954042
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Product description
Review
Astonishingly this is a first novel, catapulting Welsh straight into the superstar league, while establishing Rilke as a classic original. -- The Times
One of the most intriguing assured and unputdownable debuts to come out of Scotland in recent years. -- The Sunday Times
The year's most talked about crime debut. -- The Scotsman
This elegiac, elegant and atmospheric book is an original and compelling first novel. -- Daily Telegraph
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
by Louise Welsh
CHAPTER 1
Never Expect Anything
'Beauty is truth, truth beauty,' - that is all
Ye know on earth, and all ye need to know.
John Keats,
'Ode on a Grecian Urn'
-
Never Expect Anything.
An old porter told me that my very first day. We called him Cat's Piss. Mr McPhee to his face but always Cat's Piss, or sometimes C. P. McPhee behind his back.
'Never expect anything, son. They'll tell you they've got the crown bloody jewels in their attic and all you'll get's guff. But sometimes - not often mind, just now and again - you'll go to the pokiest wee hole, a council estate, high-rise even, and you'll find a treasure. So keep an open mind, try and filter out the nonsense merchants, sure, but never look at a map and think there'll be nothing there for us, because you can be surprised. I've been here thirty-five years and I'm still surprised at what we find and where we find it.'
'Yes, Mr McPhee,' I'd said. Looking all the while at a pile of furniture reaching almost to the ceiling and thinking, You stupid old git, thirty-five years in this place.
I'd not been thinking of McPhee as I drove to the call. I'm twenty-five years at the auction house, forty-three years of age. They call me Rilke to my face, behind my back the Cadaver, Corpse, Walking Dead. Aye, well, I may be gaunt of face and long of limb but I don't smell and I never expect anything.
I didn't expect anything driving along the Crow Road towards Hyndland. I hadn't taken the message myself but the call sheet said, McKindless, three storeys plus attic, deceased, valuation and clearance. I didn't need to know anything else except the address and that was in my pocket.
I hate Hyndland. You'll find its like in any large city. Green leafy suburbs, two cars, children at public school and boredom, boredom, boredom. Petty respectability up front, intricate cruelties behind closed doors. Most of the town houses have been turned into small apartments. The McKind- less residence was the largest building in the street and the only one still intact. I parked and sat for a while looking at it. It dominated the road, a dark, sober facade intersected by three rows of darkened windows. No clue of what lay inside except you could bet it would be expensive. Tiny casement windows peeped from the slanted roof of the attic. More like five storeys in all including the basement. If we were lucky and the executor took our quote, this call might supply a whole sale. I was getting ahead of myself, there was nothing to say there was anything of use at all in the place - but the odds were for it. I turned the van into the driveway, noting the remnants of a garden. !
Last year's crocuses pushing through the long grass - whoever had lived here was well enough last spring to organise their garden, this spring it was them that was planted.
Never expect anything.
Cat's Piss should have added, 'But be prepared: anything may happen.'
I slicked back my hair and wondered if I should take Joan- in-the-office's advice and have it cut short. I had a feeling that perhaps a short-back-and-sides could be the prelude to romance for Joan - well, if Joan had been Joe I might have thought about it but the way things were I might as well keep my locks. Sure they were grey but they went with the look.
I took off my shades - it's only polite to make eye contact on the first meeting - rang the doorbell twice and waited. I was about to ring a third time when I heard footsteps. I had expected someone in their forties - wealth of this kind usually finds a fair few relations willing to help with the burden of tying up the estate - but when the door was opened it was by a woman who wouldn't be seeing eighty again. She was dressed like the respectable women from my childhood. Single string of pearls, heather twin-set, long tweed skirt, thick woollen tights and brogues. Her hair, though sparse, was set in stiff egg-white curls. Age had withered her. There was the beginning of a bend to her spine. She leant the whole of her weight, a good seven stone, against a plain wooden walking stick.
There was a crooked man and he had a crooked house.
