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The Beetle (Pocket Classics) Paperback – 30 Jun 1994

4.3 out of 5 stars 21 customer reviews

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Product details

  • Paperback: 288 pages
  • Publisher: Sutton Publishing Ltd; New edition edition (30 Jun. 1994)
  • Language: English
  • ISBN-10: 075090688X
  • ISBN-13: 978-0750906883
  • Product Dimensions: 19.6 x 12.6 x 2.6 cm
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Bestsellers Rank: 3,575,392 in Books (See Top 100 in Books)

Product Description

From the Back Cover

The Beetle (1897) tells the story of a fantastical creature, "born of neither god nor man," with supernatural and hypnotic powers, who stalks British politician Paul Lessingham through fin de siecle London in search of vengeance for the defilement of a sacred tomb in Egypt. In imitation of various popular fiction genres of the late nineteenth century, Marsh unfolds a tale of terror, late imperial fears, and the "return of the repressed," through which the crisis of late imperial Englishness is revealed.

This Broadview edition includes a critical introduction and a rich selection of historical documents that situate the novel within the contexts of fin de siecle London, England's interest and involvement in Egypt, the emergence of the New Woman, and contemporary theories of mesmerism and animal magnetism. --This text refers to an alternate Paperback edition.

About the Author

Julian Wolfreys is a Professor of English at the University of Florida, Gainsville. --This text refers to an alternate Paperback edition.

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Customer Reviews

4.3 out of 5 stars
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Top Customer Reviews

By S. Hapgood VINE VOICE on 20 Jan. 2004
Format: Paperback
"The Beetle" has got to be one of the strangest novels to come out of the richness of the whole Victorian/Edwardian Gothic tradition. It concerns a bizarre creature, the insect of the title, that can transform itself into a human being. The story starts with a down-and-out on the streets of London, trying desperately to find somewhere to shelter for the night against the rain. He finds a window open in what appears to be an abandoned house, and climbs in. He finds himself sharing his quarters with someone who appears slowly from under a mass of bedding in the corner. This person appears to be a bald-headed repellent old man, with a creepy way of speaking, who takes the tramp for its first victim.
Rather akin to Arthur Machen's "The Great God Pan" in that this terrible creature begins to wreck havoc on the polite society it finds itself in. But what is this creature? For one thing we are never entirely sure what sex it is, on many occasions it appears to be an hermaphrodite, which adds some intriguing sexual psychology to the proceedings! Or perhaps Marsh was simply picking up on the old idea that alchemists, when they had perfected their craft, were able to change sex? The whole story is a bizarre yet absorbing mix of true Victorian spaciness combined with John Buchan-style heroics (there is a splendid chase scene when the creature is pursued across London and onto a train). I suspect the reasons it is not that well known these days is that the writing is quite dated. Incidentally, Richard Marsh was the grandfather of fantasy writer, Robert Aickman, so it seems that writing "strange stories" ran in the family!
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Format: Kindle Edition Verified Purchase
I loved this Victorian mystery story from virtually the same time of publication as Stoker's Dracula. In fact, The Beetle apparently outsold Dracula initially, but Stoker's work won in the overall popularity contest and The Beetle fell largely from sight. I had never heard of Marsh's work before but apparently he was a prolific author and there are lots and lots of free kindle works of his out there - some of which I have downloaded and shall be reading.

This book tells the story of a mysterious man/woman/being who is living in a down at heel rented villa in London and has the ability to transform himself into a beetle. In fact, he is the magical scarab beetle of Egypt and emblematic of the worshipers of Isis. The story then goes on to be told through four different points of view as to how he/she/it wreaks havoc across London including causing a train wreck. It's all terribly exciting and crosses the classes as well as the various neighbourhoods of London.

I particularly liked the first book's narrator, the down on his luck clerk, Robert Holt. The second book is narrated by Sydney Atherton - definitely upper class and some kind of early chemical weapons manufacturer - when he tested his "inventions" on a neighbourhood cat, I fell out with him and started wanting the Beetle to win! Marjorie Lindon who narrates the third book is a great example of a modern Victorian woman and the final narrator, a private detective, will remind readers of Sherlock Holmes (and, incidentally also reminded me of Kazuo Ishiguro's lead character in "When we were Orphans").

This is a great example of fin de siecle literature with thoroughly modern "new women" featuring, lots of emphasis on science as well as the class divisions which were so painfully apparent during those times. It also has that Victorian obsession with all things Egyptian to commend it. A great example of Victorian literature and FREE on Kindle. Not to be missed.
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Format: Paperback Verified Purchase
A fantastic tale written by the Grandfather of Robert Aickman.
The beetle is incredibly written and I would say Richard Marsh ranks alongside some of some of my favourite writers such as H.P Lovecraft, Basil Copper, Robert E Howard and Clark Ashton Smith. Though most similar to Basil Copper in my opinion.
Hopefully thats enough incentive to go out and buy it!
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Format: Kindle Edition Verified Purchase
Written long before Dracula this is the original Gothic horror.
Its a good read but like anything written before 1900 you have to
get in the mind-set of the language otherwise it can be tedious. Not
a book you could happily read a page or two at a time, its more
if you have an hour get stuck into it and enjoy it. It doesn't disappoint
and whilst slow at the start winds up gradually to a satisfying climax.
If you've read Bram Stokers original Dracula you'll enjoy this.
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Published at around the same time as Stoker's Dracula this book initially outsold Dracula, but alas over the years it has not fared so well. For something like forty plus years it remained out of print, but now with this Wordsworth Edition you can have a brand spanking new one at an affordable price. This book has always been considered by most to be Richard Marsh's masterpiece and it is definitely a classic horror tale from the fin de seicle putting it alongside Dracula and The Picture of Dorien Gray. So why then has it become neglected? Unlike the other two books mentioned this has dated, but probably more importantly it doesn't fall nicely into one genre and it is all a bit camp. I love nineteenth century novels and I love gothic horror and decadence, so that didn't put me off of this as probably it would some people.

Told by four different narrators we are told a strange and bizarre tale of a creature - a scarab beetle that shapeshifts into a man, or as some report, a woman. We are never really sure what the thing really is or what sex, does it use magic to become human or is it human and changes sex and becomes a beetle by magic? This vagueness leads to the terror felt by the main characters - this thing is also able to mesmerise people and place them under its power. Taking in and mentioning the Cult of Isis, orgies and naked young women being sacrificed there is a whiff of decadence and erotica in this tale that runs most of the way through it, and this is probably what made it such a sensation at the time. Indeed if you were to take away the supernatural part from it this would read as a sensation novel.
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