The Book of the Courtier (Everyman's University Library) Hardcover – 1 Jan 1975
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About the Author
Daniel Javitch is Professor of Comparative Literature at New York University. He is the author of Poetry and Courtliness in Renaissance England, Proclaiming a Classic: The Canonization of Orlando Furioso, and is at work on a book tentatively entitled Thinking About Genre in the Sixteenth Century. He has been, since 1972, a director of New Directions Publishing Corporation. Charles S. Singleton was Professor Emeritus of Hispanic and Italian Studies at Johns Hopkins University. He also translated Boccaccio's Decameron and Dante's The Divine Comedy, and was awarded Italy's Order of Commendation for his contributions to the study of Italian literature. --This text refers to an out of print or unavailable edition of this title.
Top customer reviews
The translation is now an old one, but it is elegant and unobtrusive. The introduction is probably a little slight as are the notes, but this is still a good price for an unexpectedly engaging read.
Castiglione however, I found to be interesting for anthropological or sociological reasons. We gain insight into the roles of women, and the assumption that men were innately superior beings - Castiglione teaches that women are inferior, somewhat wretched beings, aspiring for cosmic and heavenly perfection when they form bonds with men - whilst men are corrupted and made imperfect by their bonds with women.
We also learn about men's tastes in art, and fashion - Castiglione chastises a fashion amongst the idle rich of wearing eye liner and plucking their eye brows, and behaving in an effeminate manner, whilst he advises his charge to be manly, taking care of his physical form, that should be as masculine as imposing as possible, yet, graceful and dignified. The young aristocrat should also ensure that he studies painting and classical Greek and Roman literature.
Of interest too, is Castiglione's teachings regarding how the aristocracy should hold on to their power and encourage faithfulness from his peasant class, and in these verses, we also gain insight into what newly emerging concepts of `nation', `patriotism' and `identity' meant in the 16th century - one might speculate that these national identities meant far more to the aristocrats, who had much to gain from such definitions and sense of belonging, whilst to the peasant, these notions probably meant little more than fulfilling the roles of a diligent servant and as cannon fodder in times of war and strife.
Castiglione also gives advice on a number of other topics, such as how to behave in company of ones equals, superiors and inferiors - Castiglione advises respect for the concepts of otherworldliness and detachment displayed by the philosopher and religious figures -- but the young aristocrat should realise these are not at all the correct ways for a worldly man to behave, should he wish to gain respect from fellow aristocrats, statesmen and his servants, the peasant and common man.
Castiglione's book is interesting, but as mentioned before -- do not expect the insights of others 16th century writers such as Machiavelli, whose wisdom we can still apply today to an understanding of realist schools of thought, political science and international relations.
His less fortunate son Guidobaldo inherited this charming and well-run dukedom. Guidobaldo married the cultivated Elisabetta of the Gonzaga family from Mantua. He was an invalid and not made of his father's stern military stuff. A victim of the brilliant military campaigns of Cesare Borgia that so enchanted Machiavelli, Guidobaldo was temporarily deposed. When the Borgias (Cesare and his father Pope Alexander VI) died, the people of Urbino rose up, drove out Borgia's soldiers and cheered Guidobaldo and Elisabetta upon their return.
For the next few years the court of Elisabetta and Guidobaldo was the most beautiful, enlightened, genteel place on earth. They attracted musicians, scholars and artists. Conversation was honed into a fine art. Into this paradise strode our Lancelot, Baldasare Castiglione, a diplomat descended from minor Italian nobility. He loved Elisabetta, but as far as we know the devotion remained platonic
It is because of Castiglione that we believe we have a sense of what the court of Montefeltro was like, or at least how they would have like to have been remembered. His "The Book of the Courtier" (Il Cortigiano) painstakingly analyzes the attributes of a gentleman through conversations (probably highly idealized) of refined visitors to Urbino.
It's a long, slow, but thoroughly enjoyable book. It is a window into the renaissance mind. It does not describe how the Italians of the sixteenth century were, Machiavelli and Cellini are probably more useful there. But it tells how they wanted to be. The book was read and studied by nobility all over Europe.
It's also how I wanted them to be. Urbino is one of my favorite places. It's a crowded student city now. But on a quiet morning when only a few people are about and the sun has made its way over the hills from the Adriatic, I can imagine that I can see the ghosts of Elisabetta and Guidobaldo walking on the cobbled streets outside their beautiful palace. Fussy, snobbish, yet kind and gentle Castiglione and his wonderful book help make that fantasy more real.
-Bill McGann, author of "The Story of the Tour de France"
Still, it's relevant today - how are you supposed to behave in the court of David Cameron, for example? He's surrounded by aristocratic and talented individuals, and he clearly wants loyalty, but how should his courtiers handle him?
The perfect courtier needs to be honest and persuade the prince to be virtuous. How many of them manage that?
It reminded me of Montaigne and Robert Burton - good stories from the Classical world are used to explain ideas.
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