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Contact [Blu-ray] [1997] [Region Free]

4.5 out of 5 stars 321 customer reviews

Price: £5.85 & FREE Delivery in the UK on orders over £20. Details
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Frequently Bought Together

  • Contact [Blu-ray] [1997] [Region Free]
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Product details

  • Actors: Jodie Foster, Matthew McConaughey, James Woods, John Hurt, Tom Skerritt
  • Directors: Robert Zemeckis
  • Producers: Robert Zemeckis, Steve Starkey
  • Format: PAL
  • Language: English
  • Subtitles: Danish, Dutch, French, Finnish, Italian, Norwegian, Castilian, Portuguese, Spanish, Swedish
  • Region: All Regions (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 16:9 - 2.40:1
  • Number of discs: 1
  • Classification: PG
  • Studio: Warner Home Video
  • DVD Release Date: 12 Oct. 2009
  • Run Time: 143 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (321 customer reviews)
  • ASIN: B0029TQW84
  • Amazon Bestsellers Rank: 5,189 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Product Description

Product Description

After the death of her father, Ellie Arroway (Jodie Foster) devotes her life to science. Convinced of the existence of extra-terrestrial life, she uses satellites to sweep the stars for evidence. When she receives the transmission of what seems to be a blueprint from another species for the construction of a spacecraft, she has to fight for the right to lead the ship's maiden flight to meet the alien life forms. She finds herself working with her former lover, ex-priest Palmer Joss (Michael McConaughey), now a governmental advisor.


The opening and closing moments of Robert (Forrest Gump) Zemeckis's Contact astonish viewers with the sort of breathtaking conceptual imagery one hardly ever sees in movies these day--each is an expression of the heroine's lifelong quest (both spiritual and scientific) to explore the meaning of human existence through contact with extraterrestrial life. The movie begins by soaring far out into space, then returns dizzyingly to earth until all the stars in the heavens condense into the sparkle in one little girl's eye. It ends with that same girl as an adult (Jodie Foster)--her search having taken her to places beyond her imagination--turning her gaze inward and seeing the universe in a handful of sand. Contact traces the journey between those two visual epiphanies. Based on Carl Sagan's novel, Contact is exceptionally thoughtful and provocative for a big-budget Hollywood science fiction picture, with elements that recall everything from 2001 to The Right Stuff. Foster's solid performance (and some really incredible alien hardware) keep viewers interested, even when the story skips and meanders, or when the halo around the golden locks of rising-star-of-a-different-kind Matthew McConaughey (as the pure-Hollywood-hokum love interest)reaches Milky Way-level wattage. Ambitious, ambiguous, pretentious, unpredictable--Contact is all of these things and more. Much of it remains open to speculation and interpretation but whatever conclusions one eventually draws, Contactdeserves recognition as a rare piece of big-budget studio film making on a personal scale. --Jim Emerson --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Top Customer Reviews

Format: DVD Verified Purchase
To anyone who thinks that science fiction is about action-packed escapism, with ray guns and scary monsters, as all those who have jumped on the Star Wars bandwagon in the last 25 years would have us believe, watch this film. Science fiction can be plausible, intelligent and - shock, horror - have things to say just like any other form of drama. I have a personal fondness for this film for that reason, and therefore am prepared to forgive its occasional lapse into schmaltz. It's refreshing to see something that gives us a credible glimpse into what our first contact with an alien intelligence might actually be like, and how we might react to it.
Also this disc represents top value for a DVD:... here's what you get for your money:
*No less than THREE full-length audio commentaries - one from Jodie Foster, one from the director and producer, and one from the Special Effects men. And these are genuine commentaries too, not cobbled together from interviews - they are with you as you watch the film, commenting on everything you see as you see it. Together they are a wonderful eye-opener into how a film like this is made.
* Isolated music score - this option means that the film is silent for a lot of the time but provides a fascinating alternative way to view many scenes.
* Special effects featurette; sort of a technical showreel showing how many shots were composited -even the ones that don't look like FX shots.
* Production notes, the usual scene access & trailers
None of this is the cheap promo stuff that is thrown carelessly onto many discs; somebody cared enough about this film to make a real effort. all of this means you have to watch this film at least four times before you're exhausted all the disc has to offer.
If you haven't seen the film, watch out for spoilers in the other reviews on this page.
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Format: DVD
I watched this film with caution, I knew there weren't any huge interplanetary space battles or fighting action of any sort ,and at to me that equaled boring. How wrong I was, like others before have said this film is beautifuly done, the opening sequence of the earth then pulling back through the solar system then the local star cluster then the galaxy and finally the universe itself really makes you realise how small our corner of the universe really is. Jodie Foster gives one of her best performances, her emotional reaction to seeing the beauty of the cosmos is truely touching. "No words, no words...they should have sent a beautiful....I had no idea, " brilliant stuff.
The special effects are still top notch and although the film slows down a little there is plenty of action and plot twists to keep you entertained. This isn't a new film anymore but the price is remarkably low for a film of this standard.
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Format: DVD
Contact is something completely different. It's belongs to the the ever diminishing group of sci-fi with brains. Because of this. It's very understandable that it gets negative feedback from the friends of no-brainer sci-fi. Actually i find it quite funny how many people have criticized the ending of Contact, saying that they were disappointed when they didn't see how the aliens looked like. I think that was one of the least important things in this movie. Still, i would've been disappointed if there had been some green alien with tentacles or one of those little grey Roswell aliens. Instead, they made an excellent choice and didn't show us the aliens at all. Really good and brave decision. In my opinion, if you were disappointed when you didn't see aliens, you didn't really understand this movie.

The religion vs. science setting is really interesting and realistic. It's fits extremely well to modern day life and i have never seen it done better in any film. The best thing about it is that the film doesn't take sides. It just portrays both of them and leaves the decision to the viewer.
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Format: Blu-ray
A review of an old fave of mine that has languished on a very poor DVD since release, and now finally displayed in all its glory on Blu ray.

Simply put, far superior to the approx 10 year old DVD as you would expect, though not perfect. However for a movie shot in 1997 it mostly holds up pretty well under the scrutiny of high def.
From a technical point of view this blu ray finally gives Contact the treatment it deserves. The majority of the movie is pin sharp, full of detail with well saturated colours. Though a couple of scenes dip below standard, one or two shots show some distracting banding in night skies, I noticed some scenes that had an uncharacteristic softness compared with the rest of movie. However the dips in quality were few and very brief, so not a problem to me.
The CGI elements hold up surprisingly well, you can tell of course that you are looking at CGI but it is not all embarrassing for a 12-13 year old movie. The beach scene where Ellie finally meets the 'alien' was intended to appear unreal due to the Vegan's creating of an artificial setting intended to make Ellie feel more secure (ie a bit of home) so it all has a strange look to it intentionally, but Ellie and her father appear to fade around the edges into the environment with a very blurred outline. No doubt showing the limitations of CGI and blue screen work 10+ years ago. However with the nature of the scene I don't find it a serious problem.
Scenes featuring the machine, again, for the majority look convincing and it is with these scenes that the sound really gets to work. On the whole Contact is a dialogue movie with few 'action' scenes to show off the sound design, but when we get to see the machine up close we really get an impressive sense of the machines enormous energy and momentum.
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