Bartók Sonata & Bach Partita No.2 for solo violin - Hidden Acoustics
|Price:||£16.65 & FREE UK Delivery on orders dispatched by Amazon over £20. Delivery Details|
- Choose from over 13,000 locations across the UK
- Prime members get unlimited deliveries at no additional cost
- Find your preferred location and add it to your address book
- Dispatch to this address when you check out
With the purchase of a CD or Vinyl record dispatched from and sold by Amazon, you get 90 days free access to the Amazon Music Unlimited Individual plan. After your purchase, you will receive an email with further information. Terms and Conditions apply. Learn more.
Ruth Palmer, violon
Three years after winning a Classical Brit Award, Palmer remains the most distinctive violinist of her generation. In this performance of Bartok's sonata for solo violin and the Bach partita that inspired it, the focus is on the marriage between instrument and acoustic. The match between Palmer's Stradivari and the clear glow of the Temple Church is ideal, allowing for the sharpest detail of articulation and unhurried admiration of the musical architecture. The Bartok is brazen and bruised, the Bach exquisitely poised. --Anna Picard, Independent on Sunday
There was a problem filtering reviews right now. Please try again later.
They are works for solo violin, both requiring intense concentration, intelligence and virtuosity. In Ruth Palmer the works are in safe hands. These are true performances from start to finish with a broad palette of tonal colours and interpretative skills that manage to wrench every ounce of emotion from the pieces as well. Just amazing.
Ruth Palmer seems to suffer with regard to a lower profile compared to other musicians of her generation. Is this because she is primarily a violinist and musician, and one of the very highest order as well, and doesn't seem to play the publicity game, preferring the music to make her case. She is a beautiful girl and could undoubtedly follow other high-profile careers by exploiting her non-musical assets. That she chooses not to is wholly to her credit. She could also choose to play a more commercial repertoire, but in her Shostakovich recording -- and now the Bach/Bartok she has given us recordings to treasure. Both of these recordings are powerful, heartfelt and emotional. I wouldn't part with either. I really love them and I know they will be permanent companions of mine. She really is a star.