'Mr Rilke, Bowery Auctions.'
I handed her my card and let her look me up and down. I could almost hear her assessment: hair bad, tie, shirt, suit good, cowboy boots bad. Well, she had a point, but they were genuine snakeskin.
'Madeleine McKindless. Come in.'
Her voice was young, with the authority of a school- teacher.
The stained glass of the front door cast a red glow across the hallway, a staircase with an ornately carved mahogany banister was to our left, the parquet floor laid with thinning Turkish rugs; this family had been rich for a long time. A heavy mahogany table stood to the right of the door. It was bare, none of the usual family photographs, and I guessed she'd been doing some clearing out already.
I knew in an instant there was no way we were going to get the job. It was just too big to trust to a local auction house. She was a fly old bird getting us in to do a valuation then playing us off against the big boys.
'Let's go into the kitchen. It's the only place I feel halfway comfortable in this mausoleum.'
She led me through the hallway and I followed her, slowly, down a set of stone steps worn thinner in the middle, by generations of McKindlesses no doubt. She favoured her left leg. I wondered if she was due a hip replacement and why she was making things hard for herself. Why take these stairs, with a whole house to choose from? The kitchen was on two levels, scullery on the lower level where I could make out an open door leading to the garden. A flask of coffee, some mugs and a plate of biscuits were already laid out on the huge kitchen table.
'My brother's home help laid out a refreshment for us. I suffer from arthritis and angina, among other things. I like to save my strength for non-domestic tasks.'
'Very sensible.'
A smell of burning drifted in from the garden. I walked to the door and looked out onto a well tended lawn at the end of which burnt a bonfire. A gnomic gardener jabbed at the flames with a long rake. He caught my stare and raised his free hand in a half-defensive wave, like a man staving off a blow. He lowered his cap over his eyes and fed papers from a black refuse sack into the flames. Madeleine McKindless's voice brought me back to the table.
'You come well recommended, Mr Rilke.'
'That's good to know - we've been doing business in Glasgow for over a hundred years.'
Her eyes glanced me up and down like the quick click of a camera shutter. A brief smile. 'I can believe it. My brother Roddy died three weeks ago, neither of us married, so I am left alone with rather a large task on my hands. You'll be wondering why I've called you in - you're a respectable firm but you're a small firm and it might have made more sense for me to go with one of the London houses.'
'It's an obvious question.'
'I want it done quick.'
Product details
- Publisher : Canongate Books
- Publication date : 1 May 2003
- Edition : Main
- Language : English
- Print length : 294 pages
- ISBN-10 : 1841954047
- ISBN-13 : 978-1841954042
- Item weight : 249 g
- Dimensions : 12.7 x 2.29 x 20.32 cm
- Customer reviews:
About the author

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Learn more how customers reviews work on AmazonCustomers say
Customers find this book to be a fabulously gritty crime story with an utterly compelling character and superbly drawn style. The writing receives mixed reactions, with some finding it well written while others note excessive description. Customers disagree on the subject matter, with one describing it as a noir masterpiece while others find it difficult to engage with.
AI Generated from the text of customer reviews
Customers enjoy the story of this book, describing it as unusual and dark, with one customer noting its gritty crime elements.
"Did not enjoy. Good idea but too much about the 'hero's sex life for my liking and guessed the outcome half way through." Read more
"...for in a crime novel, it's here: nasty deeds uncovered, with plenty of suspense, action and consequences...." Read more
"...The story is incredibly dark, especially in the description of the seedy characters and establishments...." Read more
"...Thought opening chapters were brilliant but in middle I lost interest. But still finished it. Will try more by author as enjoy her writing." Read more
Customers find the book highly readable, with one customer noting it is exceptionally well written and another describing it as an old-fashioned modern novel.
