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The Bear and The Nightingale: (Winternight Trilogy) (Winternight Trilogy, 1) Paperback – 5 Oct. 2017
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Beware the evil in the woods...
In a village at the edge of the wilderness of northern Russia, where the winds blow cold and the snow falls many months of the year, an elderly servant tells stories of sorcery, folklore and the Winter King to the children of the family, tales of old magic frowned upon by the church.
But for the young, wild Vasya these are far more than just stories. She alone can see the house spirits that guard her home, and sense the growing forces of dark magic in the woods. . .
Atmospheric and enchanting, with an engrossing adventure at its core, The Bear and the Nightingale is perfect for readers of Naomi Novik's Uprooted, Erin Morgenstern's The Night Circus, and Philip Pullman's His Dark Materials.
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Now with over 100 5* reviews, readers are spellbound by this magical story:
'This book stayed with me, I didn't want it to end'
'A beautifully written story'
'An entrancing story, which swept me up from the very first chapter'
'Full of magic'
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Make sure you've read all the books in the acclaimed Winternight Trilogy
1. The Bear and the Nightingale
2. The Girl in the Tower
3. The Winter of the Witch
- Print length464 pages
- LanguageEnglish
- PublisherDel Rey
- Publication date5 Oct. 2017
- Dimensions12.6 x 2.7 x 19.8 cm
- ISBN-109781785031052
- ISBN-13978-1785031052
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Product description
Review
[A]n enchanting wintertime read... fierce and otherworldly[.] ― Psychologies Magazine
Wonderfully inventive ― Heat Magazine
Arden’s debut novel has the cadence of a beautiful fairy tale but is darker and more lyrical. The novel is deceptively simple, but its characters and plot are sophisticated and complex. Arden explores what happens when fear and ignorance whip people into a furore, and how society can be persuaded to act against its own interests so easily. It’s a rather apt tale for our times. ― Washington Post
An extraordinary retelling of a very old tale. A Russian setting adds a unfamiliar spice to the story of a young woman who does not rebel against the limits of her role in her culture so much as transcend them. A wonderfully layered novel of family roles and the harsh wonders of deep winter magic. -- Robin Hobb
A beautiful deep-winter story, full of magic and monsters and the sharp edges of growing up.
Haunting and lyrical, The Bear and the Nightingale tugs at the heart and quickens the pulse. I can’t wait for her next book. -- Terry Brooks
A thrilling tale...perfect... ― Emerald Street
A beautiful snowy Russian fable set at the border between myth and reality; a cast of demons, priests and royalty centre around a girl fighting to find her own path. Magical, thrilling and entrancing. ― Anna James
...so detailed and vivid you can practically feel the chill numbing your fingers. Beautifully written and richly textured, it’s a beguiling read. ― SFX Magazine
Arden’s debut is an earthy, beautifully written love letter to Russian folklore, with an irresistible heroine ... [an] exciting fairy tale that will enchant readers from the first page ― Publisher's Weekly
Enthralling and enchanting – I literally couldn’t put it down. A wondrous book! -- Tamora Pierce ― bestselling author of the Song of the Lionness Quartet
The Bear and the Nightingale is a marvelous trip into an ancient Russia where magic is a part of everyday life -- Todd McCaffrey ― author of The Dragon Books
beautifully wrought fairytale for adults... ― Writing Magazine
Fairy tale lovers, if you’re going to read one fantasy book this winter, let this be it.... beautiful debut ― www.bookish.com
From the Inside Flap
In a village at the edge of the wilderness of northern Russia, where the winds blow cold and the snow falls many months of the year, an elderly servant tells stories of sorcery, folklore and the Winter King to the children of the family, tales of old magic frowned upon by the church.
But for the young, wild Vasya these are far more than just stories. She alone can see the house spirits that guard her home, and sense the growing forces of dark magic in the woods...
Atmospheric and enchanting, with an engrossing adventure at its core, The Bear and the Nightingale is perfect for readers of Naomi Novik's Uprooted, Erin Morgenstern's The Night Circus, and Neil Gaiman.
From the Back Cover
'Frost-demons have no interest in mortal girls wed to mortal men. In the stories, they only come for the wild maiden.'
In a village at the edge of the wilderness of northern Russia, where the winds blow cold and the snow falls many months of the year, an elderly servant tells stories of sorcery, folklore and the Winter King to the children of the family, tales of old magic frowned upon by the church.
But for the young, wild Vasya these are far more than just stories. She alone can see the house spirits that guard her home, and sense the growing forces of dark magic in the woods...
Atmospheric and enchanting, with an engrossing adventure at its core, The Bear and the Nightingale is perfect for readers of Naomi Novik's Uprooted, Erin Morgenstern's The Night Circus, and Neil Gaiman.
