£22.35

£1.26 delivery: July 19 - 20 Details

Fastest delivery: Monday, July 19 Details

Only 1 left in stock.

££22.35 () Includes selected options. Includes initial monthly payment and selected options. Details

Secure transaction

Dispatched from and sold by *IMMEDIATE* dispatch *FAST* delivery *UK*SELLER* Jagman.

Chimes At Midnight (1965, aka Falstaff) - Region 2 PAL, plays in English without subtitles [DVD] [2011]

(edizione speciale)

Jeanne Moreau (Actor), John Gielgud (Actor), Orson Welles (Director) Rated: Suitable for 15 years and over Format: DVD

288 ratings

Price:

£22.35

Additional DVD options

Edition

Discs

Amazon Price

New from

Used from

DVD

"Please retry"

—

£7.88

£6.61

£7.88

DVD
10 July 2015

"Please retry"

—

£10.97

£9.40

£9.36

DVD
25 Oct. 2000

"Please retry"

—

£19.60

£26.67

DVD
18 Jan. 2011

"Please retry"

(edizione speciale)

£22.35

—

Enhance your purchase

Special offers and product promotions

Amazon Business : For business-exclusive pricing, quantity discounts and downloadable VAT invoices. Create a free account

Frequently bought together

Customers who viewed this item also viewed

Page 1 of 1 Start overPage 1 of 1

Orson Welles
33
DVD
3 offers from £8.00
Orson Welles
97
DVD
4 offers from £10.83
Orson Welles
199
DVD
22 offers from £1.70
Orson Welles
33
DVD
1 offer from £8.25
Anthony Perkins
123
DVD
10 offers from £7.73
DVD/Orson Welles
39
DVD
8 offers from £8.73

Product details

Aspect Ratio ‏ : ‎ 16:9 - 1.85:1, 16:9
Is Discontinued By Manufacturer ‏ : ‎ No
Language ‏ : ‎ Italian, English
Package Dimensions ‏ : ‎ 18.03 x 13.76 x 1.48 cm; 83.16 Grams
Director ‏ : ‎ Orson Welles
Media Format ‏ : ‎ PAL
Run time ‏ : ‎ 1 hour and 53 minutes
Release date ‏ : ‎ 18 Jan. 2011
Actors ‏ : ‎ Jeanne Moreau, John Gielgud, Marina Vlady, Margaret Rutherford, Fernando Rey
Subtitles: ‏ : ‎ Italian
Language ‏ : ‎ Italian (Dolby Digital 2.0), English (Dolby Digital 2.0), Unknown (Dolby Digital 2.0 Mono), Unqualified (Dolby Digital 2.0 Mono)
Studio ‏ : ‎ CG ENTERTAINMENT SRL
ASIN ‏ : ‎ B004CQH3RQ
Country of origin ‏ : ‎ Italy
Number of discs ‏ : ‎ 1

Best Sellers Rank: 149,517 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)
- 34,066 in Drama (DVD & Blu-ray)

Customer reviews:
288 ratings

Reviews

Chimes At Midnight (1965, aka Falstaff) - Region 2 PAL, plays in English without subtitles, plays in original English audio without subtitles: Official Sinister Film Italian Region 2 PAL DVD release as pictured. Aspect ratio 1.85:1 anamorphic widescreen, black-and-white (as made). English Dolby Digital 2.0 Mono audio. Runtime 113 mins. Special Features: Isolated soundtrack by A. F. Lavagnino; Photo Gallery. The career of Shakespeare's Sir John Falstaff as roistering companion to young Prince Hal, circa 1400-1413.

Customers who bought this item also bought

Page 1 of 1 Start overPage 1 of 1

Orson Welles
199
DVD
22 offers from £1.70
Anthony Perkins
123
DVD
10 offers from £7.73
Louis Calhern, Marlon Brando, James Mason
325
DVD
9 offers from £3.80
Kenneth Branagh
784
DVD
22 offers from £1.22
Ralph Richardson
450
DVD
15 offers from £9.00
David Niven
159
DVD
16 offers from £17.00

What other items do customers buy after viewing this item?

Page 1 of 1 Start overPage 1 of 1

Customer reviews

5 star		74%
4 star		7%
3 star		7%
2 star		5%
1 star		7%

How are ratings calculated?