"...It's an oddly timeless novel - it's set when it was written, but there's nothing much about modern life that intrudes for long, and the style is..." Read more
"The Cutting Room was recommended as one of the best British noir novels. It is indeed very strong stuff, both in terms of topic and substance...." Read more
"...I did this for a university course and thoroughly enjoyed it...." Read more
"This is an old fashioned modern novel; not a book a novel. Sop well written it just flows along. Thank you Louise Welsh." Read more
Customers appreciate the character development in the book.
"...There's a fabulous cast of characters and an examination of the grimier side of Glasgow that is done with love and care...." Read more
"I loved the Glasgow setting,also loved the character of Rilke and hoped it was someone Louise may bring back...." Read more
"...Rilke is an utterly compelling character, superbly drawn and the mystery that lies at the heart of the story keeps the reader turning every page in..." Read more
"A cracker of a book. Interesting characters, good story, and very very funny in places - though a mystery/thriller. Love the Glaswegian context." Read more
Customers appreciate the noir style of the book, with one mentioning they loved the Glasgow setting.
"...Altogether, this is a great example of contemporary noir that will appeal to any reader with strong nerves." Read more
"I loved the Glasgow setting,also loved the character of Rilke and hoped it was someone Louise may bring back...." Read more
"Gritty, dark and riveting. I really enjoyed this." Read more
"very interesting and good tribute to noir lit" Read more
Customers appreciate the book's style, describing it as superbly drawn, with one customer noting its easy beauty and another mentioning its timeless appeal.
"...nothing much about modern life that intrudes for long, and the style is timeless too...." Read more
"...Welsh's walking on the wild side central character, Rilke - very well drawn, is also a devotee of somewhat dangerous sexual encounters...." Read more
"...Rilke is an utterly compelling character, superbly drawn and the mystery that lies at the heart of the story keeps the reader turning every page in..." Read more
Customers have mixed opinions about the writing style of the book.
"Love writing style. Difficult subject matter - images stayed with me for days!..." Read more
"...territory - threats, blood, police officers - though this section is light on specifics, shying away from filling in the picture in forensic detail...." Read more
"Beautiful descriptive writing with an underlying darkness and drama. Such a tough subject that is hard to marry with beautiful prose...." Read more
"...Welsh clearly writes well, as I verified for myself by the 'look inside' What I hadn't realised though was that there were sections which read..." Read more
Customers have mixed reactions to the subject matter of the book, with some finding it very strong while others describe it as difficult and gritty.
"...It is indeed very strong stuff, both in terms of topic and substance...." Read more
"...eye and imbued with a frisson of something strange; by the startling subject matter, not something I'd anticipated from reading the brief blurb on..." Read more
"Gritty, dark and riveting. I really enjoyed this." Read more
"Pretty strong stuff." Read more
Customers find the book unengaging and frustrating to read.
"Did not enjoy. Good idea but too much about the 'hero's sex life for my liking and guessed the outcome half way through." Read more
"I found this, in the end, a frustrating and annoying hybrid, and I was left somewhat bemused by the literary plaudits...." Read more
"...grotesques and although well enough written the book does not really engage this reader...." Read more
Top reviews from United Kingdom
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- Reviewed in the United Kingdom on 11 February 2021There's a sense of something suspicious from the off, as auctioneer Rilke takes on a job - a large house to clear; three weeks' worth of work yet he's given barely one to do it. There's plenty of money in the furniture, fabrics and ornaments; and plenty of money on offer to have the items cleared quickly. But then he finds an envelope of photographs, explicit and then some, and he becomes determined to find out what happened to the young woman featured in some of them, even though it's possible they were taken many years ago.
I'm hooked from the start: by Rilke; by a Glasgow seen from the corner of the eye and imbued with a frisson of something strange; by the startling subject matter, not something I'd anticipated from reading the brief blurb on the back. And I'm interrupted by the part of my brain that keeps saying "but is it a crime novel?" The Cutting Room sits in that delightful place, a grey area. While crimes abound in the pages, a quarter of the way in and neither I nor Rilke are sure that a major crime, the sort that usually defines a crime novel, has occurred - and if it has, it may have been half a century ago, and a stone-cold case.
