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Breakfast of Champions Kindle Edition
| Kurt Vonnegut (Author) See search results for this author |
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The core of the novel is Kilgore Trout, a familiar character very deliberately modeled on the science fiction writer Theodore Sturgeon (1918-1985), a fact which Vonnegut conceded frequently in interviews and which was based upon his own occasional relationship with Sturgeon. Here Kilgore Trout is an itinerant wandering from one science fiction convention to another; he intersects with the protagonist, Dwayne Hoover (one of Vonnegut's typically boosterish, lost and stupid mid-American characters) and their intersection is the excuse for the evocation of many others, familiar and unfamiliar, dredged from Vonnegut's gallery.
The central issue is concerned with intersecting and apposite views of reality, and much of the narrative is filtered through Trout who is neither certifiably insane nor a visionary writer but can pass for either depending upon Dwayne Hoover's (and Vonnegut's) view of the situation. America, when this novel was published, was in the throes of Nixon, Watergate and the unraveling of our intervention in Vietnam; the nation was beginning to fragment ideologically and geographically, and Vonnegut sought to cram all of this dysfunction (and a goofy, desperate kind of hope, the irrational comfort given through the genre of science fiction) into a sprawling narrative whose sense, if any, is situational, not conceptual.
Reviews were polarized; the novel was celebrated for its bizarre aspects, became the basis of a Bruce Willis movie adaptation whose reviews were not nearly so polarized. (Most critics hated it.) This novel in its freewheeling and deliberately fragmented sequentiality may be the quintessential Vonnegut novel, not necessarily his best, but the work which most truly embodies the range of his talent, cartooned alienation and despair.
ABOUT THE AUTHOR
Kurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.
Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.
Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.
ABOUT THE SERIES
Author Kurt Vonnegut is considered by most to be one of the most important writers of the twentieth century. His books Slaughterhouse-Five (named after Vonnegut's World War II POW experience) and Cat's Cradle are considered among his top works. RosettaBooks offers here a complete range of Vonnegut's work, including his first novel (Player Piano, 1952) for readers familiar with Vonnegut's work as well as newcomers.
- Publication date1 July 2010
- LanguageEnglish
- File size4669 KB
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Product description
Review
He’s just so fucking amazing. Everyone should read Vonnegut. -- Tim Minchin
A great deal of wit and playfulness...an entire universe of disorder is distilled ― Guardian
Outrageous, witty, thought-provoking, unputdownable, scintillating, invigorating, ennobling, enlightening and masterly ― Spectator
Brilliant... It seems, at times, as if Voltaire has returned to satirise the horrors of plastic, disposable America ― Sunday Times --This text refers to the paperback edition.
From the Back Cover
In a frolic of cartoon and comic outbursts against rule and reason, a miraculous weaving of science fiction, memoir, parable, fairy tale and farce, Kurt Vonnegut attacks the whole spectrum of American society, releasing some of his best-loved literary creations on the scene.
See also: Slaughterhouse 5
--This text refers to the paperback edition.About the Author
From the Inside Flap
Book Description
Synopsis
Excerpt. © Reprinted by permission. All rights reserved.
Breakfast of Champions
By Kurt Vonnegut
HarperAudio
Copyright © 2004 Kurt VonnegutAll right reserved.
ISBN: 9780060564971
Chapter One
Dwayne was a widower. He lived alone at night in a dream house in Fairchild Heights, which was the most desirable residential area in the city. Every house there cost at least one hundred thousand dollars to build. Every house was on at least four acres of land.
Dwayne's only companion at night was a Labrador retriever named Sparky. Sparky could not wag his tail-because of an automobile accident many years ago, so he had no way of telling other dogs how friendly he was. He had to fight all the time. His ears were in tatters. He was lumpy with scars.
* * *
Dwayne had a black servant named Lottie Davis. She cleaned his house every day. Then she cooked his supper for him and served it. Then she went home. She was descended from slaves.
Lottie Davis and Dwayne didn't talk much, even though they liked each other a lot. Dwayne reserved most of his conversation for the dog. He would get down on the floor and roll around with Sparky, and he would say things like, "You and me, Spark," and "How's my old buddy?" and so on.
And that routine went on unrevised, even after Dwayne started to go crazy, so Lottie had nothing unusual to notice.
* * *
Kilgore Trout owned a parakeet named Bill. Like Dwayne Hoover, Trout was all alone at night, except for his pet. Trout, too, talked to his pet.
But while Dwayne babbled to his Labrador retriever about love, Trout sneered and muttered to his parakeet about the end of the world.
"Any time now," he would say. "And high time, too."
It was Trout's theory that the atmosphere would become unbreathable soon.
Trout supposed that when the atmosphere became poisonous, Bill would keel over a few minutes before Trout did. He would kid Bill about that. "How's the old respiration, Bill?" he'd say, or, "Seems like you've got a touch of the old emphysema, Bill," or, "We never discussed what kind of a funeral you want, Bill. You never even told me what your religion is." And so on.
He told Bill that humanity deserved to die horribly, since it had behaved so cruelly and wastefully on a planet so sweet. "We're all Heliogabalus, Bill," he would say. This was the name of a Roman emperor who had a sculptor make a hollow, life-size iron bull with a door on it. The door could be locked from the outside. The bull's mouth was open. That was the only other opening to the outside.
Heliogabalus would have a human being put into the bull through the door, and the door would be locked. Any sounds the human being made in there would come out of the mouth of the bull. Heliogabalus would have guests in for a nice party, with plenty of food and wine and beautiful women and pretty boys-and Heliogabalus would have a servant light kindling. The kindling was under dry firewood-which was under the bull.
