Preston Sturges indeed should be proud for creating a rogue of a rowdy affair about battle of sexes entailing romantic reluctance and sexual dilemmas and the paradoxical idealism of true love examined as a romantic comedy ,within a sharp script which discovers the comic genius of HENRY Fonda ,but the limelight is stolen as always by BARBRA Stanwyck as JEAN and LADY Eve,without her it would be impossible to contemplate a movie so perfect in comic timing and an emotional harmony connotating a simple plot ,yet so profoundly rich in affect as to make present cinema look pathetic after 70 odd years of being created .
If this was the archetype of the hollywood romcom ,then i regret to say that Hollywood is in stone age today compared to the forties as this works at every dimension and all the human senses are satiated besides the sense of style and intellectual curiosity .
It does so by an impossibly ingenious plot in a delicious presentation where frothy comedy has already touched you so deeply in heart and mind that you accept the characters as bigger than life with conviction .
Henry Fonda is charles Pike a rather shy introverted billionaire and an eligible bachelor who indulges as an ophiologist in spare time and is looked after by a delightful guardian played by Demarest .
He boards a cruise ship after an Amazon river trip and immediately becomes the ogling focus of all female species abroad including Jean who is part of a triumvirate team of con artists and cardsharps headed by her father colonel Harrington played by a wry Charles Coburn ,as they set about to target and victimise the vulnerable billionaire with jean turning her wicked feminine charms on the vulnerable victim and the two leads start a whirlwind courtship where jean somewhere falls truly for pike and thus puts an end to her father's malicious plan to fleece the naive young man .
Unfortunately Pike discovers their true identity and in a rash encounter callously breaks Jean's heart who then decides to get even and sets about on an adventure as a disguised english aristocrat lady eve which is both about love and vengeance .
The superlative dialogue and the triumphant secretive directorial style of preston sturges is beyond comparison or analysis as he is beyond and above all others with a stupendous mixture of slapstick and subtle humour .
This is totally lacking in the cinema of today where you usually breed inadvertent contempt for half baked characters and dizzy dialogues .
This movie is set on a cruise liner and the Pike country estate within gorgeous indoors and outdoors and plays in a train and ship compartment but it is so naturally balanced within a graceful style that it becomes enormously spacious and widely arousable in every site with an enhanced vision with costumes that are the epitome of classic French vogue and haute couture .
A special mention for Henry Fonda as the stoic,naive but charming millionaire who had the courage to play the buffoon to gentlemanly perfection which can also be called comic genius and also to EUGENE PALETTE who plays his father as a victimised husband in a great performance .
A great screwball movie dedicated to the paradox of the lighter side of social discrimination and the delightfully essential sin committed by Adam and Eve in their hour of damndest glory ,this is a tribute to the golden age of American cinema .
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Barbara Stanwyck - Screen Goddess Boxset [DVD]
Henry Fonda
(Actor),
Charles Coburn
(Actor),
Rouben Mamoulian
(Director, Producer),
Preston Sturges
(Director, Writer)
&
1
more Rated: Parental Guidance Format: DVD
IMDb6.9/10.0
£30.13£30.13
| Additional DVD options | Edition | Discs | Amazon Price | New from | Used from |
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30 Nov. 2006 "Please retry" | — | 1 | £14.95 | £24.99 |
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20 Jun. 2005 "Please retry" | — | 1 | £14.99 | £1.90 |
