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Crimson/Red
 
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Crimson/Red

7 Oct. 2013 | Format: MP3

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Song Title
Time
Popularity Prime  
30
1
3:49
30
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3:42
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4:28
30
4
3:27
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3:41
30
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4:37
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6:00
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3:48
30
9
2:50
30
10
4:22
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Product details

  • Original Release Date: 7 Oct. 2013
  • Release Date: 7 Oct. 2013
  • Label: Icebreaker Records
  • Copyright: 2013 Kitchenware Records Ltd in association with Shamrock Solutions Ltd and Caldergrove LLP under exclusive licence to Icebreaker Creative Industries Ltd
  • Total Length: 40:44
  • Genres:
  • ASIN: B00FJX6SJ0
  • Average Customer Review: 4.7 out of 5 stars 125 customer reviews
  • Amazon Bestsellers Rank: 15,875 in Albums (See Top 100 in Albums)

Customer Reviews

4.7 out of 5 stars
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Top Customer Reviews

Format: Audio CD
"You surely are a truly gifted kid / But you're only as good as the last great thing you did." These famous words from the Prefab Sprout song "Moving the River" echo in my mind as I listen to the new album "Crimson/Red" for the umpteenth time. Yes, songwriter Paddy McAloon is undoubtedly truly gifted, and this the last great thing he did makes him better than ever before.

"Crimson/Red" is nothing short of a miracle. McAloon has fought with eye problems and hearing problems for several years which would have broken lesser men, but notwithstanding these obstacles he managed to rise above them all to create an album so full of energy, confidence and musical intelligence it's truly heartwarming. Just listen to such a sweet gem of a pop song that is "Billy", and all cynical doubts about the power of music are dissolved. Or listen to such a slick and elegant number as "The Best Jewel Thief In the World", and you realize that Paddy McAloon is performing at the top of his game here.

"Crimson/Red" is really a record that wasn't meant to be. For contractual reasons, McAloon had to quickly pick these ten songs and then managed to record them at hyperdrive speed: it took less than two months to complete the album. The songs were picked from his unreleased projects, some of them date from 1997 ("Grief Built the Taj Mahal", "The Old Magician"), others were written in 2011 ("Billy"). It's safe to say that "Crimson/Red" is a kind of "greatest hits" album culled from McAloon's famously vast archive of unreleased songs.

Because of his health problems, Paddy McAloon was forced to play all instruments himself on the album. And he certainly deserves credit for making the record sound lively and timeless.
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With their best album since the sublime Steve McQueen, Prefab Sprout are back with a bang, and the Old Magician himself, Paddy McAloon is on the toppest of top form. Bacharach and David, McCartney, Brian Wilson, Cole Porter - these are the standards by which you can measure Crimson/Red, and the combination of brilliantly witty and poignant lyrics, and melodic magnificence is here displayed in what Mr McAloon calls the 'strophic form' - magical choruses that lift the songs to new heights. This is one of those albums, Like Absent Friends by Divine Comedy, or Rattlesnakes by Lloyd Cole, where every track is a standout. In another review on here someone said he manages to make every song both immediately catchy and yet with something new to discover with each fresh hearing, and that is spot on. The List of Impossible Things is a yearningly emotional elegy, with lines like, "Sleeping on cold stone floors, engaged in some new noble cause; stretch out your hands to hold a grandeur that won't be controlled". The Old Magician brings tears to the eyes and Billy - well, I guarantee you'll be singing it around the house after two listens. This is unmissably good pop music.
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Format: Audio CD
I'll start by saying that I am a long term Sprouts fan and have eagerly awaited the release of this album. The downside of being a Sprouts fan is that you end up with high expectations. Given the quality of the songs that have gone before, I was highly sceptical about any early comparisons with Steve McQueen and Jordan the Comeback. I've had the album for the best part of a week now and have played it around half a dozen times.

I'll start with the not so good.

Firstly, the album only has 10 songs lasting about 40 minutes. Like any Sprout fan, we would actually want more! Secondly, there are aspects of the production that are not particularly strong. That hasn't caused me too much concern, except when I have tried to play the CD in my car, or listen to it with headphones. Even on high quality headphones, Paddy's voice does not stand apart from the music. In an open room, however, production issues don't cloud what is good about this album, and that is the songs. Third, and I only say this so as to use an exception to prove a point. 'List of Impossible Things' is the one song on the album that has me singing the lyrics of an older Prefab Sprout song along to it. That older song is Dandy of the Danube, one of the B side songs from the King of Rock and Roll single. It's not that the songs are even similar, there is just a hint of similarity. That, however, doesn't stop List of Impossible Things from being a pretty good tune, however. The point I was trying to make is that the other 9 songs don't sound like reworkings of anything that has gone before. Delivering a set of fresh tunes is a challenge for any artist.

Now The Good;

This is a damn fine set of songs and no filler at all on this album.
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I was first introduced to Prefab Sprout, their music, I mean, I've never actually met them, though I should just say him, really, these days, meaning Paddy M., who always was anyway the main man or head honcho, by a school friend by the name, funnily enough, or I find it funny anyway, and did, of Flinders McGrath, at around the time that the 'Swoon' album was released, and oh, what joy I suffered, a mere boy, a mere boy awash with all those adolescent thoughts and feelings, adrift on an ocean of hormones and all that. McGrath and I would climb to the top of a tree, and with the aid of a very long extension cord, listen to that LP while looking out, and down, on our old hometown. I even petted quite heavily with a girl on a Welshman's bed to the tune of 'Steve McQueen', the record not the man. And having listened to this one twice now, on earphones, my resolve to do away with myself, such is my sorrow at time's passage, so sweet does the maestro's voice remain, is only stiffened.
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