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3.5 out of 5 stars 44 customer reviews

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Product details

  • Actors: Rosanna Arquette, Holly Hunter, Elias Koteas, Howard Shore, James Spader
  • Directors: David Cronenberg
  • Format: PAL, Widescreen, Colour
  • Language: Italian
  • Subtitles: Italian
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 16:9 - 1.85:1
  • Number of discs: 1
  • Classification: 18
  • Studio: Filmauro
  • Run Time: 97.00 minutes
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (44 customer reviews)
  • ASIN: B0041KXPR0
  • Amazon Bestsellers Rank: 323,667 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Product Description

un produttore, sopravvissuto ad un incidente stradale, conosce e inizia a frequentare insieme a sua moglie un gruppo di persone eroticamente attratte da velocita' e incidenti stradali.*premi e riconoscimenti1998 - 40 i migliori film contemporanei [national film and television archive]1996 - premio della giuria festival di cannes

Customer Reviews

Top Customer Reviews

Format: DVD Verified Purchase
Not to be confused with this years Oscar winning sensation, you can't help but conclude that Crash 2005 must be referencing its older namesake with the opening dialogue... "We're always behind this metal and glass. I think we miss that touch so much that we crash into each other just so we can feel something." Crash 2005 is a blockbuster on the controversial subject of racial tensions in Los Angeles.
Crash 1996 was just plain... controversial.

A decade ago the British press ran a series of front page appeals for governmental pressure to ban a new film which they'd described as "Beyond the bounds of depravity."
The 1973 J.G Ballard novel, on which the film is based, had long been a favourite of mine but as the controversy raged on throughout the summer of `96' it became apparent that the film may never be shown in the U.K. Crash had already been released in France, so by the time this idiocy hit the point where an audience of paraplegics were invited for a special screening to see if they were offended or not, I had no choice but to leave for Paris where exactly one year later Ballard's `cautionary tale' of car crash celebrity deaths would reach an apotheosis of sorts in an underpass at the Pont D'Alma.

Described by its author as "the first pornographic novel about technology" the book is about a group of car crash survivors who, led by deranged T.V scientist Vaughn, see the car crash as a new form of sexual perversion. Vaughn's ultimate fantasy is to die in a head-on collision with the actress Elizabeth Taylor who, throughout the 60's and 70's was the Princess Diana of her day; constantly hounded by the press and ultimately crucified on the beam of her own celebrity.
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Format: VHS Tape
I didn't know what to expect from previous reviews of this film, but I was pleasantly surprised. I was most impressed by the daring of the actors involved. In fact I think fans of James Spader won't be disappointed. This is a typical James Spader movie in which he plays a stereotypical cold and aloof James Spader (but that's why we like him). How many recognizable male Hollywood actors would put their carefully constructed image on the line by engaging in an erotic scene with another male actor? Not many. But fortunatley for us Spader doesn't put commercial limits on the parts he chooses to take.
Bisexuality seems to be a recurrent theme amongst Cronrnberg's most recent movies i.e. 'Dead Ringers', 'Naked Lunch' and 'Madame Butterfly'. It's an acknowledgement of that perennial Cronenberg theme, the dominance of the physical over the mental. The characters give free rein to their desires unburdened of society's restrictive mores and conventions. Their criteria for indulging in these rather eccentric pleasures is whether it excites them or not, society's prejudiced definitions of right and wrong don't enter the equation.
As for the idea that [adult relations] and cars go together, this has always been prevelant in our culture, "fast cars, fast women" as the saying goes. The thrill of stepping on the gas has conveyed an orgasmic high in countless films, books and songs. The auto industry readily endorses it if it can sell more cars.
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By A Customer on 5 Mar. 2001
Format: DVD
Ballard may have been out to explore the "connections between sex and technology", but I have not read the book and would say the film is more concerned with the connection and contrast between sex and death. By risking their bodies and lives in car crashes, the Crash fetishists amplify their vulnerability in order to intensify their pleasure in sex. The film is slow, but this gives the viewer time to become absorbed in the fetish; as one's natural inclination is to dismiss it as repulsive, unlikely and absurd. I would suggest that anyone who is easily disturbed should not watch this film - it is not a "great" film, so why risk upsetting yourself? But if you're up for it, climb aboard for an intellectually stimulating dark ride. The film leaves us to ponder the attraction of such a fetish: facing/embracing death and so life, breaking out from the modern cosseted world, defining ones own reality, exploring vulnaribility...
Incidentally, if you enjoyed Videodrome you will probably enjoy this.
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Format: VHS Tape
Cronenburg always has a serious point to make in his films, and there's no point watching this film unless you are prepared to examine the reasons for making the film.
The film is set in the near future where society has enveloped itself with technology; the characters are made safe from any danger by this, but find themselves almost instinctively bored; they have a jaded attitude towards most things, and they seek refuge from the pervasive torpor that surrounds them by seeking thrills in more and more extreme ways, leading to the now-infamous car crash fetishism scenes; they derive a sense of being alive by experiencing the few seconds of mayhem that occur during the impact of vehicles.
So this film examines the need for danger and excitement in peoples' lives; forget the fuss caused by the censors back when it was released - this film is way above the level of 'pornography', as I believe Alexander Walker of'The Daily Mail' described it.
If you're prepared to make a leap in how you think about things at a basic level, then try this film; it's not perfect, but it's got something to say...
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