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DAVID SYLVIAN brilliant trees, V2290
Top Customer Reviews
"Brilliant Trees" is where Sylvian began his journey. Here is a record which is steeped in French literature and art from the Paris of the inter-war years of Satre and musical cues coming from jazzy time signtures of ECM, the forth world ambience of Brian Eno, and echoes of a band who coloured a great deal of his music took cues from throughout the 80's, Can.
There is an echo of former group Japan in the opening track "Pulling Punches", which could have easily fit onto the final "Tin Drum" album, but from then on it really takes no interest in anything of his past legacy. The jazzy time signatures of "Ink In The Well" and "Red Guitar" mark them as two of the most distinctive top 40 records of the whole decade. Whilst a good deal of the rest of the album is filled with gentle textures and a quite ambient feel about it. Although this contains faint echoes of Japan it is fuzzier and lacks the clinical feel some of their work contains.
What makes the album for me is some of the contributions from the support musicians. Danny Thompson's double bass sounds as rich and warm here as he did when working with Nick Drake and the solo by Kenny Wheeler on "Ink In The Well" gives the track a really blistering second half.Read more ›
'Pulling Punches' is a more organic continuation of the rockier end of Japan- such as 'The Art of Parties'. It also reminds me of 'Scary Monsters'-Bowie & 'Lightning Strikes' by The Clash. It would be the last time Sylvian would 'rock out' til 'The First Day'...'The Ink in the Well' contrasts with this, a mellow lull aided by Thompson's jazzy double bass. Think Scott Walker sings Tim Buckley (in blue). Sylvian, still kind of a pop-star, singing about Picasso (It seems 80's popstars had musical ambitions, rather than commercial ones)...'Nostalgia' takes an Oriental vocal & the type of ambient space of 'My New Career'& 'A Foreign Place'to fresh lengths. It provided title for the Japan compilation 'Exorcising Ghosts' & seems to be doing just that. Along with the later 'Maria' & 'Godman' it seems to be taking the template of 'Ghosts' to previously uncharted territories. 'Red Guitar' is one of Sylvian's great songs; the piano has a warm jazzy feel- the song itself has the drama of a Bond theme & the brilliant, resigned "It's been this way for years"...'Weathered Wall' continues the Yellow Magic/Sakamoto-inflections of 'Bamboo Houses/Music' & 'Taking Islands in Africa'. Co-written with Jon Hassell, it takes us to the kind of ambient plain Eno dreamt up a few decades ago.Read more ›
Recorded in London and West Berlin in 1983 and 1984, 'Brilliant Trees' was rumoured to be an arduous task for Sylvian, who "experimented" with uncompleted/unheard tracks before getting to these, and reportedly found the experience of playing back the material uncomfortable. Sylvian around the time of 'Dead Bees on a Cake' cited this and the 'Rain Tree Crow'-album as his personal favourites; while the recent 'snow borne sorrow' by nine horses advances on the type of territory here such as 'The Ink in the Well' and 'Nostalgia.' The list of musicians who contributed to this is fantastic - Can-member Holger Czukay, former Japan drummer/synthplayer (& Sylvian's brother) Steve Jansen, Sakamoto, Jon Hassell ('Power Spot', 'On Land'), Danny Thompson, Mark Isham, Richard Barbieri (another former Japan member), Kenny Wheeler, Phil Palmer.Read more ›
Most Recent Customer Reviews
He was starting to move away from the 'Japan' sound with this release, although there is still that fretless bass sound to remind you of times gone. Read morePublished 8 months ago by BabaYaga
I like Sylvian and I like this CD. Up there with his best.Published 12 months ago by W. N. E. Meredith
WHAT A GREAT ALBUM THIS IS VERY THOUGHTFUL AND CLASSY
JAPAN ON A VERY VERY GOOD DAY
digitally remastered - tweaked jacket - a good album. And a good pricePublished 22 months ago by R. Kruger
I was a big Japan fan back in the days but never heard any of David Sylvian`s solo albums...until now. Read morePublished on 5 Jan. 2014 by WhistleDownTheWind