|Price:||£5.18 & FREE Delivery in the UK on orders over £20. Details|
Fulfilment by Amazon (FBA) is a service Amazon offers sellers that lets them store their products in Amazon's warehouses, and Amazon directly does the picking, packing, shipping and customer service on these items. Something Amazon hopes you'll especially enjoy: FBA items are eligible for and for Amazon Prime just as if they were Amazon items.
If you're a seller, you can increase your sales significantly by using Fulfilment by Amazon. We invite you to learn more about this programme .
- Choose from over 13,000 locations across the UK
- Prime members get unlimited deliveries at no additional cost
- Find your preferred location and add it to your address book
- Dispatch to this address when you check out
Frequently Bought Together
Customers Who Bought This Item Also Bought
The critical and commercial triumphs of Portishead, Tricky and Roni Size have established Bristol as a centre of slow-burning creativity, but it was the staggering impact Massive Attack made with their debut album which first put the West Country town on the musical map and made reluctant superstars of Mushroom, 3-D and Daddy G. Blue Lines provided a blueprint for the sound which would become known as trip-hop, combining the raw soundsystem vibe of the Wild Bunch parties with immaculate production and the distinguished vocal talents of Tricky, Shara Nelson and Horace Andy. From the understated beats and deftly-arranged ensemble rapping of the title track to the smokey paranoia of "Five Man Army" and the unrepeatable melancholic splendour of "Unfinished Sympathy", the album is a modern classic through and through. It won the Mercury Music Prize in 1992 and remains the finest work of a frighteningly talented group. --Ed Potton
Twenty years on from this landmark album’s release and its makers are very much a part of the mainstream, an outfit comfortably capable of selling out the nation’s biggest venues and with enough column inches of acclaim behind them to build a (rather flimsy, granted) ladder to the Moon. But at the time, Massive Attack were purveyors of a sound so new that it didn’t have a pigeonhole to fits its form – trip hop would not be coined for another few years, and this mash-up of dub, rap, reggae and soul caught attentions like few other releases of the time. It didn’t so much hold one by the collar as set fire to their shoes.
Blue Lines wasn’t produced without persuasion, though, and while it might shuffle to a remarkably assured beat, the then-trio of 3D, Daddy G and Mushroom needed a little coercion to get the puzzle pieces in their right places. The celebrated guilty party: one Neneh Cherry, a star on the back of 1989’s Raw Like Sushi LP, whose championing of this group of Wild Bunch sound system sorts helped seal a record deal. And once Blue Lines was delivered, Virgin set about exploiting its singular content. Hip hop unlike its stateside purveyors, soul without bedroom intent: this wasn’t quite like anything else out there. And the breakthrough would be, while hardly instant, dramatic enough to still be felt to this day.
Unfinished Sympathy alone didn’t make Blue Lines the classic its standing in so many best-albums-ever charts confirms, but it ensured that the public en masse would give Massive Attack the chance to impress with their myriad approaches to music-making. While its peak position of 13 on the UK singles chart could be seen as something of a disappointment if released today, Unfinished Sympathy’s video clicked with the MTV crowd – Shara Nelson’s determined street-walking was immediately iconic, later referenced (read: stolen wholesale) by The Verve and parodied by Fat Les. Although it utilised samples, uncleared at the time, there was no doubting that the track signalled the arrival of a powerful pop force with unique ideas. It blew the floodgates open, and in the years that followed a thousand lesser acts aping Blue Lines’ melancholy-kissed claustrophobia, bubbling basslines and smoky vocals poured into the world’s bedsits and penthouses alike.
Of course, focusing on just Unfinished Sympathy doesn’t tell a fraction of the story to be discovered on this album. Horace Andy’s sweet, from-dark-to-light tones on the distant-thundering dread of Five Man Army, the noticeable emotional crack in Nelson’s voice as she delivers the chorus of Safe From Harm, the slinky funk of Lately, Hymn of the Big Wheel’s urban-evensong climax: there’s a wide spectrum of delights spread across these nine tracks. And if you’ve never indulged before – the likelihood is slim, surely – make sure that you slip inside this enduring masterpiece as soon as you can. Arguably, Massive Attack have never bettered this debut – and certainly, they’ve never sounded quite this hungry and fresh since.
