Colin O'Sullivan
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Colin O'Sullivan was born in Killarney, Ireland, in 1974. He is the author of Killarney Blues, Winner of the Prix Mystère de la critique, a prestigious crime fiction award in France.
His other works of fiction include The Starved Lover Sings, which was published in Russian to great acclaim (under the title "Black Sakura").
His third novel The Dark Manual is to be made into a TV series by a major American production company.
In 2019 Betimes Books continued his run of provocative novels with the much-lauded 1980s-set novel, My Perfect Cousin.
His latest offering is Marshmallows, a tense noirish tale of crime and revenge set at Christmastime which focuses on the world of the theatre. It's available now in both paperback and Kindle formats.
Colin lives and works in Aomori, north Japan.
Betimes Books: https://betimesbooksnow.wordpress.com/
David Hogan interviews Colin O'Sullivan: https://betimesbooksnow.wordpress.com//?s=David+Hogan+interview
And a biblet for The Dark Manual: https://www.book2look.com/book/TypGpIGuvn
His other works of fiction include The Starved Lover Sings, which was published in Russian to great acclaim (under the title "Black Sakura").
His third novel The Dark Manual is to be made into a TV series by a major American production company.
In 2019 Betimes Books continued his run of provocative novels with the much-lauded 1980s-set novel, My Perfect Cousin.
His latest offering is Marshmallows, a tense noirish tale of crime and revenge set at Christmastime which focuses on the world of the theatre. It's available now in both paperback and Kindle formats.
Colin lives and works in Aomori, north Japan.
Betimes Books: https://betimesbooksnow.wordpress.com/
David Hogan interviews Colin O'Sullivan: https://betimesbooksnow.wordpress.com//?s=David+Hogan+interview
And a biblet for The Dark Manual: https://www.book2look.com/book/TypGpIGuvn
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Books By Colin O'Sullivan
Killarney Blues
19-Dec-2013
£1.99
£7.96
Picturesque Killarney might seem the perfect place to enjoy the rare gift of sun but the town has got the blues. Bernard Dunphy, eccentric jarvey and guitarist, is pining for his unrequited love and has to contend with an ailing mother and an ailing horse. His troubled friend Jack gets embroiled in a violent crime. A trio of girlfriends becomes entangled in the terrible webs of their own making. The novel fluctuates between darkness and light as the protagonists struggle with their inner demons. Can friendship, love and music save their sinking souls?
“Colin O'Sullivan writes with a style and a swagger all his own. His voice - unique, strong, startlingly expressive - both comes from and adds to Ireland's long and lovely literary lineage. Like many of that island's sons and daughters, O'Sullivan sends language out on a gleeful spree, exuberant, defiant, ever-ready for a party. Only a soul of stone could resist joining in.” - Niall Griffiths
“Colin O'Sullivan writes with a style and a swagger all his own. His voice - unique, strong, startlingly expressive - both comes from and adds to Ireland's long and lovely literary lineage. Like many of that island's sons and daughters, O'Sullivan sends language out on a gleeful spree, exuberant, defiant, ever-ready for a party. Only a soul of stone could resist joining in.” - Niall Griffiths
Other Formats:
Mass Market Paperback
My Perfect Cousin
30-Oct-2019
£3.50
£13.00
Rural Ireland in the late 1980s and, stuck in a rut in a small unnamed village, are sixteen-year-old cousins Laura and Kevin. The close cousins and constant companions ache to abscond to somewhere bigger, better, more exciting, where they are free to do what they want to do, free to become who they really are.
But things are holding them back. As well as having to cope with family tragedies, the troubled, music-obsessed teens must also negotiate the tricky terrain of burgeoning sexuality, the pitfalls of adolescence, and issues of homosexuality that seem, confusingly, to impinge upon them.
And then there is Laura’s own serious affliction, epilepsy, which comes and goes when she least expects it. Only cousin Kevin knows how to handle this tricky situation, or handle her: with gentleness, with sympathy, and with maybe just a little too much in the way of love and affection.
The months and the spiraling family crises serve only to bring them closer together: but how close is too close?
And then there is the strange matter of the nearby pond: this small body of water keeps drawing them near. Laura is convinced that something lurks down there, but Kevin eschews, putting it all down to the psychological trauma she is going through. Are they prepared for whatever secrets might come bubbling to the surface, monsters real or imagined that could come rising from the depths?