Top reviews from United Kingdom

There was a problem filtering reviews right now. Please try again later.

`Banish plump Jack and banish all the world`

Reviewed in the United Kingdom on 19 February 2014

Verified Purchase

This sparkling print courtesy of Mr Bongo in its original evocative black & white allows us to see, despite its minor flaws, a masterpiece, and arguably the greatest Shakespeare film ever made.
Being an Orson Welles film, it was made in Spain, with an unlikely eclectic cast from various countries, makes eloquent use of the means available to him, but displays a remarkably close fidelity to both the letter and spirit of the Shakespeare plays Welles has mined for the golden experience this film offers.
I have never seen a more rounded (pun intended) Falstaff as that of Welles. When he played Rochester in the forties Jane Eyre for example, we only saw one or two aspects of the man, but in Falstaff - particularly as Welles was by 1965 fifty and fat, to put it bluntly - he almost literally becomes the bragging, bibulous, lovable old fraud. His restraint in the heart-wrenching scene of newly-crowned Hal`s dismissal of him - "I know thee not, old man" - speaks volumes.
John Gielgud gives one of his best ever screen performances as Henry IV, a chilly, austere king and father, as unsentimental as he is racked with shame and guilt and concern for the succession. Of course, Gielgud speaks the lines faultlessly, but he seems to be in perfect accord with Welles`s direction and perception of the part. If Welles is the blustering heart of the film, Gielgud`s Henry is the shivering soul.
The sets are wonderful, again the low budget forcing Welles to create magic out of a bare castle or a straw-filled inn-cum-bawdy-house in some Hispanic version of Eastcheap!
That sadly neglected Welsh actor Keith Baxter (still with us at eighty) is brilliant as Hal, both in the tavern scenes and as King Henry V - by the end, you can see him adopting the piety and seriousness of the man we know from history. It is a committed and utterly natural performance. (One minor cavil is that his, and Tony Beckley/Poins`s hair styles look too contemporary.)
The glorious Margaret Rutherford is perhaps a trifle motherly as Mistress Quickly, though her final sublime prose speech recounting Falstaff`s death - one of the most moving passages in Shakespeare - is on the button.
Jeanne Moreau (what a cast!) is superb as a fiery Doll Tearsheet, and Norman Rodway a fine, suitably impetuous Hotspur.
A word too for the late Michael Aldridge (credited wrongly as Aldrich) as Pistol. He was a wonderfully funny and resourceful actor, and he invests his smallish role with an unforgettable vigour and a kind of debauched charm.
That respected, too little seen actor Alan Webb, in his scenes with Falstaff, is a model Justice Shallow, all high voice and endless chatter.
Every now and then you wonder if the whole thing is going to fall apart at the seams, such is the obvious on-the-hoof manner of the film`s production, but this feeling only adds to its overwhelming, and ultimately touching sense of rightness.
The lengthy battle scenes are astonishingly and realistically achieved, and the cinemaphotography of Edmund Richard is a thing of wonder.
There are more `perfect` films from Shakespeare, but none so exciting to look at - no, not even Kurosawa`s Ran - or so moving. The words are audible (at least they are in this new print) and spoken by all both naturally and with full attention to meaning.
This was Welles`s own favourite among his films, and one can easily see why.

Unmissable.

12 people found this helpful

Helpful

rob crawford

Welles at his best

Reviewed in the United Kingdom on 22 December 2011

Verified Purchase

Welles again demonstrates his consummate creativity, merging a number of scenes from Shakespeare's plays to carve the finest portraits of both the young Henry IV and his muse and drinking companion, Falstaff. It is a timeless relationship between rebellious youth - so in need of a break from the burden of responsibility that presses on him - and his antithesis, an old drunkard merrymaker who bumbles through life with wit, laughter, and in the worst disorder. In a grainy production that makes no shortcuts in language, It is acted to perfection by the unbeatable ensemble of Wells, Baxter, Gielgud, and Moreau, to mention only a few.

At the center is prince Hal, whose father disapproves of his adolescent partying. He needs the corpulent Falstaff, who loves him and hopes to use him once he gains power, as a courtier. Gielgud (the perpetual old man) is the King, defending himself and Hal from a series of deadly challengers from family and friends. All of these relationships evolve, so close to life that only Shakespeare could write it. It make me weep at the mystery of life.

