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The Bastard of Istanbul Paperback – 24 Apr 2008

4.0 out of 5 stars 64 customer reviews

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Product details

  • Paperback: 368 pages
  • Publisher: Penguin (24 April 2008)
  • Language: English
  • ISBN-10: 0141031697
  • ISBN-13: 978-0141031699
  • Product Dimensions: 12.9 x 2.2 x 19.8 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (64 customer reviews)
  • Amazon Bestsellers Rank: 117,340 in Books (See Top 100 in Books)

Product Description

Review

An astonishingly rich and lively story … handled with an enchantingly light touch' Kirkus Reviews

A brave and passionate novel (Paul Theroux)

Tremendous exuberance . . . I do like a writer with a purpose (Margaret Forster)

An astonishingly rich and lively story ... handled with an enchantingly light touch ((starred review) Kirkus)

Overflows with a kitchen sink's worth of zany characters … an entertaining and insightful ensemble novel that posits the universality of family, culture and coincidence ((starred review) Publishers Weekly)

About the Author

Elif Shafak is the acclaimed author of nine novels including The Bastard of Istanbul and Honour, and is the most widely read female writer in Turkey. Her work has been translated into over forty languages and she regularly contributes to publications including The New York Times, Guardian and Time magazine. Elif has been longlisted for the Orange Prize, the Baileys Prize and the IMPAC Dublin Award, and shortlisted for the Independent Foreign Fiction Prize. She lives in London and can be found at www.elifshafak.com.


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Top Customer Reviews

Format: Paperback
Having read that Shafak had been charged under article 301 of Turkey's constitution, because the words of one of her characters were alleged to "insult Turkishness", I was keen to see what the fuss was all about. It's certainly an interesting way of seeking to shed some light on the Turkish-Armenian divide, where views appear to be more nuanced than you might believe from reading the newspapers. At the same time it paints a very different picture of life in Istanbul from what one might expect.

I enjoyed this book and the occasional nod to magical realism reminded me of aspects of Salman Rushdie's or Isabel Allende's writing. That in itself should be a recommendation and I'll certainly be reading some more of her books.
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Format: Hardcover
This novel caught my attention because of media coverage. It kept my attention because of the characters and the way the story developed.

For me, the central theme of the novel was interpretation and denial of truth. We see how, over time, facts can be distorted and reinterpreted, or just denied. All of this is in the much broader context of the treatment of the Armenians in 1915 - which resulted in Ms Shafak being accused of 'insulting Turkishness'.

You can - if you choose - ignore the politics and be swept up by the wonderfully idiosyncratic characters. The narrative style meanders through the lives of the characters sometimes avoiding aspects that might seem important to the reader in favour of details that appear incidental.

Still, each of the main characters (particularly the women in Istanbul)and to a lesser extent the family in the USA keep the story moving. Who can resist the notion of using Auntie Feride's hair colour as a guide to her insanity? Or Auntie Banu's relationship with her djinns? The younger women: Asya and Armanoush are not, in my view, as well developed but perhaps that is for other reasons.

The result is an interesting story built on shared but contested history. Ultimately, as in all struggles, there are 'winners' and 'losers'.

Recommended.

Jennifer Cameron-Smith
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Format: Hardcover
In this novel of friendship, memory and religion, author Elif Shafak weaves a complex tale that juxtaposes the past with the present and unveils the age-old cultural dissonance that exists between the Turks and Armenians. Thus at its heart, The Bastard of Istanbul is a deep meditation on what it really means to be a product of history, a history "that has always kept us alive and united."

Armanoush (Amy) Tchakhmakhchian has grown up in Arizona. Undoubtedly American, Amy has always been aware of her unique Armenian heritage. As Amy grows older, she's always conscious of her fragmented childhood, yet unable to find a sense of continuity that she so richly craves.

In the meantime, Rose, Amy's American mother, marries Mustafa Kazanci, a young Turk, transplanted to Arizona by his family back in Istanbul in the hope that he will be spared the bad omen that has fallen upon every man in the Kazanci family. Barsam, Amy's Armenian father has since relocated to San Francisco and the fact that a Turk is currently raising his daughter, and that Barsam is doing nothing about it provides a constant source of displeasure for his family.

In Istanbul, the young Asya grows up listening to the music of Johnny Cash, the identity of her father shrouded in secrecy, forced to call her mother "aunt" Zeliha, whilst also labeled a "bastard" by the world around her. Zeliha, with her with her "frizzy raven-black hair, and her nose ring," and her natural propensity to rebelliousness frustrates her sisters and her mother, this group of Kazanci women who have entwined their lives with "traditions, evil-eye beads, coffee-cup readings, and fortune-telling ceremonies.
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Format: Paperback
I'm not sure why, on balance, I enjoyed this book. It would definitely have benefited from more rigorous editing. Sometimes a badly composed sentence trips you up just as you are beginning to admire richness and intricacy of the scenery. The technique of introducing each character with an explanation of their mental attributes and motivation is also a bit unsophisticated; although it does help to organise the large cast of players. Some of the minor characters are even given nicknames; the dipsomaniac cartoonist, the closeted gay columnist, presumably a kind of shorthand to help the reader remember the part they are playing. Then there's the dependence on implausible coincidences to give coherence to the plot.

That said, I'm glad I persisted with it. Turkey is a country that westerners like me know only as a slightly exotic holiday destination. This book gives us a different point of view of another culture. To what extent it is accurate or representative I obviously can't tell but it's certainly fascinating and colourful; like an expensive carpet, it has a lot knots to the inch.

The book doesn't explain why Turkey is so sensitive about the Armenian genocide. The Turkish characters in it seem to be more ignorant than hostile but the subsequent trial of the author for 'denigrating Turkishness' shows it goes much deeper than that. Unlike a minor character in a book, you can't adequately describe a nation with a nickname.
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