Colin O’Sullivan returns to a familiar (and formative) Irish setting with this punchy novel that grows in pace page by page. 1980s references abound, not only with music giants of the time, Boy George, Madonna et al, but also the politics of Gorbachev and Reagan, literal and figurative walls that are about to be torn down and imminent societal changes. Although rooted in the past, this fraught and frantic work is startlingly relevant and makes us consider today’s current affairs.
But things are holding them back. As well as having to cope with family tragedies, the troubled, music-obsessed teens must also negotiate the tricky terrain of burgeoning sexuality, the pitfalls of adolescence, and issues of homosexuality that seem, confusingly, to impinge upon them.
And then there is Laura’s own serious affliction, epilepsy, which comes and goes when she least expects it. Only cousin Kevin knows how to handle this tricky situation, or handle her: with gentleness, with sympathy, and with maybe just a little too much in the way of love and affection.
The months and the spiraling family crises serve only to bring them closer together: but how close is too close?
And then there is the strange matter of the nearby pond: this small body of water keeps drawing them near. Laura is convinced that something lurks down there, but Kevin eschews, putting it all down to the psychological trauma she is going through. Are they prepared for whatever secrets might come bubbling to the surface, monsters real or imagined that could come rising from the depths?
Colin O’Sullivan returns to a familiar (and formative) Irish setting with this punchy novel that grows in pace page by page. 1980s references abound, not only with music giants of the time, Boy George, Madonna et al, but also the politics of Gorbachev and Reagan, literal and figurative walls that are about to be torn down and imminent societal changes. Although rooted in the past, this fraught and frantic work is startlingly relevant and makes us consider today’s current affairs.
Other Formats:
Paperback
Marshmallows
09-Nov-2020
£4.00
£13.83
It is Christmas Eve in London.
Ben Morrigan is in boyfriend David’s kitchen making Christmas crackers. The pair is invited to dinner at David’s childhood home, the stylish abode of theatre – and sometimes TV – star Charles Cunningham. For David, that should be the perfect occasion to introduce Ben to the family for the first time.
The couple set out on a car journey, and all is clearly not well. They bicker and argue, and something is preoccupying the dark mind of swarthy Ben, this young man who makes his living from making film/theatre props and constructing sets. The scene he has on his mind on this day is one of vengeance for wrongs inflicted a long time ago.
Charles Cunningham and his wife Lydia wait nervously for the arrival of the guests and are ensconced in their own squabbling. Lydia worries about the state of mind of her aging husband – he has begun to forget things and, when pushed on certain topics, it becomes evident that they have escaped him altogether. But how much of his past will he be allowed to evade?
The Christmas tree Charles gazes upon looks lopsided, as if it hasn’t been set up properly and will tumble down at any minute: this central metaphor becomes an apt appraisal for the life he has lived and the truths he will be made face, as apt a metaphor as that of the marshmallows he sometimes indulges in: things that are soft, sweet, delicate and effortlessly consumed, but are now back to haunt like spectres from Christmases past.
The scene is set for a fraught encounter as hunter and hunted face off on a dark winter night. Memories are summoned, or are practically wrenched back into play, many of which would perhaps be better off left locked away in a dusty old prop chest with the other Waiting for Godot accoutrements, the bowler hats, the stinging whip; and on a bare theatre stage an intense interrogation and crippling castigation is about to take place, which will frazzle nerves, break relationships and go as far as to upend the very notion of family.
Will anyone come out of it unscathed, or is it just that, as Ben’s favourite Christmas song has it, “the Christmas you get… you deserve”?
Ben Morrigan is in boyfriend David’s kitchen making Christmas crackers. The pair is invited to dinner at David’s childhood home, the stylish abode of theatre – and sometimes TV – star Charles Cunningham. For David, that should be the perfect occasion to introduce Ben to the family for the first time.
The couple set out on a car journey, and all is clearly not well. They bicker and argue, and something is preoccupying the dark mind of swarthy Ben, this young man who makes his living from making film/theatre props and constructing sets. The scene he has on his mind on this day is one of vengeance for wrongs inflicted a long time ago.
Charles Cunningham and his wife Lydia wait nervously for the arrival of the guests and are ensconced in their own squabbling. Lydia worries about the state of mind of her aging husband – he has begun to forget things and, when pushed on certain topics, it becomes evident that they have escaped him altogether. But how much of his past will he be allowed to evade?
The Christmas tree Charles gazes upon looks lopsided, as if it hasn’t been set up properly and will tumble down at any minute: this central metaphor becomes an apt appraisal for the life he has lived and the truths he will be made face, as apt a metaphor as that of the marshmallows he sometimes indulges in: things that are soft, sweet, delicate and effortlessly consumed, but are now back to haunt like spectres from Christmases past.