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1 Jun. 2010 "Please retry" | The Criterion Collection | 1 | £31.22 | £9.11 |
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| Format | Box set, PAL |
| Contributor | Nils Asther, Charles Coburn, John Philliber, Beatrice Blinn, Willy Fung, Helen Jerome Eddy, Lee J. Cobb, Grace Zaring Stone, David Manners, Sarah Y. Mason, Jean Heather, Fortunio Bonanova, Lori Nelson, Frances Raymond, Adolphe Menjou, William Perlberg, Joseph Calleia, Douglas Sirk, Emmett Corrigan, Porter Hall, Walter Connolly, Fred MacMurray, Charles Middleton, James Gunn, Maureen O'Sullivan, Harry Cohn, William Holden, Edward Brophy, Lucien Littlefield, Gig Young, Lyle Bettger, Frank Capra, Walter Wanger, Jo Swerling, Dayton Lummis, Edward Paramore, Raymond Chandler, Robert Blees, William H. Strauss, Billy Wilder, Lewis Meltzer, Gavin Gordon, Daniel Taradash, Ross Hunter, Robert Greig, Sam Hardy, Eric Blore, Toshia Mori, Richard Gaines, Monckton Hoffe, Russell Hopton, Eugene Pallette, Gina Kaus, Beryl Mercer, Janet Beecher, Eddie Boland, Jack Richardson, Marcia Henderson, Victor Heerman, Edward G. Robinson, Barbara Stanwyck, Thelma Hill, Richard Loo, Richard Carlson, Richard Long, Preston Sturges, Joseph Sistrom, Billy Gray, Henry Fonda, Paul Jones, William Demarest, Tom Powers, Rouben Mamoulian, Sam Levene See more |
| Runtime | 9 hours and 1 minute |
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Product description
Double Indemnity / The Lady Eve / Bitter Tea of General Yen / Golden Boy / The Miracle Woman / All I Desire
Product details
- Aspect Ratio : 4:3 - 1.33:1
- Rated : Parental Guidance
- Package Dimensions : 28.4 x 19.8 x 5.8 cm; 1.04 Kilograms
- Director : Rouben Mamoulian, Preston Sturges, Douglas Sirk, Billy Wilder, Frank Capra
- Media Format : Box set, PAL
- Run time : 9 hours and 1 minute
- Actors : Henry Fonda, Charles Coburn, Eugene Pallette, William Demarest, Eric Blore
- Subtitles: : English
- Studio : 4front
- Producers : Paul Jones, Walter Wanger, Joseph Sistrom, Rouben Mamoulian, William Perlberg
- ASIN : B000B7VZN8
- Writers : Preston Sturges, Monckton Hoffe, Edward Paramore, Billy Wilder, Raymond Chandler
- Number of discs : 6
- Best Sellers Rank: 46,882 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)
- 1,054 in Military & War (DVD & Blu-ray)
- 1,569 in Romance (DVD & Blu-ray)
- 4,989 in Thriller (DVD & Blu-ray)
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5.0 out of 5 stars
A troe 'classic' in every sense of the word. Love it. Love it. Love it.
Reviewed in the United Kingdom on 3 April 2021
One of my favorite movies from Hollywood's golden era, plus I love Barbara Stanwyck. Criterion wasn't able to find the kind of material that they were hoping for for their latest Blu-ray restoration, apparently they had to settle for fourth generation material, but the movie stills looks very good, I think.I wish Criterion would do more projects like this, to be honest. They used to do a lot of amazing titles, like Chaplin, Hitchcock, Preston Sturges, etc., but lately they seem to have shifted focus, which I don't understand. I know it probably cost a lot to restore old classics, but they also sell very well.Look at the success of Warner Archives in the US. Every month they put out truly amazing stuff.
Reviewed in the United Kingdom on 3 April 2021
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Preston Sturges' 1941 comedy The Lady Eve provides some hilarious moments and a stream of great one-liners, courtesy of Sturges' own script, which itself was based on Monckton Hoffe's Academy Award-nominated original story. As with all such Hollywood screwball comedies, one has to suspend disbelief at some of the fantastic twists and turns of the film's plot, but, in fact, it is just these whimsical elements that make films like The Lady Eve such a joy to watch.
