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Craftsman's Handbook (Dover Art Instruction) Paperback – 1 Jun. 1954
by
Cennio D'Andrea Cennini
(Author)
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Print length142 pages
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LanguageEnglish
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PublisherDover Publications Inc.
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Publication date1 Jun. 1954
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Dimensions13.69 x 0.97 x 20.22 cm
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ISBN-109780486200545
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ISBN-13978-0486200545
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Product details
- ASIN : 048620054X
- Publisher : Dover Publications Inc.; 2nd Edition (1 Jun. 1954)
- Language : English
- Paperback : 142 pages
- ISBN-10 : 9780486200545
- ISBN-13 : 978-0486200545
- Dimensions : 13.69 x 0.97 x 20.22 cm
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Best Sellers Rank:
80,571 in Books (See Top 100 in Books)
- 74 in Printmaking (Books)
- 128 in Decorative Arts
- 542 in Other Art Media & Techniques
- Customer reviews:
Product description
From the Back Cover
This is D. V. Thompson's definitive English translation of Il Libro dell'Arte, an intriguing guide to methods of painting, written in fifteenth-century Florence. Embodying the secrets and techniques of the great masters, it served as an art student's introduction to the ways of his craft.
Anyone who has ever looked at a medieval painting and marveled at the brilliance of color and quality of surface that have endured for 500 years should find this fascinating reading. It describes such lost arts as gilding stone, making mosaics of crushed eggshell, fashioning saints' diadems, coloring parchment, making goat glue, and regulating your life in the interests of decorum--which meant shunning women, the greatest cause of unsteady hands in artists. You are told how to make green drapery, black for monks' robes, trees and plants, oils, beards in fresco, and the proper proportions of a man's body. (I will not tell you about the irrational animals because you will never discover any system of proportion in them.) So practical are the details that readers might be tempted to experiment with the methods given here for their own amusement and curiosity.
Today artists are no longer interested in specific directions on keeping miniver tails from becoming moth-eaten. The Craftsman's Handbook, in which these are ordinary parts of the artist's work, appears quaint and naïve to us. And that is much of its charm. But when we remember the magnificent mosaics, paintings, and frescoes these methods produced, the book takes on an even greater value as a touchstone to another age.
Recommended to the student of art.--Craft Horizons.
Obviously of great merit.--Art Material Trade News.
Delightful flavor.--New York Herald Tribune.
Recommended in Harvard List of Great Books on Art, Shaw's List of Books for College Libraries.
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4.8 out of 5 stars
4.8 out of 5
117 global ratings
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I first encountered this classic whilst still at college. I suffered from a tutor who equated modern conveniences like pre-stretched canvases and commercially made panels with laziness. (We all suspected that he would have liked us to spend our first years grinding our own pigments and boiling glue from hides.) I inadvertently gained his approval by using old wood scavenged from skips and material bought from jumble sales and street markets so I could afford new LPs.
While searching for information on turning my finds into good painting surfaces I came across Cennini and was fascinated. Not only does this give a detailed insight into the work of a 15th century Florentine studio but also makes any painter of today profoundly grateful for the materials that we have at our fingertips. Even if you don't want to make your own brushes or roast your charcoal from scratch - two processes that have changed little over the years - there is a lot that can be learnt from this little book.
Any painter or student of art history will enjoy this and I recommend it.
While searching for information on turning my finds into good painting surfaces I came across Cennini and was fascinated. Not only does this give a detailed insight into the work of a 15th century Florentine studio but also makes any painter of today profoundly grateful for the materials that we have at our fingertips. Even if you don't want to make your own brushes or roast your charcoal from scratch - two processes that have changed little over the years - there is a lot that can be learnt from this little book.
Any painter or student of art history will enjoy this and I recommend it.
One person found this helpful
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Reviewed in the United Kingdom on 19 January 2015
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This is a most interesting little book. It was written by Cennini in the 15th century and is full of all sorts of interesting points and advice for aspiring artists. It is a real little curiosity, written, of course, for artists of his time and therefore some of the advice is rather strange, for example, how to make a good black out of oak galls. Luckily, we do not have to go down that road now. However, is is an invaluable little book especially for artists who are interesting in getting involved in conservation as it teaches procedures used during the Renaissance. I would recommend this for anyone interested in art.
7 people found this helpful
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Reviewed in the United Kingdom on 13 April 2019
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Bought this as my interest is calligraphy and writing in general, especially quills. Learnt a lot about colours from the book and am steadily going through it learning all the way.
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Reviewed in the United Kingdom on 19 March 2021
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A must for any artist interested in technique - fascinating.
Reviewed in the United Kingdom on 24 February 2009
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A fascinating book and a good insight into medieval and early Italian Renaissance painting techniques. The information is surprisingly easy to rear and Cennino's spirit fills each page. There's not a great deal for the modern artist apart from inspiration, although some of the sections on gilding remain surprisingly relevant. A rite of passage for any serious painter. I'd like to update my rating but I accidentally clicked three stars and don't seem to be able to edit it!
23 people found this helpful
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Reviewed in the United Kingdom on 21 March 2019
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this is a classic
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Reviewed in the United Kingdom on 5 May 2015
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Bought as a present for an art history student who is completely a course. She absolutely loves it and says it gives her another dimension to understanding painting technique in this era.
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Reviewed in the United Kingdom on 8 May 2016
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Book was recommended by a friend. Only read a particular chapter, but found it very useful
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