It's a slow burn as Rilke tries to investigate the photographs, visiting a series of contacts of varying degrees of shady - there's a definite sense of menace in some of the scenes. And then suddenly we're firmly in familiar crime fiction territory - threats, blood, police officers - though this section is light on specifics, shying away from filling in the picture in forensic detail. We get answers, but not explanations - really, there are no good explanations to be had.
It's an oddly timeless novel - it's set when it was written, but there's nothing much about modern life that intrudes for long, and the style is timeless too. There's a feel of faded grandeur, of shabbiness, and the style is also a reflection of Rilke - the surface is poised, precise, a little old-fashioned; underneath are depths and charged emotions.
It's fashionable in some critical circles to say that a crime novel "transcends the genre". To me this generally means said critic hasn't picked up a crime novel in the last decade or more, because those of us who pick them up every week have already figured out the breadth and depth of the genre is pretty much limitless. I prefer to say of books like The Cutting Room - though right now I can't think of anything quite like this novel - that they show how far you can push the envelope.
Whatever you look for in a crime novel, it's here: nasty deeds uncovered, with plenty of suspense, action and consequences. There's a fabulous cast of characters and an examination of the grimier side of Glasgow that is done with love and care. Above all there is an easy beauty and poetry in Welsh's writing, an eye for hidden frailties and suppressed emotion that lingers in the mind.
- Reviewed in the United Kingdom on 17 February 2022The Cutting Room was recommended as one of the best British noir novels. It is indeed very strong stuff, both in terms of topic and substance. The events in the book start to unfold when auctioneer Rilke is tasked with dissolving the household of a recently deceased gentleman in the wealthier suburbs of Glasgow. In the attic, Rilke finds a fine collection of erotic literature and some pictures that may be staged or may just be real. Rilke trawls Glasgow’s underbelly of human sins in his quest to find out more about the provenance of the pictures. The story is incredibly dark, especially in the description of the seedy characters and establishments. There are also many explicit descriptions of sexual acts that cleverly show the blurring between the protagonist and the object of his obsession. The literary style and cadence of the narrative also add to a strange sense of detachment. For instance, I sometimes got the sense that the book was set at a different time. There were also several jumps in the narrative that made me think that I had missed something, which transferred the protagonist’s confusion to me. Altogether, this is a great example of contemporary noir that will appeal to any reader with strong nerves.
- Reviewed in the United Kingdom on 5 September 2013Love writing style. Difficult subject matter - images stayed with me for days! Thought opening chapters were brilliant but in middle I lost interest. But still finished it. Will try more by author as enjoy her writing.
- Reviewed in the United Kingdom on 13 March 2014I loved the Glasgow setting,also loved the character of Rilke and hoped it was someone Louise may bring back. I did this for a university course and thoroughly enjoyed it. The auction house background was extremely interesting and it was great having an insight here. There is some very explicit sexual descriptions,to be honest it didn't bother me a jot as the story was so good. I now look forward to beginning The Girl on the Stairs.
- Reviewed in the United Kingdom on 29 March 2020Beautiful descriptive writing with an underlying darkness and drama.
Such a tough subject that is hard to marry with beautiful prose. Quite an achievement I would say.
I had to give myself a break from reading at times, it felt intense looking through the window of a dark and shifty Glaswegian world.
- Reviewed in the United Kingdom on 9 November 2021I found this, in the end, a frustrating and annoying hybrid, and I was left somewhat bemused by the literary plaudits.
Welsh clearly writes well, as I verified for myself by the 'look inside' What I hadn't realised though was that there were sections which read somewhat like creative writing school workshop exercises - and seemed somewhat self conscious.
Welsh's walking on the wild side central character, Rilke - very well drawn, is also a devotee of somewhat dangerous sexual encounters. Emotional intimacy isn't what he is after, but the adrenaline of anonymous, (but consensual) sex, is. There are very very graphic blow by blow job encounters.