Find more music at the BBC This link will take you off Amazon in a new window
Top Customer Reviews
The bad points being the packaging is just rubbish, a card sleeve which covers the jewel case completely useless. The inner sleeve hasnt even got the lyrics that the original booklet had. The only album notes that are available are covered by a black tray, a clear one would have been better.
My advice if you have the orginal cd is to swap the cds over.
I do and this little beauty is always there!
So, some background information for you. I used to be involved in the Bristol music scene in the eighties and in fact spent many a blissful night behind the decks at a number of Bristol's clubs, one of those being the now famous 'Dug Out' which was the foundation scene for the Wild Bunch and from there - well that's history and well documented.
So having seen the Wild Bunch in action all those years ago I found myself buying Blue Lines the day it came out in 1991, and having taken the purchase home sat back in amazement as from the dark undertones of "Safe from harm" to the final uplifting beauty of "Hymn of the big wheel" I knew that this was unlike anything I had ever heard before. How could a bunch of 'blaggers', as the guys used to refer to themselves as being, produce an absolute masterpiece and I mean masterpiece?
I guess we will never know but for me music has never quite been the same since. This CD never stays out of my home or car for long and even though I have followed Massive Attack like a religion since their birth, I still love this album more than anything else they have released.
Don't get me wrong, I treasure their subsequent releases and would always find a moment or a mood for each. 100th Window for instance is very dark and very different than anything else you can put your hands on currently which makes it so unique, but picture a sunny day in Bristol driving through St. Pauls or across the Downs and Blue Lines falls into place. I guess it's simply just a Bristol thing.Read more ›
everyone knows the massive single 'unfinshed sympathy' with shara nelson vocals and famous video and lots of people also know the mighty 'safe from harm' (again ms nelson on the vocals making it another obvious single choice) but it's on tracks like 'blue lines', 'lately' and the sublime 'daydreaming' that this album comes into its own.
absolutely essential and every home should own a copy.
This has got to be one of the best albums of the 90's, one that redefined music and gave birth to the genre of 'trip-hop'. I know that sounds like a terrible exageration, but I really cannot think of anyone else who played this kind of music before Blue Lines.
Every track here is a killer - 'Five Man Army' is a favourite of mine, and 'Blue Lines' gives us a clue where the band were going to head in future years. There is such a range of vocal talent here, from the undoubted talents of Shara Nelson and Horace Andy to the slightly off-key talk/whisper of 3-D. I don't think any other band would be able to get away with such a diverse collection of vocal talent on one album.
Such high hopes for this disc, it is rubbish. The sound quality even on the DVD hi-res version is compressed, it sounds oppressive, the bass is too forward, the mix is heavier, less light and air. On the CD the same is true except on mine there were some noises that sounded like distortion that just should not have been there at all (my copies were promo's, so maybe the commercial version is different).
I listen through Quad amps and ESL57 speakers, so you can hear this stuff, but everyone on almost any stereo will too. Buy the original, don't nick it, don't iTunes it, get it, hold it, love it but avoid this money making dog rough remix, it's awful.
Most Recent Customer Reviews
This is for me the best work of Massive attack. They know very well to combine the voices with the melody:Published 2 months ago by Carlos
Iconic album and fast delivery. I will never get bored with this one.Published 2 months ago by Mrs Amanda Woollaston
I think I wore out my tape of this, back in the day. Warm, intimate vocals and solid soundbeds it was a great album for the 90s. Well done Massive.Published 4 months ago by Dan Smith
I love Massive Attack's later albums but not this one. Naff words and too mainstream.Published 4 months ago by Winged Eel Fingerling
I had heard it many times before, so knew I would like it! Bonuses were the price was good and it arrived very quickly - great!Published 4 months ago by Iain Darling