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Bella Donna (Remastered) Original recording remastered

4.8 out of 5 stars 88 customer reviews

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Bella Donna (Remastered)
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Audio CD, Original recording remastered, 18 Nov 2016
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Product details

  • Audio CD (18 Nov. 2016)
  • Number of Discs: 1
  • Format: Original recording remastered
  • Label: Rhino
  • ASIN: B01LTHO0L2
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (88 customer reviews)
  • Amazon Bestsellers Rank: 30,706 in Music (See Top 100 in Music)
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Customer Reviews

Top Customer Reviews

Format: Audio CD Verified Purchase
I bought this again in CD format because it was one of my favourite vinyl LP's. There is a sort of lunar, child-like, innocent quality to it- with some timeless tracks that appeal to me still. It is really quite romantic, and it is an album which stands the test of time. I will always love this album.
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Format: Audio CD Verified Purchase
One of the most divine singers of our time.
This album is sublime, simply sublime.
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Format: Audio CD Verified Purchase
Nice to revisit many years after buying the vinyl version.
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Format: MP3 Download Verified Purchase
This remastered version sounds crisp and strong, and I just love her voice !
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Format: Audio CD Verified Purchase
Great album
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Format: Audio CD
"I never thought I'd make it here in Hollywood," Stevie Nicks sings in "After the Glitter Fades," the fifth of the ten tracks on her first solo album "Bella Donna." And when that record was released, its success seemed, indeed, anything but guaranteed.
Sure, this was the magical frontwoman of one of rock history's most successful bands, Fleetwood Mac, a compulsive songwriter who had never found a sufficient outlet for her creativity in the context of her band; and the personification of the ethereal witch character she had created in her trademark song "Rhiannon." But Stevie as a solo artist? The doubters were many. Doom was prophesized for Fleetwood Mac which, as conventional wisdom had it, was sure to break up regardless of the success of Nicks's solo career, by virtue of the mere fact that she was going solo. Besides, would her dreamy persona work as well as a solo artist as it did in the context of her band? Last but not least, did Nicks, who had lived the high life ever since her career took off with Fleetwood Mac, be disciplined enough to make it through the production of a solo album?
The answer to the last question was a resounding "yes," thanks in no small part to producer Jimmy Iovine, brought in by record executive Paul Fishkin who had created his Modern Records label specifically for the production of Nicks's album. (Soon Iovine was so enthralled with Nicks, who returned the feelings, that they embarked on a several year-long relationship.
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Format: Audio CD
Throughout the 1970s Stevie Nicks was among the "golden line up" of the legendary Fleetwood Mac, and her lyrics and vocals did much to fuel the band's remarkable success on such releases as RUMORS. Still, when Nicks announced that she was going solo, there were naysayers aplenty. Many felt that Nicks' success with Fleetwood Mac rested in part on the musical settings created for her by various band members; others felt that she lacked the business know-how to put a solo deal together.
But Nicks proved much more artistically resourceful and a much tougher deal-maker than her critics expected. Released in 1981, BELLA DONNA exploded to the top of the charts. Throughout the 1980s Nicks would score further solo successes with THE WILD HEART and ROCK A LITTLE; at the same time she remained a mainstay of the on-again-off-again Fleetwood Mac. And she would become one of the most admired performers of the decade.
Whatever the merits of her other work, BELLA DONNA remains Nicks' single best selling solo effort, a release beloved by fans and admired by critics alike. And it isn't hard to see why. Although Nicks had done some very tough rock and roll with Fleetwood Mac, and had often performed folk and country-flavored songs with the band, BELLA DONNA extended her range in both directions. At the same, however, she did not make the mistake of doing material so completely different as to alienate her core fans, preferring instead to elaborate her previous work than to dismiss it completely.
The result is a series of songs that are very clearly by the same Stevie Nicks who performed with Fleetwood Mac--but which don't simply repeat the sound she acheived with that band.
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Format: Audio CD
One of my favourite debut albums by a female artist, especially from 1980s, is Stevie Nicks' 'Bella Donna', which was released in 1981. By this time, this ever so mysterious artiste was well established as part of 'The Golden Line-up' with Fleetwood Mac. It spawned some really big hit singles, which have become amongst the most popular in Stevie's backlog of solo recordings.

The album opens up with the beautifully sentimental 'Bella Donna', which was never released as a single, and as a result, a big hit was clearly missed. Several of the songs which were singles, the bluesy duet with Tom Petty on 'Stop Draggin' My Heart Around', and the rocking 'Edge of Seventeen', are further classics which demonstrate Stevie's striking voice. Of the other album-only tracks, I'm particularly fond of the country-tingled 'After the Glitter Fades'.

Right down from the gorgeous album picture, 'Bella Donna' is a stunning piece of work from one of the best female rock vocalists of our time. Stevie Nicks went onto release many good albums, but personally, I think she recorded her personal best the first time around with this one.
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