The scene is set for a fraught encounter as hunter and hunted face off on a dark winter night. Memories are summoned, or are practically wrenched back into play, many of which would perhaps be better off left locked away in a dusty old prop chest with the other Waiting for Godot accoutrements, the bowler hats, the stinging whip; and on a bare theatre stage an intense interrogation and crippling castigation is about to take place, which will frazzle nerves, break relationships and go as far as to upend the very notion of family.
Will anyone come out of it unscathed, or is it just that, as Ben’s favourite Christmas song has it, “the Christmas you get… you deserve”?
Other Formats:
Paperback
The Starved Lover Sings
11-Apr-2017
£4.03
£12.00
How much can one land take?
How much can one man take?
What if the rains kept coming?
What if the huge waves kept crashing in?
What if the plates kept shifting and volcanoes kept up their choking spew?
What if neighbouring nations became more antagonistic and the rest of the world began to forget you?
It’s the not-too-distant-future and a certain Asian country is in physical and moral tatters. What was once a polite society has become fouled and corrupted. Part-time referee and full-time PE teacher, Tombo, stands in the middle of all this, trying to find fairness and balance in his own life, as things continue to crumble around him.
Added to his personal miseries – missing-presumed-dead daughter, eerily silent wife, unrequited lusts – comes the unwanted, unwarranted attention of two, mean-spirited, wrathful adolescent girls, who have decided that he is to be their “chosen one”.
Can this harangued everyman battle against the forces that envelop him, or will he too fall to the whims of the new dystopia?
In this pulsing, provocative, visionary work, O’Sullivan couples his usual lyrical fervour with a philosophical acuity to present before us a trembling world that may not be too far away.
Bold, risk-taking, wildly ambitious, formally daring, often a mix of the comic and macabre, it is marvellously inventive, full of wordplay and literary trickery. As well as being an absurd existential novel it is also a political satire, and a cautionary tale about what may lay ahead, therefore a novel very much for our times.
***
“Colin O'Sullivan's writing is an antic, mordant and perverse plunge into strange and unnerving worlds.” Colin Barrett
How much can one man take?
What if the rains kept coming?
What if the huge waves kept crashing in?
What if the plates kept shifting and volcanoes kept up their choking spew?
What if neighbouring nations became more antagonistic and the rest of the world began to forget you?
It’s the not-too-distant-future and a certain Asian country is in physical and moral tatters. What was once a polite society has become fouled and corrupted. Part-time referee and full-time PE teacher, Tombo, stands in the middle of all this, trying to find fairness and balance in his own life, as things continue to crumble around him.
Added to his personal miseries – missing-presumed-dead daughter, eerily silent wife, unrequited lusts – comes the unwanted, unwarranted attention of two, mean-spirited, wrathful adolescent girls, who have decided that he is to be their “chosen one”.
Can this harangued everyman battle against the forces that envelop him, or will he too fall to the whims of the new dystopia?
In this pulsing, provocative, visionary work, O’Sullivan couples his usual lyrical fervour with a philosophical acuity to present before us a trembling world that may not be too far away.
Bold, risk-taking, wildly ambitious, formally daring, often a mix of the comic and macabre, it is marvellously inventive, full of wordplay and literary trickery. As well as being an absurd existential novel it is also a political satire, and a cautionary tale about what may lay ahead, therefore a novel very much for our times.
***
“Colin O'Sullivan's writing is an antic, mordant and perverse plunge into strange and unnerving worlds.” Colin Barrett
Other Formats:
Paperback
The Dark Manual
15-May-2018
£2.99
£14.00
Susie Sakamoto, an Irishwoman in Japan, spends her days drinking heavily and cursing the home robot that takes care of all her domestic needs. She despises the thing her dead husband designed and is under the impression that it is about to do her harm.
To escape the overwhelming grief of her missing family, she takes to the nighttime and the lawless section of the city, loitering in seedy bars with her wild, drug-fuelled, hypersexual friend, Mixxy.
Are Susie’s persecutions merely a result of her own paranoia? Can the parliament of owls gathering eerily in the trees outside be of any significance, any assistance? Or will she have to search for the mythic Dark Manual, to find a way to finally switch off the homebot and end her litany of woes?
…it might already be too late…the machines are on the rise.
Japan-based Irish writer Colin O’Sullivan couples his usual lyrical flourishes with tense and often terrifying noirish scenes, to present before us an unsettling vision of an anxious woman teetering in an anxious time. Fans of "Black Mirror", the dark humour of early Haruki Murakami, and even Asimov or Aldiss, will be keen to sample another frantic foray into a near and nervy future.
