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Bad Vibes: Britpop and my part in its downfall Paperback – 1 Jan. 2009
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Luke Haines
(Author)
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Luke Haines
(Author)
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Print length256 pages
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LanguageEnglish
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PublisherWilliam Heinemann
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Publication date1 Jan. 2009
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Dimensions13.5 x 1.7 x 21.6 cm
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ISBN-100434018465
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ISBN-13978-0434018468
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Product details
- Publisher : William Heinemann (1 Jan. 2009)
- Language : English
- Paperback : 256 pages
- ISBN-10 : 0434018465
- ISBN-13 : 978-0434018468
- Dimensions : 13.5 x 1.7 x 21.6 cm
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Best Sellers Rank:
2,206,343 in Books (See Top 100 in Books)
- 40,786 in Music Styles
- Customer reviews:
Product description
Review
"A compulsive read, part Oswald Spengler, part Spike Milligan, and very, very funny" (David Peace)
"'As acerbic and hilarious as you'd expect from a man who thought it completely reasonable to call a pop single "Unsolved Child Murder." Haines clearly relishes - and shines in - his role as the Ancient Mariner at the Britpop party.'" (John Niven, author of Kill Your Friends)
"A lavishly bitchy memoir packed with gripes, grievances and tall stories told at the expense of other more famous musicians...Haines has constructed a vivid literary persona for himself as the great, grumpy Nearly Man of 1990s rock...He pours endless scorn on his amiable peers, who bizarrely seem not to mind or even notice...Rock's misanthrope in excelsis." (Sunday Times)
"These recollections of a bitter former pop star could be mistaken for a great comic novel...Compelling...An entertaining read...Haines is as funny as he is grumpy...The formless unpredictable life of the minor rock musician, forever jetting about on unspecified "promotional" duties or being loaded on to a tour bus like cargo rather than talent, has rarely been captured so acutely...Bad Vibes, good book." (Independent on Sunday)
"Luke Haines was a delusional, cruel, pompous and arguably cloth-eared despot throughout the 90s. If he wasn't such a viciously funny writer, he'd have made an excellent music journalist...A beautifully acerbic and elegant portrayal of a committed misanthrope unleashing the titular bad vibes upon music business doofuses, from telling Chris Evans to fuck off to jumping off a 15-foot wall and breaking his ankles to get out of a European tour...What's not to love?" (Q Magazine (5 stars))
"'As acerbic and hilarious as you'd expect from a man who thought it completely reasonable to call a pop single "Unsolved Child Murder." Haines clearly relishes - and shines in - his role as the Ancient Mariner at the Britpop party.'" (John Niven, author of Kill Your Friends)
"A lavishly bitchy memoir packed with gripes, grievances and tall stories told at the expense of other more famous musicians...Haines has constructed a vivid literary persona for himself as the great, grumpy Nearly Man of 1990s rock...He pours endless scorn on his amiable peers, who bizarrely seem not to mind or even notice...Rock's misanthrope in excelsis." (Sunday Times)
"These recollections of a bitter former pop star could be mistaken for a great comic novel...Compelling...An entertaining read...Haines is as funny as he is grumpy...The formless unpredictable life of the minor rock musician, forever jetting about on unspecified "promotional" duties or being loaded on to a tour bus like cargo rather than talent, has rarely been captured so acutely...Bad Vibes, good book." (Independent on Sunday)
"Luke Haines was a delusional, cruel, pompous and arguably cloth-eared despot throughout the 90s. If he wasn't such a viciously funny writer, he'd have made an excellent music journalist...A beautifully acerbic and elegant portrayal of a committed misanthrope unleashing the titular bad vibes upon music business doofuses, from telling Chris Evans to fuck off to jumping off a 15-foot wall and breaking his ankles to get out of a European tour...What's not to love?" (Q Magazine (5 stars))
Review
'As acerbic and hilarious as you'd expect from a man who thought it completely reasonable to call a pop single "unsolved Child Murder". Haines clearly relishes - and shines in - his role as the Ancient Mariner at the Britpop party.'
Review
`In this acidic counterweight to the story of the flag-waving pop elite documented in John Harris's Britpop romp THE LAST PARTY, Haines casts himself as the Britpop pariah, glaring through the window at the self-congratulatory oiks laughing inside ... There are enough punch-ups, bad drugs, mind games, self-sabotage, lunatic fans and bizarre self-surgery to make BAD VIBES occasionally read like NO ONE HERE GETS OUT ALIVE were it written about Philip Larkin rather than Jim Morrison ... This is an imperious and wincingly amusing memoir that's often so sharp it could take your eye out.'
Review
`As acerbic and hilarious as you'd expect from a man who thought it completely reasonable to call a pop single "Unsolved Child Murder." Haines clearly relishes - and shines in - his role as the Ancient Mariner at the Britpop party.'
`Hilariously bilious ... Haines is wonderfully frank about his sometimes ridiculous behaviour ... and hilariously evokes The Auteurs' slow unravelling.'
`Hilariously bilious ... Haines is wonderfully frank about his sometimes ridiculous behaviour ... and hilariously evokes The Auteurs' slow unravelling.'
