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Born to Die CD

4.4 out of 5 stars 531 customer reviews

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Product details

  • Audio CD (30 Jan. 2012)
  • Number of Discs: 1
  • Format: CD
  • Label: Polydor
  • ASIN: B005QJZ5FA
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (531 customer reviews)
  • Amazon Bestsellers Rank: 779 in Music (See Top 100 in Music)
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Product Description

Product Description

Debut album from 'Video Games' singer Lana Del Rey.

BBC Review

If you want an explanation for the unlikely rise of Lana Del Rey, it isn’t that hard to find. Ignore accusations of cynical marketing and inauthenticity, or speculation about surgery and Daddy’s money – that’s not important. And don’t get distracted by the YouTube statistics or the online hyperbole, this isn’t about new media. It’s about something older and more mysterious than that; the extraordinary, resilient power of the pop song. For all of her trashy Americana and startling beauty, if Del Rey hadn’t arrived last summer with a song as luminously beautiful as Video Games, none of this would be happening.

So the only truly important question about Born to Die is whether there’s more where that came from. Cynics look away: the answer is an emphatic yes. Nothing else quite matches Video Games’ eerie perfection of form and melody – after all, 99% of singers go an entire career without finding one song that good – but several run it perilously close, while revealing there’s more to her than the love-stunned torch singer of Video Games.

What makes Born to Die so richly fascinating – and what marks Del Rey out from the standard issue "I’m hot, you’re hot" pop starlet – is her preoccupation with Hollywood archetypes of American femininity, and her ability to shape-shift between them. So, on the stately, bloodstained title-track, Del Rey plays femme fatale, deliciously stoned and doomed, with an imperious vocal to match. On the addictive, sugar-rushing Off to the Races she’s trailer trash living the high life, her vocal veering deftly between husky cynicism and hiccupping glee; while on the tender This Is What Makes Us Girls she’s the poor little rich girl looking melancholically back on youthful hedonism.

It all reaches its apotheosis on National Anthem where Del Rey, dissatisfied with merely being an all-American girl, becomes America itself, offering up deadpan slogans like "money is the reason we exist" before demanding utter patriotic devotion on the swaggering chorus. If that sounds knowing that’s because it is, not to mention intelligent, ambitious, and more interesting than anything Adele is likely to write even by the time her inevitable 72 collection hits the shelves of the future. It’s also brilliantly realised, thanks to Del Rey’s extraordinary delivery, her ability to slip from deep-toned haughtiness to breathless ecstasy to velvety vamping – often in the same gorgeous melody.

Born to Die isn’t perfect: it slumps slightly towards the end, and the glossy trip-hop production grows wearying on lesser gothic melodramas like Dark Paradise. But it’s the most distinctive and assured debut since Glasvegas’ eponymous disc in 2008, and makes you desperate to see where she goes from here. Del Rey’s defenders can take a break: Born to Die does their job better than they could hope to.

--Lana Del Rey

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Customer Reviews

Top Customer Reviews

By Matt TOP 1000 REVIEWERVINE VOICE on 30 Jan. 2012
Format: Audio CD Verified Purchase
Firstly, I want to address the inadequate online loudmouths who seem determined to drive this young woman to a breakdown with the amount of bile they've been spewing in recent months: I don't care about the hype surrounding Lana Del Rey, it doesn't interest me. I don't care that she's changed her name (hardly a new phenomenon in the entertainment industry) or how wealthy her father is. I don't care that she's a nervous live performer - it's hardly surprising given the barrage of attacks she has already faced. Oh, and I certainly don't care whether or not her lips are enhanced by collagen. It's somewhat disturbing that only female singers ever face this kind of harsh scrutiny, but otherwise it's irrelevant.

All that matters to me is the music - and the music is sublime.

A big part of the appeal is that incredible, shiver-inducing voice; one moment it's a world-weary drawl encompassing all the despair of broken dreams and unfulfilled hopes... the next it's girly and playful with an uncomfortable undercurrent of knowing sexuality (hence the 'Lolita' comparisons). It's perfectly matched by the 'Lynchian' quality of the music, a combination of dreamy, seductive Hollywood strings and grimy trailer-park beats. It's Nancy Sinatra lost in the world of Twin Peaks.

