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Croz
 
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Croz

28 Jan. 2014 | Format: MP3

8.99 (VAT included if applicable)
Buy the CD album for 13.25 and get the MP3 version for FREE. Does not apply to gift orders.
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3:49
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3:49
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3:41
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4:00
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3:46
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4:59
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5:57
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3:41
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5:06
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Digital Booklet: Croz
n/a
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Product details

  • Original Release Date: 28 Jan. 2014
  • Release Date: 28 Jan. 2014
  • Label: Blue Castle Records
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 47:05
  • Genres:
  • ASIN: B00HV0JISM
  • Average Customer Review: 4.5 out of 5 stars 79 customer reviews
  • Amazon Bestsellers Rank: 32,024 in Albums (See Top 100 in Albums)

Customer Reviews

4.5 out of 5 stars
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Top Customer Reviews

Format: Audio CD
When the news broke last year that David Crosby was working on a new solo album it came as a surprise to most. It's been twenty years since his last release and to be honest his solo career has been fairly undistinguished apart from 1971's If I Could Only Remember My Name.

Crosby has been content to be in the background for decades, but for whatever reason he's decided that now the time is right to prove to himself and others that he can still do it - and with Croz he largely succeeds in this.

He's always been an idiosyncratic songwriter though - for example it's hard to imagine that many other people would casually drop the phrase "cognitive dissonance" into their lyrics, as he does in Time I Have - but in Crosby's hands this sounds perfectly natural.

Time I Have (a song about how he doesn't want to spend his remaining years dealing with fear and anger) is an early highlight of a consistent set of songs that chug along nicely in a largely mid-tempo mood. Production is sparse and uncluttered with bass, acoustic and lead guitar very much to the fore.

There are several big-names players who guest, Mark Knopfler adds guitar to What's Broken and Wynton Marsalis plays trumpet on Holding on to Nothing. But it's Crosby who dominates, with his much-admired harmonies wrapping the whole album in a 1970's West Coast AOR vibe.

Lyrically, various topics are touched upon - prostitution on If She Called and Crosby's own addictive past on Set That Baggage Down. But although the lyrics are sometimes dark, there's still an optimistic vibe to the music.

Crosby has joked that the album should sell about nineteen copies, since his profile is pretty low, particularly amongst younger music fans. But Croz is a strong album that should be enjoyed by most people who come across it and good word of mouth could make it a surprise hit.
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I held back on reviewing this to give it the test of time. Not that it disappointed from the outset, far from it, but felt I could add little to the glowing reviews already posted, and thought I would give it the benefit of a few weeks getting to know it. And I now know it like the back of my hand 'cos it's hardly been out of the CD tray in all that time as it really is that good. Crosby always had his own unique style and genre ('jazz-folk-rock'?) and this album is smoother and jazzier than any of his previous albums, but it suites him well and is all the better for it. Unmistakenly Croz, but he hasn't tried to re-make past glories but make an album that sounds of his age whilst being bang up to date.....and he's succeeded on all levels as far as I'm concerned. An absolute gem.
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Format: MP3 Download
Whereas Neil Young's psychedelic pill and Stephen Still's The Rides have been rather nostalgic efforts David Crosby keeps his freak flag high with "Croz". Although the style is much like CPR: elegant West Coast with a hint of Steely Dan the songs are fresh, the lyrics intelligent, his voice in finest shape.

Backed by the current CSN rhythm section Kevin McCormick om some elegant bass, Stevie D. on drums and son James Raymond - who also acts as co-producer and writer - on keyboards no one can argue against the musical quality. Add some discreet but prolific guest spots by the likes of Mark Knopfler and Wynton Marsalis and I think this is going to be an album that will stand the test of time and probably only be growing. Surely it will not be a grammy succes like McCartney's "New" but definitely another testament that age is not a hindrance for creativity.

A few of the songs have been road tested "Slice Of Time" and "Radio" with CN and CSN but all of the songs sounds mature with not a false note around.

Giving his often told background and history it's amazing Crosby is still alive - even more amazing he seems to be stronger than ever.
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Format: Audio CD
Strange that - Arguably, Crosby's work with CPR turned out to be some of the most fruitful and beautiful music since "If Only".
Having been reunited with his long lost son (James Raymond) and been to hell and back more times than can be imagined, he seemed to find a completely new cause to his life and the two studio albums reflected that.

As for the new album "Croz", well, this is just beautiful from start to finish. Full of the strange tuning jazzy chords which are his trademark, its beauty reveals itself piece by piece to make a complete whole. Faultless production and in the final analysis, just a joy to listen to.
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By Sid Nuncius #1 HALL OF FAMETOP 50 REVIEWER on 27 Jan. 2014
Format: Audio CD
What a relief! The comeback of a musician I have always admired after 20 years, much of them spent in turmoil and rehab, could have been dreadful but I think this is a really good album. It's taken quite a few listens to settle in, but I'd expect that from David Crosby - you don't turn to his music for undemanding comfort food.

It's sobering to realise that it's nearly 45 years since I first heard Guinevere and Wooden Ships, because after all those years they are still among my favourite tracks ever. Those elements which made Crosby's music so brilliant and distinctive back then are still evident in many places on this quite varied album: the modal, broken guitar chords in untypical sequences, the meandering almost recitative-like interludes and the great, often beautiful, often thrillingly singable passages all feature strongly. It doesn't always work for me here (as it didn't always then), but for the great majority of this album it works really well.

There's quite an introspective air over the album. The feel of the tracks varies from the harmonically rich and fairly jazzy like the opener What's Broken and Set That Baggage Down through the quite beat-driven (like The Clearing) to the spare and quite amazing If She Called, a song about the emotional turmoil of a prostitute. The lyrics are diverse and generally very good, often reflecting on the vicissitudes of life and moving on from damage and pain. You know, too, that when he sings "I'm a troubled soul searching for peace in the night," in the lovely Dangerous Night, for example, it comes from deep experience and is a lot more than just another song lyric.
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