Shop now Shop now Shop now Cloud Drive Photos Shop now Learn More Shop now Shop now Shop Fire Shop Kindle Shop now Shop now

More Options
Blues & Roots (Original Album Plus Bonus Track)
 
Zoom
See larger image (with zoom)
 

Blues & Roots (Original Album Plus Bonus Track)

31 July 2011 | Format: MP3

£6.93 (VAT included if applicable)
Song Title
Time
Popularity  
30
1
5:39
30
2
4:59
30
3
7:58
30
4
6:26
30
5
6:46
30
6
6:42
30
7
12:06
Your Amazon Music account is currently associated with a different marketplace. To enjoy Prime Music, go to Your Music Library and transfer your account to Amazon.co.uk (UK).
  

Product details

  • Original Release Date: 31 July 2011
  • Release Date: 31 July 2011
  • Label: Jazz Classics
  • Copyright: Crates Digger Music Group
  • Total Length: 50:36
  • Genres:
  • ASIN: B005EVW1T8
  • Average Customer Review: 4.8 out of 5 stars 17 customer reviews

Customer Reviews

4.8 out of 5 stars
Share your thoughts with other customers

Top Customer Reviews

Format: Audio CD
If anyone has ever wondered, as I once did, where that cool music from the advert for Tetley's beer comes from (the one with the guy on the beach whose dog comes out of the sea and causes the crowd to part like the scene from "Jaws") then look no further than track 3, titled "Moanin'"! What's more, the orignal version featured on this album is far, far superior.
This album was released several months after Mingus' blistering "Mingus Ah Um" although it was actually recorded before it. For anyone who already owns a copy of Ah Um, two of the tunes will be very familiar, namely "Wednesday Night Prayer Meeting" and "My Jelly Roll Soul" as they turned up in reworked form as "Better Git It In Your Soul" and "Jelly Roll" respectively. Despite this "Blues & Roots" is still a worthy purchase (even just for "Moanin' which, with its catchy theme stated on baritone saxophone, is, to my mind the star track on this disc). "Tensions" is another fine track - just listen to the way the solo bass reacts against the chords of the piano. "E's Flat, Ah's Flat Too" is another tune with a baritone line that you'll be humming for some time afterwards. There's some fine soloing from all three sax players: Booker Ervin (tenor), Shafi Hadi (aka Curtis Porter)(alto) and Pepper Adams (baritone). This is an intense and firery record which will probably take up a semi-permanent residence in your cd-player!
Read more ›
Comment 19 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Audio CD
Charles Mingus is a somewhat daunting figure in jazz music, and his records are not only musical adventures, but to delve even into the field of anthropology and psychology. Knowing where to start is difficult (Mingus' first major album's title was in Latin!), and the later records are conceptually so broad that they could put the casual listener off. This is not to say that they are not great music - they are stunning - but if you are looking to get into one of jazz music's most exciting and individual band leaders, you could do a lot worse than start with this disc.

This album was recorded at an exciting time in Mingus' life and work. His ensemble had grown to what could be described as a small big-band of around 9 musicians, and he was drawing on a feast of ideas which were coming out of the Jazz Workshops in New York City. He recorded three great albums in this period, of which "Mingus Ah Um" is probably the most famous, and although "Blues and Roots" does not quite match it in the brilliance of its execution, it remains a thrilling, highly musical and enormously enjoyable jazz record.

It was the producer Nesuhi Ertegün who put forward the idea for "Blues and Roots", partly to refute criticism of Mingus which claimed he did not swing hard enough, and also to provide "a barrage of soul music: churchy, blues, swinging, earthy." If nothing else, this album succeeds on this scale a hundred times over. However, Mingus himself went on to say "blues can do more than just swing", and it is in this dimension that the album provides such lasting musical food for thought.

The swing of the album is set off powerfully in the opening number - "Wednesday Night Prayer Meeting" with its pulsating bass line.
Read more ›
Comment 12 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Audio CD
Well, there will be one track recogniseable to many from a beer advert (Moaning) though sadly the original was not used (jazz geek alert!).
It features a small/medium band, partly arranged to give a very (as the title suggests) bluesy, rootsy and gospel influenced feel.
This album is most certainly not a polished studio effort, it is noisy, rough and absolutely full of talent, life and laughter.
It's a brilliant album, not dinner jazz, but jazz that blows stuffy politeness out of the water, I love it!
Comment 8 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Audio CD
Recorded 1959 with a nine piece band this album features six oroginal tunes, plus four alternate takes. Wednesday Night Prayer Meeting is an impressive start to the album. Followed by "Crying Blues", "Moanin'" (not to be confused with Bobby Timmon's tune of the same name from the same vintage), "Tensions"' "My Jelly Roll Soul" and "E's Flat Ah's Flat Too".
Featuring Pepper Adams (baritone), Jackie McLean and John Handy (altos), Jimmy Knepper (tmb) and Dannie Richmond (d). The pianist is Horace Parlan, except on "E's Flat.." Where Mal Waldron takes the chair.
Driving euphoric exciting emotional music throughout (It's a pity that we don't hear this passion from modern musicians, especially in Britain).
Absolutely engaging music throughout.
Comment One person found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Audio CD Verified Purchase
deeply moving,thoughtful, powerful and displaying high levels of musicianship and co-opeation. A thoroughly listenalble to album, even for non jazz- lovers. .......though perhaps not for non-jazz lovers.
Comment One person found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Audio CD
Charles Mingus is a somewhat daunting figure in jazz music, and his records are not only musical adventures, but to delve even into the field of anthropology and psychology. Knowing where to start is difficult (Mingus' first major album's title was in Latin!), and the later records are conceptually so broad that they could put the casual listener off. This is not to say that they are not great music - they are stunning - but if you are looking to get into one of jazz music's most exciting and individual band leaders, you could do a lot worse than start with this disc.

This album was recorded at an exciting time in Mingus' life and work. His ensemble had grown to what could be described as a small big-band of around 9 musicians, and he was drawing on a feast of ideas which were coming out of the Jazz Workshops in New York City. He recorded three great albums in this period, of which "Mingus Ah Um" is probably the most famous, and although "Blues and Roots" does not quite match it in the brilliance of its execution, it remains a thrilling, highly musical and enormously enjoyable jazz record.

It was the producer Nesuhi Ertegün who put forward the idea for "Blues and Roots", partly to refute criticism of Mingus which claimed he did not swing hard enough, and also to provide "a barrage of soul music: churchy, blues, swinging, earthy." If nothing else, this album succeeds on this scale a hundred times over. However, Mingus himself went on to say "blues can do more than just swing", and it is in this dimension that the album provides such lasting musical food for thought.

The swing of the album is set off powerfully in the opening number - "Wednesday Night Prayer Meeting" with its pulsating bass line.
Read more ›
Comment 3 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse

Most Recent Customer Reviews


What Other Items Do Customers Buy After Viewing This Item?


Look for similar items by category