I did wonder if the writer, as well as the somewhat self-conscious literary moments, was also being somewhat self-consciously edgy and noir, and whether some of those plaudits was because the in detail and absolutely graphic nothing left to the imagination encounters of anonymous males with each other, was written by a woman.
This almost seems to be within the territory of Shallow Grave/Trainspotting and Bret Easton Ellis, edgy edgy edgy, where edge itself is then seen as cool and truthful. Unremitting dark side is as missing nuance as unremitting safe Pollyanna land
Top reviews from other countries
Anna LoestReviewed in Germany on 7 March 20232.0 out of 5 stars Halfway through and bored to death
The story starts very promising: An old house, a dead man with a secret, an auctioneer (Rilke) who starts investigating pictures he found in the attic. And then there's just pages and pages of Rilke walking through Glasgow, meeting and making acquaintances, loads of talk about sex, endless descriptions of seemingly irrelevant people and looooong dialogues with hardly any content - all the while the story just doesn't move along. I'm now halfway through the book (and giving up), Rilke is no closer to finding out anything than he was at the beginning and I have lost interest along the way.
Lynn Hoffman, author:Radiation Days: A ComedyReviewed in the United States on 1 January 20075.0 out of 5 stars Skilled Storyteller, Slightly Stained
"Oh purity: Is it still possible? Is it possible still to be pure again?"
The question is asked by the poet Rainer Maria Rilke in one
of his letters, but it is also the theme of this book, whose
hero in the antiques auctioneer known only as Rilke. Rilke
is a deeply flawed piece of work: he is not above misappropriating
money or goods entrusted to him in the line of work. When
circumstances warrant, he's perfectly willing to convey
some drugs as a quid-pro-quo to a friend.
And yet Rilke is ultimately, a very engaging, self-reflecting
protagonist. In the course of clearing out the antiques
from a home, he stumbles on some pornography that shocks
him. (this in itself is no easy matter-his sex life consists
of three anonymous encounters-in a park, a tavern's toilet
and an rented room) The photos show what seems to be a
sexual murder and Rilke is touched by compassion for the girl
who appears to have been the victim.
Even though the pictures are fifty years old, he decides to
find out who this girl was and what happened to her.
Unsurprisingly, his curiousity leads him to a world even less
pure than his own and to the heart of a reality that is more
chilling than death. Set in Glasgow, the book crackles with
local color and language that lends a pleasant exoticism to
the story. The writer's familiarity with the details of transient
sexual encounters adds a certain gritty dailiness to our unlikely
hero and this perfectly engaging tale.
A skilled story-teller at work here in a place that's well past purity.
--Lynn Hoffman, author of THE NEW SHORT COURSE IN WINE and
the forthcoming novel bang BANG from Kunati Books.ISBN
9781601640005
AnnReviewed in Canada on 31 March 20225.0 out of 5 stars Perfect!
Fast shipping and very good quality. Thanks!
Kindle CustomerReviewed in the United States on 30 October 20154.0 out of 5 stars Read the other reviews then consider...
... I'm too lazy to summarize the plot, detail the writing style, warn you about the adult themes, etc., but had to add my vote for this book. Well written, interesting, different. I usually never go wrong picking all my kindle reads based on one-star reviews, because most people just aren't as picky as me and life is too short to read the dreck people rave about on amazon. But in this rare case the free preview convinced me AND the writing quality bore up after (too often not the case!) so I'm glad I didn't listen to my old friends the nay-sayers, this once.
SonpoppieReviewed in the United States on 11 August 20183.0 out of 5 stars the journey is more interesting than the outcome
As one of the reviewers said the journey is more interesting than the outcome. The photographs, the netsuke, the antiques, the shady book seller are all interesting aspects. The plot is weak, the ending is weak, a cop out. This is a debut I believe and so I hope for a more resolved story next time. Warning of explicit gay sex.