About the Author
Katherine Arden was born in Austin, Texas and spent her junior year of high school in Rennes, France. Following her acceptance to Middlebury College in Vermont, she deferred enrolment for a year in order to live and study in Moscow. At Middlebury, she specialized in French and Russian literature.
After receiving her BA, she moved to Maui, Hawaii, working every kind of odd job imaginable, from grant writing and making crêpes to serving as a personal tour guide. After a year on the island, she moved to Briançon, France, and spent nine months teaching. She then returned to Maui, stayed for nearly a year, then left again to wander. Currently she lives in Vermont, but really, you never know.
She is the author of The Winternight Trilogy.
Product details
- ASIN : 1785031058
- Publisher : Del Rey; 1st edition (5 Oct. 2017)
- Language : English
- Paperback : 464 pages
- ISBN-10 : 9781785031052
- ISBN-13 : 978-1785031052
- Dimensions : 12.6 x 2.7 x 19.8 cm
- Best Sellers Rank: 12,465 in Books (See Top 100 in Books)
- 347 in Low Fantasy (Books)
- 359 in Coming of Age
- 382 in Fairy Tales (Books)
- Customer reviews:
About the author

Born in Austin, Texas, Katherine Arden spent her junior year of high school in Rennes, France.
Following her acceptance to Middlebury College in Vermont, she deferred enrolment for a year in order to live and study in Moscow. At Middlebury, she specialized in French and Russian literature.
After receiving her BA, she moved to Maui, Hawaii, working every kind of odd job imaginable, from grant writing and making crêpes to serving as a personal tour guide. After a year on the island, she moved to Briançon, France, and spent nine months teaching. She then returned to Maui, stayed for nearly a year, then left again to wander. Currently she lives in Vermont, but really, you never know.
She is the author of The Bear and the Nightingale.
Customer reviews
Customer Reviews, including Product Star Ratings, help customers to learn more about the product and decide whether it is the right product for them.
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Learn more how customers reviews work on AmazonReviewed in the United Kingdom on 12 January 2017
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No, you overreact a lot. When I originally started to read this, I struggled with the first 30%. I thought that maybe I didn’t really enjoy the beginning due to my mindset and where I was at (as can sometimes be the case), so I decided to go back to the beginning and start again. I am so glad I did because I fell in love with this book. I did the same thing with Ferrero Rocher – I had one once and didn’t think much of them, then I had another and now it should be the law that I own all Ferrero Rocher and nobody should question it. Anyway, I do digress. Gather round people, lend me your eyes and let me tell you for why I liked this book so much.
Before the end, you will pluck snowdrops at midwinter, die by your own choosing, and weep for a nightingale.
The Bear and the Nightingale is best summed up by the words of the author – “A book set in Russia in the middle ages and is a mix of actual history and Slavic folklore”. The story follows Vasilisa Petrovna (or Vasya for short) – the daughter of Lord Pyotr Vladimirovich. During the time this is set, Christianity is still relatively new to these lands, and when a new priest arrives into the village there is inevitably conflict between this new(ish) god and the old gods. Actually, they are nature spirits rather than gods, but you get the point. The story doesn’t take the typical, somewhat easy route of a split townsfolk warring against each other and instead focusses on what happens to the nature spirits when people start to forget about them. NEWSFLASH – it ain’t good for them. You see, they do good. And when they are forgotten about, they fade away and can no longer do good.
"Dread settled over the village: a clinging, muttering dread, tenacious as cobwebs."
I think Vasya may just be the greatest character to have ever been written ever not even slightly exaggerating!! I LOVE her so much (in a purely platonic manner). I’m trying to avoid referring to her as a ‘strong, independent, female character’ because quite frankly that just doesn’t do her justice. She is so much more than that. I heard Katherine Arden read a deleted scene in which Vasya was referred to as being particularly ugly. Her father refers to her as being a ‘forest imp’ and that term sums her up so well! Throughout the story we see that Pyotr marries off his children when they come of age (as was the norm at the time). Vasya has no aspirations to get married to a wealthy Prince or Lord (despite her sister reminding her how wonderful such a thing would be). Instead, she wants to live in the forest, and spend her days gathering food and climbing trees and digging in dirt, and I feel so at one with her. She spends her days riding horses and communing with nature spirits… wait, what?! Oh yea, did I also mention, she can see nature spirits that other people can’t see and talks to her horses – they also talk back, she’s not just a rambling mad woman (although, that is how the other villagers would see her).
