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Bridget [Uk Region]

1.0 out of 5 stars 1 customer review

Dispatched from and sold by e-katastima.
£8.99 Only 4 left in stock. Dispatched from and sold by e-katastima.

Product details

  • Actors: Anna Levine, David Wike, Lance Reddick
  • Directors: Amos Kollek
  • Language: English
  • Subtitles: Greek
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 1
  • Studio: Audio Visual
  • Run Time: 90.00 minutes
  • Average Customer Review: 1.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 453,577 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Customer Reviews

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Top Customer Reviews

Format: DVD
Amos Kollek clearly had a premise for a movie: an abused woman must
find enough money to settle an old debt and buy her estranged son from
custody. But he didn't really have a plot to go with it. Bridget
lurches from one relationship to another, and Kollek hopes that the
idiosyncrasies and perversions of her acquaintances - a closet-lesbian
spinster, a psychotic Vietnam veteran, a mentally disabled stalker and
his terminally ill father - will patch over the tenuous, if
non-existent links between them. No event is too improbable to work its
way into the storyline, and Kollek keeps a straight face throughout, as
if this is a portentous work demanding intense structural analysis.

The performances are generally sub-standard. Anna Levine, as Bridget,
is alone able to communicate something of her character's desperation.
That much of the plot depends on Bridget's supposed beauty, though,
sits at odds with Levine's gaunt, pallid face and bony frame.
Throughout the film Bridget looks unwell and disturbed. David Wike is
laughable as the retarded Pete. Lance Reddick is on the wrong side of
melodrama as hit-man Black. Julie Hagerty and a sinister Mark Margolis
are well cast in their respective roles, but the threadbare narrative
jumps beyond their characters before we are able to gain a greater
insight into them.

Barely a scene rings true throughout the film, and the consistently
hollow dialogue immediately suggests an imperfect grasp of English on
the director's part. The delivery and intonation in many conversational
scenes is uneven, and none of the characters convincingly relate to one
another. Technically, too, the film disappoints.
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