The film contains a number of top acting performances. Starring Barbara Stanwyck in one of her funniest screen roles as the con artist and card-sharp Jean Harrington, and Henry Fonda, superb playing the deadpan, (apparently) straight man Charles 'Hopsy' Pike, heir to a giant brewing empire, whom Stanwyck 'ambushes' on board an ocean going liner, with a view to conning him out of his millions, the film is a mix of brilliant satirical dialogue (laden with sexual innuendo - 'What was it like up the Amazon?') and slapstick comedy. In fact, for me, the film is at its strongest during its first hour (set on board the liner) - the final half-hour descends rather too much for my taste into more predictable slapstick routines which, whilst funny in moderation, should perhaps be left to Messrs' Laurel, Hardy and Marx. In addition to Stanwyck and Fonda, their respective fathers, namely Charles Coburn as Jean's co-con artist Colonel (Harry) Harrington and Eugene Palette as the blustering Horace Pike, are also outstanding. Similarly, Sturges-regular William Demarest puts in a great turn (full of killer one-liners) as Hopsy's gangster-like accomplice, Muggsy (Ambrose Murgatroyd).
As with all Sturges films, The Lady Eve is brilliantly shot (in this case by Victor Milner) and edited, with repeated use of inter-cut, montage shots to maintain the film's hectic pace. Standout scenes include Stanwyck's cleverly shot entrance scene where she observes through her compact mirror Fonda's attempts to ignore the attention (principally from eligible young women) he is generating in the ship's bar, and that where Stanwyck and Fonda are laid out (in riskily close proximity) in Hopsy's cabin as Jean puts on her (not so) subtle seduction routine (requiring Fonda to pull down slightly her overly-revealing hemline). For me, these earlier scenes outshine the latter section of the film which features some overdone slapstick, and where Stanwyck adopts the persona of the English Lady Eve Sidwich (without a noticeable change in accent) in her attempt to ensnare Hopsy again merely to torment him further. Albeit, the scene on the train towards the end of the film where Stanwyck is revealing to her past affairs to Fonda, is brilliant.
The Lady Eve is another brilliantly funny and entertaining film from one of Hollywood's most inspired film-makers of the era, and whilst not (for me) quite reaching the heights of the very best films of the genre (e.g. His Girl Friday) is well worth a viewing.
The film contains a number of top acting performances. Starring Barbara Stanwyck in one of her funniest screen roles as the con artist and card-sharp Jean Harrington, and Henry Fonda, superb playing the deadpan, (apparently) straight man Charles 'Hopsy' Pike, heir to a giant brewing empire, whom Stanwyck 'ambushes' on board an ocean going liner, with a view to conning him out of his millions, the film is a mix of brilliant satirical dialogue (laden with sexual innuendo - 'What was it like up the Amazon?') and slapstick comedy. In fact, for me, the film is at its strongest during its first hour (set on board the liner) - the final half-hour descends rather too much for my taste into more predictable slapstick routines which, whilst funny in moderation, should perhaps be left to Messrs' Laurel, Hardy and Marx. In addition to Stanwyck and Fonda, their respective fathers, namely Charles Coburn as Jean's co-con artist Colonel (Harry) Harrington and Eugene Palette as the blustering Horace Pike, are also outstanding. Similarly, Sturges-regular William Demarest puts in a great turn (full of killer one-liners) as Hopsy's gangster-like accomplice, Muggsy (Ambrose Murgatroyd).
As with all Sturges films, The Lady Eve is brilliantly shot (in this case by Victor Milner) and edited, with repeated use of inter-cut, montage shots to maintain the film's hectic pace. Standout scenes include Stanwyck's cleverly shot entrance scene where she observes through her compact mirror Fonda's attempts to ignore the attention (principally from eligible young women) he is generating in the ship's bar, and that where Stanwyck and Fonda are laid out (in riskily close proximity) in Hopsy's cabin as Jean puts on her (not so) subtle seduction routine (requiring Fonda to pull down slightly her overly-revealing hemline). For me, these earlier scenes outshine the latter section of the film which features some overdone slapstick, and where Stanwyck adopts the persona of the English Lady Eve Sidwich (without a noticeable change in accent) in her attempt to ensnare Hopsy again merely to torment him further. Albeit, the scene on the train towards the end of the film where Stanwyck is revealing to her past affairs to Fonda, is brilliant.
The Lady Eve is another brilliantly funny and entertaining film from one of Hollywood's most inspired film-makers of the era, and whilst not (for me) quite reaching the heights of the very best films of the genre (e.g. His Girl Friday) is well worth a viewing.
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