I particularly enjoyed the conversations between Vasya and her siblings, and Vasya and the priest. Vasya is witty, clever, funny and caring but can be rather savage at times. Her ability to deliver a thud of cold hard truth was so satisfying. Several times I was internally shouting "YEAH, YOU TELL HIM!" like some kind of Vasya team cheerleader, just with a lot more beard, and my wrists are much more sexy than that of the average cheerleader.
“I go to church, Father,” she replied. “Anna Ivanovna is not my mother, nor is her madness my business. Just as my soul is not yours. And it seems to me we did very well before you came; for if we prayed less, we also wept less.”
give me a V… give me an A….
Okay, enough Vasya love (there will never be enough Vasya love, I will not be silenced!) and let’s talk about Arden’s writing style because by the gods this woman writes magical sentences. As I was reading I kept thinking ’Oh, that’s a really good sentence’ and ’wow that’s beautiful’. I seriously can only hope to someday write with such strength and beauty. Just as one tiny example, look at this:
"His voice was like snow at midnight."
I mean, come on! Who even thinks to write like that. Bloody Katherine Arden does, that’s who. I doff my hat to you miss – I am in awe.
I loved the setting. It’s dark, brooding, cold, and harsh. The weather is described in such a way that it feels much more powerful and important than usual. Throughout the book we are reminded of how hard it is to live in this environment. It’s easy to see how people didn’t survive the winter. It’s easy to forget in our modern age that there was a time when if you did not prepare for the winter, you simply died.
The plot was great. I was invested throughout and the ending is really satisfying (although, there was one death I wanted that didn’t happen *shakes fist in the air*). I believe there is another book due out soon, and then there will be a third and I CANNOT WAIT JUST GIVE THEM TO ME ALREADY!
If you have this book on your TBR just do yourself a favour and read it already. It’s bloody marvellous and I will fight you if you say otherwise (I won’t fight you. I will simply respect your right to be wrong).
Sometimes if I read a kindle version of a book (as I did in this case) and I really like it (as you may have guessed I did in this case), I will then buy a physical copy to have on my bookshelf. And LOOK AT THIS COVER – as if there is even a chance I ain’t going to have a hardback copy of this on my shelf soon.
Anyway, I’m off to bake some bread and then bury it in the garden as an offering to the old gods. Peace and Love.
When I was a child I had a book of traditional Russian fairy and folk tales, which I adored and read repeatedly from cover to cover, with the characters’ names being as familiar as everyday objects; so when this book was offered to me I didn’t hesitate for one second to request it. When it arrived, the first thing I noticed was the unusual cover: with its flowing writing and bold colours, at first glance it appears innocuous, showing innocent figures of a horse, girl and bird, surrounded by flowers and strawberries; but look closer and you’ll be able to make out that the girl is holding a knife, the bear has bloodshot eyes and dagger-like teeth in its ferocious grin, several yellow eyes with narrow pupils look out from the undergrowth, the blade on a sword has so much blood on it that it has spilled onto the ground, and there are bones and skulls scattered all over the cover.
The tale itself reads like one of the folk and fairy tales that Dunya likes to tell the children when they’re all gathered in front of the oven at night, and, just like the old stories, it takes its time in the telling – nothing is rushed and the characters are explored in depth. Some readers will probably find that the story moves along at too slow a pace, but in my opinion it suits the tale perfectly. The prose is beautiful and quite lyrical in places, and the Russian terms (with a helpful glossary in the appendix) add a wonderful musical quality to it. The characters, especially Vasilisa, appear as if taken from life and the descriptions of the dense forests, of the cruel winters in northern Rus’ and the hardships faced by the people as they huddle around their ovens while outside the wind howls and the snow falls are extraordinary; I often felt cold just reading those passages and often added a blanket while sitting in my reading chair. As the book progresses the tone gets increasingly darker, until what we’re reading is a full-blown horror story.
While the folk tale is set in the fourteenth century, according to the author notes, and definitely feels as if it’s got a very long oral tradition, it also tackles ageless themes which readers of any era can relate to: the pressure that women in a rural community – in some societies more than others – are still expected to marry and have children or, failing that, enter a religious order, and that differences in behaviour that deviate from the norm still carry a stigma, with the person behaving differently facing exclusion from society and possible persecution. For a debut novel this is an astonishingly accomplished work, though it is by no means perfect. There are a few sections where the pacing could have been slightly tauter without losing any of the narrative impact, while I wanted to find out more about the significance of the jewel pendant, the nightingale of the title and Morozko’s horses, especially his bay stallion, as well as the mystery of Vasilisa’s ancestry that is repeatedly alluded to. But these are minor quibbles and the story is best enjoyed during cold winter evenings, and I’m sure you will enjoy it.
I will certainly be on board again if (when) Katherine Arden decides to publish another book.







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