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Citizen Kane [DVD]
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| Format | PAL |
| Contributor | Agnes Moorehead, Paul Stewart, Gregg Toland, Alan Ladd, Philip van Zandt, Arthur O'Connell, Herman Mankiewicz, Ray Collins, Joseph Cotten, Ruth Warwick, Harry Shannon, Dorothy Comingore, Fortunio Bonanova, Everett Sloane, Erskine Sanford, George Coulouris, William Alland, Orson Welles See more |
| Runtime | 1 hour and 54 minutes |
| UPC | 044005189421 |
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Product description
Orson Welles makes his feature-length directorial debut with this classic drama which often tops critics' polls of the best films of all time. In 1940, newspaper tycoon Charles Foster Kane (Welles) dies after uttering the word 'Rosebud'. An anonymous reporter (William Alland) is assigned the task of uncovering the meaning of Kane's dying word, and in the course of his enquiries he receives varying accounts of his life from former colleagues Jedediah Leland (Joseph Cotten) and Bernstein (Everett Sloan), and ex-wife Susan Alexander (Dorothy Comingore). The film, which Welles also produced and co-wrote, was not-so-loosely based on the life of newspaper magnate William Randolph Hearst.
Product details
- Is discontinued by manufacturer : No
- Rated : Universal, suitable for all
- Package Dimensions : 18.03 x 13.76 x 1.48 cm; 83.16 g
- Director : Orson Welles
- Media Format : PAL
- Run time : 1 hour and 54 minutes
- Release date : 20 Sept. 1999
- Actors : Orson Welles, Joseph Cotten, Agnes Moorehead, Everett Sloane, Dorothy Comingore
- Subtitles: : English
- Language : English
- Studio : Universal
- Producers : Orson Welles
- ASIN : B00004R78J
- Writers : Orson Welles, Herman Mankiewicz
- Number of discs : 1
- Best Sellers Rank: 102,009 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)
- 25,281 in Drama (DVD & Blu-ray)
- Customer reviews:
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And last but not least, it is a film where the language not just back and support the story, but complete it and sometimes replace the classic narration through a supermodern visual language, like the fantastic sequence reassuming the whole story between Kane and his wife in few quick scenes all set in the same room and linked by camera pans and ellipsis. And Kane is also photographically evocative and impressive, is grand in its character, the lines of his dialogues and monologues, the impact of shots and scenes, the reckless representation of journalism and politics as well as the collusion between business and war. It is too much for a film but still you can find it cold, calculated, not engaging, like often Welles seems to be.
But you can't ignore it and, if you do, you will not recognize it in all the films that came after, up to now, and not able to tell the copy from the original. Because a lots of things come from this film.
This edition is the best available, it does not just present a fantastic blu ray transfer, but it is full of extras and has a great box and an interesting little book inside.
For myself, it was also an almost completely new viewing experience: this time, rather than a personal history about the loss of love, I saw it from an historical perspective that I lacked as a youth. In that way, with the overt references to WR Hearst - the rise of yellow journalism, overt meddling in politics and even international relations, and the manufacture of news - it was doubly fascinating for all of us.
Still, the sadness of Kane's plight comes through with perfect clarity, indeed as perfect drama. It utterly riveted me, was even painful to watch most of the time. I even liked the level of psychological depth in all the characters. Not to exaggerate, but I found it as complex an experience as one would expect from Shakespeare. It is that good, even after 70 years.
Highest recommendation.
Brilliantly acted by Orson Welles.
It would have been 5 stars but the black and white film sometimes spoilt it.
However...trust me, THIS Warners wins hands down! Enough down to put its competition underground! Make a comparison and you will never look at any other edition again without wincing! And the Warners includes 2 excellent commentaries worthy of repeated listenings. How often can THAT be said?
(Note: the Universal is also accompanied by an excellent commentary, but the image is soft and shadow detail non-existent.)
Worth seeing through that lens, in addition to the many others mentioned.
Top reviews from other countries
But is it the best motion picture ever made? Perhaps. Most movie critics consider 1939 to be the greatest year in the history of American cinema, but 1941-the year "Kane" was made-is a close second. It's a story told almost entirely in flashback, as a group of reporters interview people to try to discover what Kane meant by his dying last word: "Rosebud." Kane's assistant Mr. Bernstein (Everett Sloane) (he's never given a first name; it's just "Mr. Bernstein" or "Bernstein") thinks it might have been a girl. "There were a lot of them in the early days." Kane's friend and partner Jed Leland (Joseph Cotten) says he read about Kane's "dying words" in the Enquirer (Kane's newspaper). "Well, I never believed anything I saw in the Enquirer."
