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Brazil - Limited Edition Steelbook [Blu-ray] [1985]

4.3 out of 5 stars 154 customer reviews

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Product details

  • Actors: Jonathan Pryce, Katherine Helmond, Kim Greist, Robert De Niro, Ian Holm
  • Directors: Terry Gilliam
  • Producers: Arnon Milchan
  • Format: Limited Edition
  • Language: English
  • Subtitles: French
  • Subtitles For The Hearing Impaired: English
  • Region: Region B/2 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 16:9 - 1.85:1
  • Number of discs: 1
  • Classification: 15
  • Studio: 20th Century Fox Home Entertainment
  • DVD Release Date: 3 Mar. 2014
  • Run Time: 137 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (154 customer reviews)
  • ASIN: B00GB5WJIY
  • Amazon Bestsellers Rank: 50,893 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Product Description

Product Description

It's only a state of mind. Jonathan Pryce stars as Sam Lowry in this surrealistic spectacle about a daydreaming bureaucrat trapped in a future dystopia where love is forbidden from interfering with efficiency. But with the help of an underground superhero (Robert De Niro) and a beautiful mystery woman (Kim Greist), Sam learns to soar to freedom on the wings of his untamed imagination, or so he thinks. Acclaimed filmmaker Terry Gilliam directs with an acerbic wit and poet's eye that dazzles like never before in glorious high

From Amazon.co.uk

If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--this is the sort of outrageously dystopian satire one could easily imagine him making. However, Brazil was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam sure captures the paranoid-subversive spirit of Kafka's The Trial (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek governmental clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. Not a software bug, a real bug (no doubt related to Kafka's famous Metamorphosis insect) that gets smooshed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr. Buttle, as suspected terrorist Harry Tuttle (Robert De Niro). When Sam becomes enmeshed in unravelling this bureaucratic glitch, he himself winds up labelled as a miscreant.

The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. --Jim Emerson --This text refers to the DVD edition.

Customer Reviews

Top Customer Reviews

Format: Blu-ray
Weird but excellent film, been one of my favourites for years and was looking forward to the blu-ray release.

However, what is the point of blu-rays when compared to DVDs? Ah, yes, superior visuals and sound quality, or at least supposedly.

Visually, the transfer is pretty good for a 25+ year old film (though no great improvement over an upscaled DVD).

Audio is another matter. This is standard 2.0 Dolby Digital and compares to the USA multi-region release that is DTS-HD Master and which sounds much better than the UK version (yes, I know it's sad, but I did buy the US version after my disappointment with the UK version).

So, Fox, why is it that you think the UK should put up with inferior sound quality compared to the US edition? Was it really impossible to use the same master? And again, what is the point in blu-ray if the production companies bundle the disc with a sound format that is no better than DVD (actually, worse, my old Criterion edition at least has 2.1 Dolby Digital - well, I did say it was one of my favourite films...).
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Format: Blu-ray
Due to a curious lack of professional reviews and details about this blu-ray, I have decided to provide information I would have found helpful prior to buying this release. Firstly, this surely has to be the same transfer used for the Region A Criterion version. The film runs at 2hrs 23min 20sec, with the 20th Century Fox logo taking up 23sec of that. This version of the film also opens in the clouds, which has been accredited to the Criterion version. The other thing that makes me suspect it is the same transfer is the superb picture quality.

PQ: There is a healthy layer of grain that was only noticeable when viewed up close. The image was sharp, stable, colours were vibrant and natural, with no discernible print damage. Neither did I notice any scratches, dirt or debris (except on a couple of process shots.) In a nutshell, the film has never looked better to me.

AQ: I can't comment on the surround sound, but the audio through my stereo TV speakers was well-balanced and crisp, with dialogue sounding clearer than any previous version I've watched.

Extras: The minimal extras have been ported over from the previous DVD release. They comprise a 3-minute theatrical trailer, and the 30-minute vintage documentary "What is Brazil?".

So, if you can't play Region A discs then this is a far from disappointing alternative, and a fraction of the price of the Criterion disc. Dystopia has never been funnier.
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Format: DVD
It's hard to be objective about a film i know and love as much as Brazil, but here goes. Firstly the bad news, no director's commentary, Gilliam always provides illuminating and witty commentaries so it's a glaring omission. Secondly, 'What is Brazil?' is an only mildly interesting extra, not adding much to our understanding of the film. Hence, a missed opportunity.
Now the good news. If you like surrealist cinema, pitch black humour and bizarre imagery (think Lynch here), then this could well turn out to be one of your favourite films too. A sort of Gilliam vision of nineteen eighty four, the film depicts a futuristic society in which bureaucracy subjugates free will and peoples' lives become computer printouts. Love, as in 1984 is the enemy of the state, and Sam is the civil servant who commits the heinous crime of falling in love with a suspected terrorist. I won't spoil the ending, but it is both uplifting and devastating.
If you prefer straightforward story telling and narrative closure then you might prefer to avoid this film. Subjectively I would say this is one of only a few films that has left an enduring impression upon me.
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Format: Blu-ray
The good news is that the UK blu-ray release of Brazil is the 143 minute Terry Gilliam Director's Cut previously available as a Criterion release in the US (despite the listed running time of 136 minutes here on Amazon and on the case itself). The transfer is not perfect but is a massive upgrade from the DVD edition. Despite what some reviewers on here have claimed it is head and shoulders above an upscaled DVD with fine detail like skin pores and fibres on woollen suits showing up clearly. A full restoration would have been nice but you can't have everything.

What I would have expected on a blu-ray released in 2011 is a decent soundtrack but all we get here is 2.0 Dolby stereo. The American release has a DTS Master lossless soundtrack but is the shortest cut of the film so it isn't really a decent alternative. It would appear that the best release is the French digibook which not only has nice packaging but boasts the longer 142 minute cut AND a DTS MA soundtrack. That said this UK release will set you back less than half of the sheckles required to import the french disc so if you're on a budget it is still worth the splurge, warts and all. Perfectionists however should head to Amazon Fr and pick up the digibook.
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Format: DVD
Where on earth do you start when you try describing Brazil? Terry Gilliam does a spectacular job portraying a dark fantasy world where society is taken over by a sinister bureaucracy which creates the nightmare scenario where individuals don't know who to trust or where to turn for help. What makes Brazil particularly uncomfortable and even prophetic, is that we can identify with the leading character (played by Johnathon Price) and his lonely plight into a dystopian hell. For anyone who has been enraged by being fobbed off by something like an electronic answering service in a bank, multiply Price's anguish by ten. He lives in an inhuman world which has nothing left other than red tape and faceless autocrats. Gilliam proves that you don't need any of the tactics employed by the horror genre to a create a terrifying and riveting scenario.
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