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RØDE Camera and Audio VideoMic with Rycote Lyre Mount
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- Studio recording quality
- All you need for great sounding video: mount on-camera and go
- 3.5mm mini-jack output, robust integrated rycote lyre shockmount
- Provides over 100 hours of service on one 9-volt battery. Frequency Range 40Hz - 20kHz
- 10 year warranty (product must be registered online within 30 days of receipt)
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|Colour||Black and Red||Black and Red||Black||Black||CVM-V30 LITE R||Black|
|Item Dimensions||30.48 x 10.16 x 12.7 cm||8.08 x 7.9 x 0.25 cm||7.5 x 10 x 17 cm||22.86 x 7.62 x 12.7 cm||—||27.3 x 7.62 x 12.7 cm|
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The RØDE VideoMic is a professional grade 1/2" condenser shotgun microphone designed for use with consumer video cameras and personal audio recorders. The integrated Rycote® Lyre shock mounting system isolates the VideoMic capsule and electronics from its all-metal shoe mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Its standard sized shoe mount also includes a 3/8" thread in the base for easy mounting on a boom pole or stand. (note that cameras with proprietary sized mounts require an additional adaptor.) Its super cardioid polar pattern is highly directional, focusing on the subject in front of the camera, and minimising any surrounding sounds. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded. A -10dB and -20dB level attenuation (or PAD), selectable from inside the battery compartment, allows recording of loud sound sources, such as live music or motorsport. The RØDE VideoMic directional on-camera microphone is covered by RØDE Microphones' industry leading 10 year warranty.
1 x RØDE VideoMic with Rycote® Lyre Mount
1 x QuickStart Guide
From the manufacturer
RØDE VideoMic conveniently attaches to camera hot-shoe for on-the-go filmmaking.
There's a lot to like about the VideoMic:
- Condenser Microphone for Detailed, Professional Sounding Audio
- 9V Battery Powered
- Integrated Rycote Lyre Shock Mounting to Isolate Handling Noise
- Two Step High Pass Filter (Flat/80Hz) for Cutting Low-End Rumble
- Three Step Pad (0, -10, -20dB) For Recording Louder Sources
Time to Transform Your Video Sound
Get Directional, Broadcast-Audio in your Video.
Having good sound in your video is essential. The RØDE VideoMic gives you clear, directional audio for your video, recorded right in-camera without the need for external recorders or other equipment
- Easy to Use: Attach to camera, turn on, and start filming
- Directional Shotgun Design: Hear More of Your Subject, Less Surrounding Ambience
- Up to An Incredible 100 hour Battery Life on one Alkaline/Lithium 9V Battery
Make Your Camera Sound Great
Give your videos broadcast-quality audio with just one single product. The shotgun-barrel design gives improved intelligibility and focus on your speaking subject.
Easy to Use
Attach the VideoMic to your camera's hot shoe, connect the 3.5mm cable and turn it on. VideoMic replaces the audio in your video, without the need to synchronise audio afterwards.
Incredible Battery Life
The VideoMic will power for up to 100 hours on one Alkaline/Lithium 9V battery - peace of mind you have high quality audio for the whole day's shoot, and beyond.
Compatible with Accessories to Enhance Productions Further
The VideoMic includes 3/8" thread for convenient RØDE Boompole (sold separately) or tripod mounting. Add a VC1 extension cable (also sold separately) for working off-camera, closer to the speaking subject for the best possible sound.
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This microphone is capable of doing a lot more than on camera work. I have used this product with my PC, for contacting my friends, and communicating with people when playing games online. As well as this, this microphone is great at being used as a boom mic for a video.
This microphone tops any built-in microphones on cameras or phones, and it is a great way to improve quality of videos for things like YouTube, Twitch or general video projects in general.
Pros of this microphone:
- Brilliant, Crisp, Sharp Audio
- Great price for performance
- Works with many platforms:
- Audio Recorder
- Phone (with adapter)
- Uses standard 3.5mm jack connector
- Shock mount reduces knocks and bumps greatly
- Foam covering reduces noise from wind quite well
- built in cable stretches well
- built in high pass filter
Cons of this microphone:
- audio cable isn't replaceable
- requires 9v battery for power
- quite large - can sometimes be seen in the camera shot (when mounted on hotshot mount) when using wide angle lens
This product is amazing for the price, can't recommend it enough!
The directional microphone needs to be used with care. For example if you are interviewing someone who points out something of interest behind you, it's no good panning round as they continue to talk, as their voice will fade away!
The other reason for purchasing this microphone was to improve sound quality and to lessen the effect of wind. The sound quality of the built in microphone of the Panasonic camcorder was pretty good, and so it was difficult to recognize a significant improvement in general recording, but it did noticeably overcome problems of recording in a light breeze.
The microphone is attached to a mounting system that is designed to cut out camera and it is questionable as to how long the rubber loops will last. However another reviewer has made the point that these can easily be replaced by inexpensive O-Rings and so this is not a problem. The microphone is relatively large and dwarfs my camcorder, but at least it's not very heavy and so again not much of a problem, as long as you have a bag that it will fit into. Finally, the only real problem that I have had is to forget to switch it on. I would strongly recommend that once you start filming for the day switch it on and leave it on. The pp3 battery is supposed to last for more than 100hrs, and so the cost of doing this far outweighs the cost of losing valuable footage!
The microphone needs to be set a night input in the camera or the the subject you are shooting needs to be fairly close (about 1m) from the camera, to produce a clear good quality sound. Otherwise I found that I needed to clean up my sound and apply a de-hisser and vocal enhancer to it in editing. I didn't have the input set very high in the camera and I was quite far away from the subject during much of the filming.