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Colour Me Free CD

4.7 out of 5 stars 29 customer reviews

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Product details

  • Audio CD (2 Nov. 2009)
  • Number of Discs: 1
  • Format: CD
  • Label: EMI
  • ASIN: B002QR5XN4
  • Other Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (29 customer reviews)
  • Amazon Bestsellers Rank: 18,038 in Music (See Top 100 in Music)
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Product Description

Product Description

Soul songstress Joss Stone is an artist of style and substance with a unique and stunning voice. Colour Me Free is her fourth studio album, and rides on the back of over eight million album sales. Having performed on stage with such greats as James Brown, The Rolling Stones, Stevie Wonder, Elton John, Patti Labelle, Donna Summer and Smokey Robinson, she has truly established herself as an international soul superstar.

Colour Me Free paves the way for the next chapter from Joss, revealing new dimensions of the singer while never losing the soul roots and grace of past albums--Soul Sessions (2003), Mind, Body and Soul (2004) and Introducing Joss Stone (2007).

Colour Me Free is an eclectic mix of pop, soul, r'n'b, funk, hip-hop and gospel sounds. Written and recorded at Mama Stones, Joss' mother's live music venue in Devon and produced alongside Jonathan Shorten and Conor Reeves, Colour Me Free is a unique album of finely crafted yet raw tracks. The lead single "Free Me" is a pop song with an infectious chorus, whilst "Incredible" possesses a raw funk sound. "Could Have Been You" captures urban influences and "You Got the Love" carries strong Gospel undertones.

"I kind of woke up one morning and wanted to make an album. It's very, very raw. It's a bunch of musicians, writers and myself and we're just jamming, basically."--Joss Stone

BBC Review

It’s easy to forget that Joss Stone is still only 22 years old. This is her fourth album, and given all of her achievements to date – debut album The Soul Sessions is certified triple platinum in the UK, and its follow-up Mind, Body & Soul topped the domestic album chart – one can be forgiven for assuming the singer’s been enjoying legal drinking rights stateside for rather longer than she has. Colour Me Free! balances this early success by failing to match the quality of said releases – but this shouldn’t be taken to mean it’s a terrible record.

Stone peaked early, and this 13-track collection – recorded without her label’s knowledge in a fraction of the time eaten up by the gestation of past long-players – is a serviceable collection of funk-kissed and pop-savvy soul numbers that expose their maker’s songwriting immaturity by exuding the sense that contentment with each song was enough, rather than a tingling sensation followed by near-orgasmic outbursts of incredulity in response to a final mix. That it was written and recorded in such a short space of time – a week, reportedly – gives Colour Me Free! an attractive vibrancy in its actual performances, but the lack of any truly standout moments renders it far from memorable.

Once the well-reported label politics surrounding this release are taken out of the equation, leaving the songs alone to maintain audience interest, Colour Me Free! loses its footing. Free Me, lead single and album opener, struts with a brassy confidence as Stone underlines her intentions to, basically, do the opposite of everything she’s been told – but the absence of a catchy chorus leaves it floundering, more the work of a showy youngster than a multi-million-selling pop artist (of course, it’s actually both). And this strangely amateur atmosphere permeates almost every second of this album – at times endearing, but also puzzling. After all, Stone absolutely nailed her first two collections, with 2007’s patchy Introducing the exception rather than the rule.

Which goes to suggest that she’s better, despite her protestations, when riding shotgun on a label’s chosen path. It’s a hard verdict to swallow, given early promise, but unless Stone realises she needs more help than she’s had here (even factoring in guest turns from rapper Nas and the silken-voiced Raphael Saadiq), she’s destined to become as forgettable as this for-fans-only collection. Time, at least, is on her side. --Mike Diver

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Customer Reviews

4.7 out of 5 stars
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Top Customer Reviews

Format: Audio CD
I loved the first soul sessions album for its rawness, then came over produced disapointing second album and after that I just thought the first album had been a fluke. This though just listening to on spotify, oh wow, she's only gone and put out an album we from the start wanted for the second album. Just full of pure soul and the vocals are up there with the greats. I've got a taste in music that dips into nearly every genre and just love raw soul, this album delivers.

Only not so good are the songs featuring Jamie Hartman, don't know who he is but his voice doesn't really go with hers as its very middle of the road charty vocals. Still not bad when she comes in, just of been better without him.

Still totally worthy of album of the year.