* * *
Trout did another thing which some people might have considered eccentric: he called mirrors leaks. It amused him to pretend that mirrors were holes between two universes.
If he saw a child near a mirror, he might wag his finger at a child warningly, and say with great solemnity, "Don't get too near that leak. You wouldn't want to wind up in the other universe, would you?"
Sometimes somebody would say in his presence, "Excuse me, I have to take a leak." This was a way of saying that the speaker intended to drain liquid wastes from his body through a valve in his lower abdomen.
And Trout would reply waggishly, "Where I come from, that means you're about to steal a mirror."
And so on.
By the time of Trout's death, of course, everybody called mirrors leaks. That was how respectable even his jokes had become.
* * *
In 1972, Trout lived in a basement apartment in Cohoes, New York. He made his living as an installer of aluminum combination storm windows and screens. He had nothing to do with the sales end of the business-because he had no charm. Charm was a scheme for making strangers like and trust a person immediately, no matter what the charmer had in mind.
* * *
Dwayne Hoover had oodles of charm.
* * *
I can have oodles of charm when I want to.
* * *
A lot of people have oodles of charm.
* * *
Trout's employer and co-workers had no idea that he was a writer. No reputable publisher had ever heard of him, for that matter, even though he had written one hundred and seventeen novels and two thousand short stories by the time he met Dwayne.
He made carbon copies of nothing he wrote. He mailed off manuscripts without enclosing stamped, self-addressed envelopes for their safe return. Sometimes he didn't even include a return address. He got names and addresses of publishers from magazines devoted to the writing business, which he read avidly in the periodical rooms of public libraries. He thus got in touch with a firm called World Classics Library, which published hard-core pornography in Los Angeles, California. They used his stories, which usually didn't even have women in them, to give bulk to books and magazines of salacious pictures.
They never told him where or when he might expect to find himself in print. Here is what they paid him: doodleysquat.
They didn't even send him complimentary copies of the books and magazines in which he appeared, so he had to search them out in pornography stores. And the titles he gave to his stories were often changed. "Pan Galactic Straw-boss," for instance, became "Mouth Crazy."
Most distracting to Trout, however, were the illustrations his publishers selected, which had nothing to do with his tales. He wrote a novel, for instance, about an Earthling named Delmore Skag, a bachelor in a neighborhood where everybody else had enormous families. And Skag was a scientist, and he found a way to reproduce himself in chicken soup. He would shave living cells from the palm of his right hand, mix them with the soup, and expose the soup to cosmic rays. The cells turned into babies which looked exactly like Delmore Skag.
Pretty soon, Delmore was having several babies a day, and inviting his neighbors to share his pride and happiness. He had mass baptisms of as many as a hundred babies at a time. He became famous as a family man.
And so on.
Continues...
--This text refers to an alternate kindle_edition edition.
Excerpted from Breakfast of Championsby Kurt Vonnegut Copyright © 2004 by Kurt Vonnegut. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Review
He’s just so fucking amazing. Everyone should read Vonnegut.
A great deal of wit and playfulness...an entire universe of disorder is distilled ― Guardian
Outrageous, witty, thought-provoking, unputdownable, scintillating, invigorating, ennobling, enlightening and masterly ― Spectator
Brilliant... It seems, at times, as if Voltaire has returned to satirise the horrors of plastic, disposable America ― Sunday Times --This text refers to an out of print or unavailable edition of this title.
Product details
- ASIN : B003XRELEI
- Publisher : RosettaBooks (1 July 2010)
- Language : English
- File size : 4669 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 322 pages
- Customer reviews:
About the author

Kurt Vonnegut was a writer, lecturer and painter. He was born in Indianapolis in 1922 and studied biochemistry at Cornell University. During WWII, as a prisoner of war in Germany, he witnessed the destruction of Dresden by Allied bombers, an experience which inspired Slaughterhouse Five. First published in 1950, he went on to write fourteen novels, four plays, and three short story collections, in addition to countless works of short fiction and nonfiction. He died in 2007.
Customer reviews
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An ecological warning clad in the garb of a straightjacketed tale as two men are drawn into a destiny of collision and combustion. Kilgore Trout (for it is he, the world's greatest writer) travels across America to ignite the dry straw of madness in one Dwayne Hoover, Pontiac salesman and possibly the world's sole possessor of free will.
Racism, pollution, opencast mining, consumerism and the pursuit of the buck (not to mention the average size of the penis) bubble in the pot of Vonnegut's unique brew. Ahead of its time and as good as he gets, just buy the ticket and climb aboard this magical ride on the meta bus. And if you choose not to then it matters little; you're all already on it.
This is an ambitious novel that sets itself at odds with classic narrative structure. It contains stories within stories within stories, all of which do speak to each other nicely.
It's a great journey, even if you and Vonnegut aren't sure where it's headed.
Good, fun, book with some fantastic quotes in it.
If you have already read some Vonnegut and enjoyed it then I would highly recommend this novel!
It provides a satirical look at modern (well, modern-ish) American culture and holds nothing sacred. Lies told to children in the name of 'education', the American national anthem, the figures of women, modern art, business practices, authors, social standing, penis size and a whole host of other taboos are attacked and pulled apart in the most amusing way.
Like all good comedians, Vonnegut uses humour and simplicity to deliver profound insights that are are immediately recognised for what they are.
I know not everyone agrees - so if you want a 'story' and 'realistic characters' then this is not for you. If you want an amusing satire that will make you chuckle then this book may be up your street. I definitely enjoyed it.
