The Creative Habit: Learn It and Use It for Life MP3 CD – 20 May 2014
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"[An] exuberant, philosophically ambitious self-help book for the creatively challenged."
-- "The New York Times Book Review"
"An entertaining 'how to' guide, "The Creative Habit" isn't about getting the lightning bolt of inspiration, but rather the artistic necessity of old-fashioned virtues such as discipline, preparation and routine."
-- Cathleen McGuigan, "Newsweek"
""The Creative Habit" emphasizes the work habits that lead to success."
-- C. Carr, "O: The Oprah Magazine"
"Twyla Tharp's amazingly plain-spoken treatise...is a frank, honest, and tough-love testament essentially arguing that art and creativity are matters of hard, old-fashioned work."
-- Sid Smith, "The Chicago Tribune"
"[A]s accessible, smart and eye-opening as her dance."
-- Linda Winer, "Newsday"
"Though its context is a choreographer's world, its principles are universally applicable and sound....It could change your life."
-- Elizabeth Zimmer, "The Village Voice" --This text refers to an out of print or unavailable edition of this title.
About the Author
Twyla Tharp, one of America's greatest choreographers, began her career in 1965, and has created more than 130 dances for her company as well as for the Joffrey Ballet, The New York City Ballet, Paris Opera Ballet, London's Royal Ballet, and American Ballet Theatre. She has won two Emmy awards for television's "Baryshnikov by Tharp, " and a Tony Award for the Broadway musical "Movin' Out." The recipient of a MacArthur Fellowship, she was inducted into the American Academy of Arts & Sciences in 1993 and was made an honorary member of the American Academy of Arts and Letters in 1997. She lives and works in New York City. --This text refers to an out of print or unavailable edition of this title.
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Top Customer Reviews
There may not be any stunning new insights here, but no matter - the author has an unique viewpoint and ability to cast new light and original metaphors onto the usual concepts (example; an artist needs to be aware of and true to their "creative dna") And, in a way that's the strength and the point of the book - like it or not, creativity comes with hard graft and habit. Doesn't sound romantic, but it is strangely comforting - after reading you are left with a sense that you knew all this anyway - you just aren't applying yourself with enough commitment and discipline! This in itself makes the enormity of the task ahead somewhat more acheivable, and within your grasp.
As an ex-dancer, the language used resonates well with me (walking into an empty white room), and its great to see an emphasis on the importance of physical intelligence, but the author draws on such a fascinating and wide range of examples from other media, it is appropriate for all artists.
Twyla has a refreshingly direct conversational style which, though not for everyone (the colloquialisms annoy my husband) cuts through any attempts of artistic ego and pretentions (example - "Someone has done it before? Honey, it's all been done before....Get over yourself" but it is nevertheless thoroughly detailed (memory and skill being two things that are given multiple categories).
A good, illuminating book.
Twyla Tharp, the world famous choreographer, now in her sixties, details with clarity, style and authority how to keep yourself productive and motivated even when you think you've run completely out of enthusiasm.
She writes about the structure and organisational aspects of creative projects - 'Before you can think out of the box, you have to start with a box'; scratching for new ideas in potentially fertile places, like scratching a lottery ticket to see if you've won; mastering the underlying skills of your creative domain and building your creativity on the solid foundations of those skills; getting out of ruts (stuckness) and creating grooves (productive flow).
The habits she describes are woven together with stories from her long career and anecdotes from her wide-ranging creative friendships. Unlike other books I've read on the topic of active creativity, she includes a chapter on what a creative life means in 'the long run'. How the great masters continue to grow and develop their skill over many decades.
The Creative Habit is a personal account of what works by someone who's lived a vibrantly successful creative life. Twyla Tharp's writing is sharply intelligent and has real authority and vitality to it.
The Creative Habit is a remarkable book on creative activities that anyone involved in dance, music, painting, sculpting, writing or theater will find very relevant. If you have a good imagination, you will also be able to extend the concepts here to other fields that require creativity such as business.
Where most books on creativity focus on helping you get into a brief creative groove, Ms. Tharp's work focuses on having that groove all the time in your life. Her book is informed by not only her own very creative career . . . but also by extensive contact with other creative people and having read about how others have created in the past. I found her to be the best read person on creativity whose writing I have seen.Read more ›
It would be a mistake to ignore the reference to "habit" in their titles because almost three decades of research conducted by K. Anders Ericsson and his associates at Florida State University clearly indicate that, on average, at least 10,000 hours of must be invested in "deliberate," iterative practice under strict and expert supervision to achieve peak performance, be it playing a game such as chess or playing a musical instrument such as the violin. Natural talent is important, of course, as is luck. However, with rare exception, it takes about ten years of sustained, focused, supervised, and (yes) habitual practice to master the skills that peak performance requires.
Tharp characterizes this book as a ""practical guide" but she also frames much of its material within a spiritual context. The creative process can probably be traced back to the earliest humans and yet so much of it remains a mystery. When Henri Matisse was asked if he was always painting, he replied, "No but when the muse visits me, I better have a brush in my hand." Of course, he was also prepared to transform an in inspiration into a work of art...and did on countless occasions.
In the first chapter, Tharp acknowledges what she characterizes as "a philosophical tug of war...It is the perennial debate, born in the Romantic era, between the beliefs that all creative acts are born of (a) some transcendent, inexplicable Dionysian act of inspiration, a kiss from God on your brow that allows you to give the world The Magic Flute, or (b) hard work.Read more ›
Most Recent Customer Reviews
good book. worth to spend time. Could be maybe more structured. I enjoy itPublished 6 months ago by Igor_Homka
Enjoyable and inspirational read giving insights into the creative process from a leading choreographer. Read morePublished 10 months ago by Richard Pearce
as needing to be more fucusd in the design process I felt I needed additional training to help me focusPublished 14 months ago by Steff
This book is a very practical and insightful guide to increasing your creativity. It takes the mystery out of the process and makes it a possibility for anyone who is willing to... Read morePublished 18 months ago by Helen
This book helped me a lot in my writing skills.I have gained more confidence in my own abilities.Published 18 months ago by peter sagar
She is like that tough teacher, killing you for not pulling your weight and making excuses. I really enjoyed her style of writing and I've recommended it to othersPublished 19 months ago by Lorosae