Welcome back Joss..
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Format: Audio CD
This is my favourite Joss Stone album so far. She is an amazing women - forget Amy Winehouse and Duffy, Joss is way, way above them. Unfortunately in the UK at least, she does not get the credit or publicity she deserves, but maybe that aint no bad thing - it's nice to have her all to ourselves. If you like blues, soul, jazz, gospel, smokey night-time music then you'll love this.
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Format: Audio CD
Ok before I review the album i want to say something quickly, I know most of Joss's UK fans have deserted her over her stupid Brit awards accent thing but I think we everybody just needs to get over that and realise she was just a young girl trying to act cool and she showed herself up :P I'm sure it's happened to us all at some time or annother but hopefully people forgave you and m oved on.

The second thing I want to mention before the review is how dissapointed with the way EMI has handled this whole album, I know that EMI and Joss have had some differences over this album but they should let singers/bands be creative with there music not just make some generic slop, Joss has sold over 11,000,000 albums worldwide so i'm sure she knows what she's doing.
The promotion this album has recieved is pathetic, Joss did a small UK tour to promote the album but EMI pushed it back, in the US they changed the cover to a plain boring written thing because apparently the cover for the UK and rest of the world was "offensive" . . . I don't see how Joss in a box is offensive when they were happy to have her naked agains a wall for "introducing Joss Stone" and they havn't even made a music video for the first single "Free Me" which is the biggest marketing tool to get people to realise theres a new album out.
It seems like EMI is still punnishing joss for her creativity and they are doing everything they can to make this album bomb which is sad and pathetic.

Now for the review!!! lol

For us Joss fans it's been a long wait due to all the push backs but now it's finally hear and I have to say that it's possibly her best album yet as good as "Mind Body And Soul" for sure.
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Format: Audio CD
As a fan that has everything Joss has released and think she can do no wrong the only gripe I have with the album is that the following songs have been available over the last two years.

"Big Ole Game" (Ft. Raphael Saadiq) ...is available on both the special edition (with bonus Cd) and Japanese version of "Introducing Joss Stone."Introducing Joss Stone
"Governmentalist" ...was available free via Joss' website in 2008
"I Believe It To My Soul" (Ft. Dave Sanborn)...is available on Dave Sanborns' 2008 album "Here And Gone"Here and Gone
"Stalemate" (Ft. Jamie Hartman)...is available on Bens Brothers 2009 album "Battling Giants."Battling Giants
Bonus hidden track - "Mr Wankerman"...was available as a free download on Joss' imeem page Christmas 2007.

Free Me" ...the first single shows Joss in a rebellious but playful mood and should see her back in the charts with this catchy number that takes a swipe at her label EMI especially with the closing words "Free me EMI!"
"Could Have Been You" ...soulful love song which could have been included on "Introducing Joss Stone"
"Parallel Lines" (Ft. Jeff Beck and Sheila E) ...with a reggae backbeat is a real treat
"Lady" ...is a classic album soul track.
"4 and 20" ...this bluesy offering was a hit when Joss performed this track live when she showcased the album at various small venues around the UK.
"Big Ole Game"...has been a favourite song of mine for years and showcases her voice perfectly.
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Format: Audio CD
I originally had slagged off Amazon because I thought the CD sent did not include track 13 - which is one of my favourite tracks.
In fact track 13 is not shown in the list of tracks on the CD cover BUT the CD contains track 13.
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Format: Audio CD
Like a lot of people, when the release of this album was delayed for so long and the rumoured problems with her record label surfaced, I wasn't holding out a lot of hope on 'Colour Me Free' being all that good. I mean, the first thing you think is that it must be pretty bad for EMI not to be pushing for it's release or bothering to promote it when it does eventually put it out there. Not the case here. The real reason for the delay has been that Joss made this album herself without any input from EMI and they got the hump about it. They want a cash cow but fortunately for us and not for them, they have a true artist and soul singer on their hands. To me I believe the artist and not the 'company' should decide what they want there own music to sound like.

I am so glad that as an original Joss fan I didn't miss out on one of her best albums to date. I love 'Soul Sessions' and the first proper studio album 'Mind, Body and Soul' I was not a huge fan of 'introducing...' however, the Vinnie Jones intro didn't really kick it off well. It did have some good songs but overall dissapointing in comparison to what's gone before. This album has brought back the raw soul sound from her debut with new songs that sound like old school classics.

Stand outs for me have to be the opener 'Free me' that just grabs you from the start with it's strength and defiant lyrics over an uptempo and catchy hook. 'Big Ol game' and '4 and 20' are for me the kind of retro soul songs I love to hear Joss sing. 'Stalemate' is a heartwrenching song and a fantastic collaboration with Ben's Brothers Jamie Hartman.

None of the songs on this album are bad and all of them are sung with a raw emotion, similar to the back to basics sound that Beverley knight achieved with 'Music City Soul'.
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