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Blindness Paperback – 2 Sept. 1997
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Print length320 pages
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LanguageEnglish
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PublisherVintage
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Publication date2 Sept. 1997
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Dimensions12.9 x 2 x 19.8 cm
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ISBN-101860466850
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ISBN-13978-1860466854
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Product description
Amazon Review
Suddenly, while stopped at a red light in his car, a man goes blind. A "white evil" obliterates his vision plunging him into light as fathomless and impenetrable as the darkest night. A crowd gathers and one man is kind enough to see him home. It is not long, however, before an epidemic of the new blindness causes the government to act in the most authoritarian and fearful of ways, throwing many of the recently disabled into a mental asylum, guarded by scared, trigger-happy soldiers, left to fend for themselves.
While Lord of the Flies might seem an immediately similar reference, Saramaga's work has both more craft and more acuity than William Golding's tale. Blindness is a luminous piece and a wonderful starting point for readers seeking a scrupulous and wise guide to these injudicious and myopic times. --Mark Thwaite
Review
"This is a shattering work by a literary master...a book of real stature" (Boston Globe)
"Saramago repeatedly undertakes to unite the pressing demands of the present with an unfolding vision of the future. This is his most apocalyptic, and most optimistic, version of that project yet" (Independent)
"He writes a prose of particularly luminous intensity, brilliantly rendered into English by his regular translator Giovanni Pontiero... Sweepingly ambitious" (The Times)
"A powerful fable" (Scotsman)
Book Description
About the Author
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Product details
- Publisher : Vintage; New edition (2 Sept. 1997)
- Language : English
- Paperback : 320 pages
- ISBN-10 : 1860466850
- ISBN-13 : 978-1860466854
- Dimensions : 12.9 x 2 x 19.8 cm
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Best Sellers Rank:
432,018 in Books (See Top 100 in Books)
- 40,360 in Literary Fiction (Books)
- 51,092 in Contemporary Fiction (Books)
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I needn't have worried. Yes, it's a thought-provoking allegory, but it's also a page-turner. The style plunges you into the heads - and the terrifying predicament - of the protagonists. The lack of familiar punctuation to give shape to the sentences and the dialogue, like the lack of names for the characters, is all part of an immersive experience that leaves you, like them, groping around the story, trying to get your bearings, fearful of what you're not seeing and what you're about to stumble onto. And it works. It's like having an intelligent conversation while binge-watching The Walking Dead.
I like the fact that the white blindness is not easily or simplistically pinned down - at various times, it shifts between being a kind of existential hopelessness, at others a deliberate turning away from looking, yet again it can be turned inward, or even reversed so that loss of self is caused by and equated with other people's lack of seeing.
Saramago's life-long communism briefly appears in the centralised distribution of the food which is more effective and equitable than the free-for-all struggles of individuals but this isn't mere political allegory, and deals with more fundamental issues.
The not-blind doctor's wife is the closest thing to a main character, selflessly confining herself in the hospital in order not to be separated from her husband, and her quiet heroism is subsumed beneath his more overt authority. She is the one who makes some of the hardest decisions which take an emotional toll on her, and it's she who bonds with the dog of tears, an image of compassion and empathy that is, significantly?, not human.
The prose is compulsive, dispensing with punctuation which might slow it down, and also eroding grammatical barriers between voices, allowing individuals to be submerged within a single cacophonous utterance of humanity in all its terror, division, violence and love.
There is cruelty here, exploitation and the abuse of power; we see hierarchies form and be toppled; but there are also images of connection, of charity, and of strength coming from community. And, ultimately, the dog (god?) of tears.


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