The film is extremely ambitious, a hallmark of Welles. The sets are wonderfully realistic, including the horrific civil war battle between the Henries, when Henry IV must at last prove his mettle to his father. Nothing romantic and glorious, just mud, mayhem, and fear. It is one of the best portrayals of organized violence on film. But there is the wider milieu as well, from the court to brothels and pubs. It is beautiful and raw.

I saw this 30 years ago in English with subtitles on French television and remembered it so vividly that I have looked for a good version of it ever since. This version is good, but the sound is primitive and somewhat low. The formatting is also inset rather than full screen, hence the print somewhat inferior. But these are minor gripes. This is a great film that can be viewed over and over. Now I will watch it with my children, for whom I am nurturing an interest in SHakespeare - this is the perfect vehicle.

Warmly recommended.

5 people found this helpful

Helpful

Tobias Churton

Chimes at Midnight - Welles improves on Shakespeare

Reviewed in the United Kingdom on 23 November 2013

Verified Purchase

Orson Welles's 1966 movie is a magisterial exercise in direction and cinematic storytelling, the work of a genius at the height of his rage and power: a mighty man of art squaring up to Shakespeare and turning the words into movement, music, meaning. A film of wonder in an excellent transcription - at long last. "We have heard the chimes at midnight, Master Robert Shallow". Indeed we have. We shall not see Welles's like again - and the supporting cast are all first rate, flying with Welles into regions of magic seldom touched on since. The film was a paean to lost innocence; if it felt lost in 1966, what can we say today, now the media harpies appear to have grabbed all the food and the fun? And do we know it all? No we have lost everything. To look into this film is to look into a lake and see a reflection from the other side, inaccessible, untouchable.
Tobias Churton

6 people found this helpful

Helpful

Mr. J. A. Heath

Orson Welles the American Laurence Olivier

Reviewed in the United Kingdom on 22 September 2013

Verified Purchase

As my heading says I feel that Orson Welles was the Laurence Olivier of the American acting profession. Chimes at Midnight is a good film well acted by Welles and the other supporting cast. Welles also did a film of Macbeth which I have purchased recently and that is also very good once again a brilliant performance by Orson Welles. I think he also did a film of Othello which I may buy later on from Amazon. Welles was a maverick regarding his approach to the films he made and not always in vogue with the film industry and critics during his lifetime. But I like his acting and the films he made he was a all rounder acting directing and sometimes producing his films and plays which mostly he appeared in. I listened to a recording of his War of the Worlds broadcast in the 1930's on Youtube recently this really put the cat amongst the Pigeons and caused panic in some quarters as the American public really thought the aliens had landed typical Welles in my opinion.

3 people found this helpful

Helpful

Pages with related products. See and discover other items: margaret rutherford, margaret rutherford films, jeanne moreau films

Amazon Music Stream millions of songs	AbeBooks Books, art & collectables	ACX Audiobook Publishing Made Easy	Amazon Web Services Scalable Cloud Computing Services

Audible Download Audiobooks	Book Depository Books With Free Delivery Worldwide	DPReview Digital Photography	Goodreads Book reviews & recommendations

Amazon Home Services Experienced pros Happiness Guarantee	IMDb Movies, TV & Celebrities	Kindle Direct Publishing Indie Digital & Print Publishing Made Easy	Shopbop Designer Fashion Brands

Amazon Warehouse Deep Discounts Open-Box Products	Amazon Business Service for business customers	Whole Foods Market We Believe in Real Food	Amazon Second Chance Pass it on, trade it in, give it a second life

Select Your Cookie Preferences

Image Unavailable

Chimes At Midnight (1965, aka Falstaff) - Region 2 PAL, plays in English without subtitles [DVD] [2011]

(edizione speciale)

Enhance your purchase

Special offers and product promotions

Frequently bought together

Customers who viewed this item also viewed

Product details

Reviews

Customers who bought this item also bought

What other items do customers buy after viewing this item?

Customer reviews

Reviews with images

Top reviews from United Kingdom

There was a problem filtering reviews right now. Please try again later.