Bizarrely a few critics have suggested a certain misogyny is present in her lyrics; they seem determined to remain oblivious to the persona Del Rey clearly adopts in virtually all the songs here - a (sadly not uncommon) teenage girl lacking in self-worth, dreaming only of wealth and celebrity and so desperate to find and hold a man that she willingly accepts indifference or even outright cruelty, telling herself she's in love. It's precisely this which makes songs like Video Games so heartbreakingly tragic.
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Format: Audio CD
This is an amazing album. 48 hours ago I had never heard of Lana Del Rey...But when I saw the magnificient cover of "Born to die", I had to give it a try.
I was hoping against hope that she wasn't gonna be another Katy Perry or Lady Gaga, and she's not!
Definitly darker, deeper, Lana Del Rey leans more towards artists such as Kate Bush, Tori Amos or the under-rated Maria McKee (later period) with a hint of Amy Winehouse. A brilliant touch of modernity in the arrangements without ever falling into the cheap "dance" or "r'n'b" format, but rather staying in some sort of ambient style.
Overall, the album is very slow and dark (americana comes to mind), the stings arrangements are superb, it is a very atmospheric album, and Lana Del Rey displays a large range in her vocals, from deep "murder ballad"-like singing to bimbo-like whisperings (although not too much thank you!). Only four stars though, because some songs feel more like fillers than anything else and repeat the same scenario.

This is an artist I didn't expect at all, and I'm quite pleased to have heard and bought this cd!
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Format: Audio CD Verified Purchase
I'd never really paid much attention to Lana Del Rey before the album release, having only heard a remix of Video Games that didn't do the original justice. I looked at what the internet was saying and the reviews seemed oddly mixed between those who said every track was great and those who seemed to have some sort of a grudge against her that no-one could properly define. I made my own mind up, and very quickly joined the ranks of those who love every track.

Born To Die is a strong opener and, in similar tones to Video Games, meshes haunting melody and lyrics with a gritty, torch song quality, oddly verging between dirge and pop. Off To The Races continues the haunting theme with an offbeat love song that may at first seem like a celebration of being shallow but very quickly reveals maturity and depth, and once listened to is difficult to forget. Blue Jeans is a beautiful pop song slowed down to a pace where it almost feels like a ballad. Video Games is simply the most beautiful song of the last year. Diet Mountain Dew is a breezy almost nonchalant pop song.

National Anthem is a playful song that on the surface has some lines that might make you think it's a clumsy way of celebrating the money and fame worship you hear in some other singers' songs, but the OTT way it's done and some of the lyrics, once closely listened to, clearly show it's a send up. Dark Paradise, a beautiful ballad about loss, is like an Evanescence song without the operatics. Radio is one of those guilty pleasure songs - a laid back pop song with a chorus that, if played on radio, would require much editing, and yet still manages to remain sounding innocent and beautiful. Carmen is a warning tale of the sad effects of Hollywood.
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I bought this album as soon as I could on the day of release. A lot of albums are over-hyped to an nth degree, and invariably they fail to live up to expectation. I was so worried this would too. After the furore in the press about Lana's background (and frankly, I couldn't care less about that), and the exposure her music has already had - notably the simply wonderful 'Video Games' - I have to admit that I was hoping this wouldn't be a few good tracks and a heap of fillers.

11:23 am, and this is the third time I've played this today. It is seriously that good. As a man brought up on the likes of The Tindersticks and Nick Cave (with and without his Bad Seeds), there has been a lack of a good, romantic melancholy female voice. The Handsome Family have got close from time to time, but there was no heroine for us. Amongst the beauty of her voice there's a definite sorrow. The fateful resignation of Video Games, the complicity of Off To The Races, the deep, deep pain of Carmen, the anguish of Summertime Sadness... If you've ever heard Mother Fist And Her Five Daughters by Marc Almond, you get an idea of what this album is like. Lana's voice is hauntingly beautiful, deep and brooding, with an inherent, breathless sexuality that just draws you in. From the opening strains of Born To Die, you're hooked. Dark, and yet stunning in every sense.

One last thing. This album is going to be shipped over the file-sharing networks en masse. Don't go there. BUY this album, don't steal it. Lana has been through a lot to get this album together and released, including being sued over the video she put together for Video Games.
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