Colin O’Sullivan’s first novel, "Killarney Blues", captivated critics and readers alike and won the prestigious Prix Mystère de la critique in France. His second novel, "The Starved Lover Sings", comes out in Russian translation in 2019. O'Sullivan's short fiction and poetry have been published in various print and online anthologies and magazines.
Editorial reviews:
“The Dark Manual defies easy categorisation; it’s a literary novel, a very desperate tale of love and loss, a noir thriller, of real and imaginary threats and a sci-fi speculation (which could be read as prescient future gazing). […] The Dark Manual is a mature rounded work, assured and confident, at times lyrical and beautiful but also punchy and sharp. […] engaging, inventive and thought provoking.” –Book Noir / Nudge-Book.com
“The author, Winner of the Prix Mystère de la critique 2018, just gets better with each book, and with this, his third, he is becoming one of the finest storytellers out there. His prose keeps one glued to the page, with delightful concentration. Colin O’Sullivan does not write a bad line. […] Colin O’Sullivan’s writing style reminds me so of jazz, with its one-word, then two-word, then three-word sentences. Bop, bop, bop-bop, until you realize you have read a paragraph, then onto a new riff. Lyrical, powerful, humorous, poetic, emotional. He is a lyrical master of the written word. There are sections of the book that are heartbreaking, in their emotional and physical sense of loss, and moments of humor, surprise, suspense, pure sudden horror, and stark naked joy.” –Marvin Minkler, Modern First Editions
To escape the overwhelming grief of her missing family, she takes to the nighttime and the lawless section of the city, loitering in seedy bars with her wild, drug-fuelled, hypersexual friend, Mixxy.
Are Susie’s persecutions merely a result of her own paranoia? Can the parliament of owls gathering eerily in the trees outside be of any significance, any assistance? Or will she have to search for the mythic Dark Manual, to find a way to finally switch off the homebot and end her litany of woes?
…it might already be too late…the machines are on the rise.
Japan-based Irish writer Colin O’Sullivan couples his usual lyrical flourishes with tense and often terrifying noirish scenes, to present before us an unsettling vision of an anxious woman teetering in an anxious time. Fans of "Black Mirror", the dark humour of early Haruki Murakami, and even Asimov or Aldiss, will be keen to sample another frantic foray into a near and nervy future.
Colin O’Sullivan’s first novel, "Killarney Blues", captivated critics and readers alike and won the prestigious Prix Mystère de la critique in France. His second novel, "The Starved Lover Sings", comes out in Russian translation in 2019. O'Sullivan's short fiction and poetry have been published in various print and online anthologies and magazines.
Editorial reviews:
“The Dark Manual defies easy categorisation; it’s a literary novel, a very desperate tale of love and loss, a noir thriller, of real and imaginary threats and a sci-fi speculation (which could be read as prescient future gazing). […] The Dark Manual is a mature rounded work, assured and confident, at times lyrical and beautiful but also punchy and sharp. […] engaging, inventive and thought provoking.” –Book Noir / Nudge-Book.com
“The author, Winner of the Prix Mystère de la critique 2018, just gets better with each book, and with this, his third, he is becoming one of the finest storytellers out there. His prose keeps one glued to the page, with delightful concentration. Colin O’Sullivan does not write a bad line. […] Colin O’Sullivan’s writing style reminds me so of jazz, with its one-word, then two-word, then three-word sentences. Bop, bop, bop-bop, until you realize you have read a paragraph, then onto a new riff. Lyrical, powerful, humorous, poetic, emotional. He is a lyrical master of the written word. There are sections of the book that are heartbreaking, in their emotional and physical sense of loss, and moments of humor, surprise, suspense, pure sudden horror, and stark naked joy.” –Marvin Minkler, Modern First Editions
Other Formats:
Paperback
£6.99
La pittoresque ville de Killarney, dans le sud-ouest de l'Irlande, pourrait sembler l'endroit idéal pour profiter d’un soleil trop rare, mais la ville a le blues. Bernard Dunphy, cocher excentrique et guitariste, se languit d’un amour non réciproque et doit composer avec une mère et un cheval tous deux malades ; son ami Jack se mêle d'un crime violent ; et un trio de copines se prennent dans la toile de leurs propres méfaits. Le roman oscille entre l'obscurité et la lumière tandis que ses protagonistes luttent avec leurs démons intérieurs. L'amitié, l'amour et la musique peuvent-ils sauver leurs âmes tourmentées ?
Other Formats:
Paperback
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