Charles Foster Kane became a multi-millionaire quite by accident. As a boy, he lived with his parents in "Mrs. Kane's Boarding House" in Colorado. A boarder who couldn't pay his bill left Mrs. Kane a deed to a worthless (or so he believed) gold mine. It turned out to be the Colorado lode, one of richest mines in the world. And now we have a scene which has always disturbed me. Young Charles is playing in the snow with his sled and building a snowman when Mr. Thatcher (George Coulouris), a prominent banker, comes to visit. He's going to take the very rich Charles away with him on a train trip. What's more, the scene makes it very clear that Charles is never going to see his parents again. WHY? Mary Kane, who is so depressed one can barely look at her, is played by Agnes Moorehead, making her screen debut at the age of 40. But again, why is it necessary to separate Charles from his parents just because he's rich? No wonder he attacked Thatcher with a sled.
Fast forward to Kane, now 21, and completely independent from the firm of "Thatcher and Company." In a letter to Thatcher, he tells him he's not interested in oil wells, gold mines, etc., but would like to buy a bankrupt newspaper because, "I think it would be fun to run a newspaper." When the very rich and powerful confront a reality they don't like, they often use that money and power to try and change it. When Kane is confronted by his wife and his political opponent Gettys (Ray Collins)-Kane is running for governor-about his affair with Susan Alexander and Gettys tells him he won't print the story if Kane withdraws from the race, Kane totally refuses ("Nobody's going to tell me what to do!"). The people love him (Jed Leland: "You talk about the people as if you own them."), and will elect him no matter what he's done. He was wrong.
To quote Leland once again, Kane "spent his whole life trying to prove something." After Emily Monroe Norton (Ruth Warrick), Kane's first wife, dies in a car accident, he marries Susan Alexander (Dorothy Comingore), and tries to turn her into an opera singer, a hopeless task. (He even builds her an opera house.) Finally, her singing teacher has had enough. "Some people can sing. Some can't. IMPOSSIBLE! IMPOSSIBLE!" Mr. Kane intervenes, and reminds Sigor Matiste (Fortunio Bonanova) that he runs a few newspapers and can easily destroy his reputation. Once again money and power defeat reality.
Now, I don't really think it's fair to say that Susan Alexander and Marion Davies, Hearst's mistress, are one and the same person. Susan was an inept singer, Marion a successful and talented actress for 20 years. She never married Hearst, nor did she ever leave him. She also claimed that she never saw "Citizen Kane," and had nothing negative to say about Mr. Welles.
Finally, if you want to understand how the mind of a really powerful man works, look at how Kane dealt with Leland when he was giving Susan's performance a bad review. Leland was too drunk to finish it, so Kane did it for him, writing a bad notice. Kane spent his whole life "trying to prove something."
Earlier, Mr. Bernstein told us that Lane and Leland have not spoken for years. Then Leland walks into the room where Kane is typing Susan's notice, and we have the following dialogue:
Kane: Hello Jedediah.
Jed: Hello, Charlie. I didn't know we were speaking.
Kane: Sure, we're speaking Jedediah. You're fired.
Unlike the baffled reporters, we know what "Rosebud" means as soon as Kane drops the snow globe. He's thinking about his youth in his parents' boarding house, a poor boy riding a sled and building snowmen. The only time in his life when he was really happy.
As for the Blu Ray itself, the quality is very impressive given the age of the movie. The restoration is carefully done, and the contrast is as it should be (dark blacks) instead of the more washed out look some of the previous releases had. The level of detail is fantastic, and the sets and matte paintings used to construct them appear even more impressive once you can see the full details. Overall, it is a noticeable step up from the DVD releases (as expected). The sound, mixed from a mono source, doesn't quite have the same pop as modern sound does, but that is to be expected, and it still does a wonderful job,
The only disappointment I had with the film is the extras. In terms of what they offer, they're quite excellent -- we get things like commentary, as well as the initial trailer and scenes from the screening, but the real gems are the 'The Battle Over Citizen Kane' documentary and the 'RKO 281' HBO movie, both of which chronicle the creation and release of the movie. Unfortunately, what brings them down is that they're both in standard definition, which is a bit jarring given the gorgeous high-def picture of Citizen Kane itself.
Overall, this is a fantastic release package for an even more impressive movie, and is absolutely worth checking out if you haven't experienced Citizen Kane before.
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