Book Description
A blackly comic memoir from inside the British music scene in the 90s, by singer songwriter and Auteurs front man Luke Haines
From the Back Cover
First, you fail. After four years of gigs no-one attends, songs no-one hears, perfected haircuts no-one sees, late 80s Camden - where Shane McGowan is lord of the manor, pubs close in the afternoons, and dance music rules - is no place for a cultured singer songwriter like Luke Haines to be. One too many heavy afternoons on the red wine and you hit the bottom. The only solution is to record a demo in you flat, form a new band, and think of a pretentious name...
From heady tours in the early days with Suede through Cool Britannia, success in France and failure in America, to the break up of the Auteurs, the death of Britpop and the birth of new projects Baader Meinhof and Black Box Recorder, Luke Haines has the inside line. In acerbic, hilarious prose he tells of gigs in France with Pulp and the Boo Radleys, of getting on with New Order but not with Elastica, gives a verdict on the Blur/Oasis scrap, and explains how it felt to lose the 1993 Mercury Music Prize by one vote (and spend the early hours of the next day in A&E). Plus the fights, the sackings, the press, and the drugs...
Bad Vibes is a scathing, blackly comic memoir of a legendary figure in the music world of the 90's who is variously heralded as the pioneer, the godfather, or the forgotten man of Britpop.
From heady tours in the early days with Suede through Cool Britannia, success in France and failure in America, to the break up of the Auteurs, the death of Britpop and the birth of new projects Baader Meinhof and Black Box Recorder, Luke Haines has the inside line. In acerbic, hilarious prose he tells of gigs in France with Pulp and the Boo Radleys, of getting on with New Order but not with Elastica, gives a verdict on the Blur/Oasis scrap, and explains how it felt to lose the 1993 Mercury Music Prize by one vote (and spend the early hours of the next day in A&E). Plus the fights, the sackings, the press, and the drugs...
Bad Vibes is a scathing, blackly comic memoir of a legendary figure in the music world of the 90's who is variously heralded as the pioneer, the godfather, or the forgotten man of Britpop.
About the Author
Luke Haines learned guitar in the red light district of Portsmouth and subsequently formally studied music at the London College of Music. His band The Auteurs missed out on the 1992 Mercury Music Prize by one vote - since then he has fronted other acts including Baader Meinhof and Black Box Recorder.
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Reviewed in the United Kingdom on 29 April 2021
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Even though I'm a massive music fan, I don't find music autobiographies much fun. Bland, all the good stuff left out, self serving. You know the score. Not with this one. Luke Haines doesn't pull any punches, and the result is a rip roaring caustic tale of (semi) stardom. I'm not even an Auteurs fan but could not put this book down. Page after page of withering put downs and insight into the Britipop/Cool Brittania era, which in my formative years seeemd so cool but now is as cringeworthy to think about as anything. I randomly came across Luke Haines reviewing a Noel Gallagher album online and sought out anything esle he had written. Then I discovered a WHOLE BOOK. What a joy. Life as a rock star is certainly not all it's made out to be. Well, not in Haines' case anyway. A must read for any fans of music.
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Reviewed in the United Kingdom on 7 February 2018
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I only really knew of Luke Haines' OST to Christie Malry until a friend recently referred me to his BBR work. Intrigued, I googled his name and saw some glowing reviews for this book and I can say they are definitely justified.
Haines is a very accessible writer and gives a great insight into the music industry from the POV of a B-List artist. He has a bag of good bon mots about making music and life on the road and the music biz really engaging a layman like me who loves music but was never in a band or pursuing a career in the industry.
Even more, beyond the immediate music industry and Britpop subject matter, I found it a very interesting in the wider sense of being a memoir about having a creative job. Haines certainly shows how hard it is to begin and then sustain a career as a recording artist, especially while trying to retain a set of artistic ideals.
My only criticism is that the book could have been better edited. Apart from the wonderful fantasy sequence involving Jarvis Cocker and his underpants, Haines' surrealism undermines his otherwise honest and moving memoir. Bad Vibes could easily lose a third of its length and could even be combined with his excellent follow up Post-Everything.
Haines is a very accessible writer and gives a great insight into the music industry from the POV of a B-List artist. He has a bag of good bon mots about making music and life on the road and the music biz really engaging a layman like me who loves music but was never in a band or pursuing a career in the industry.
Even more, beyond the immediate music industry and Britpop subject matter, I found it a very interesting in the wider sense of being a memoir about having a creative job. Haines certainly shows how hard it is to begin and then sustain a career as a recording artist, especially while trying to retain a set of artistic ideals.
My only criticism is that the book could have been better edited. Apart from the wonderful fantasy sequence involving Jarvis Cocker and his underpants, Haines' surrealism undermines his otherwise honest and moving memoir. Bad Vibes could easily lose a third of its length and could even be combined with his excellent follow up Post-Everything.
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'Bad Vibes' is Luke Haines at times brilliantly jaundiced, hopelessly partisan memoir on his 'career' in music in the 1990s. As has been noted elsewhere, Haines is determinedly outsiderist when it comes to his relations with the Music Business, and in 'Bad Vibes' he casts a bleary bloodshot eye over the Brit Pop circus that is going on around him, and it is entertaining stuff indeed. My main criticism, (and hence the docking of a star), is that it runs out of steam a little in the final thirty pages or so; I guess it's hard to maintain the level of bile and scabrous invective so masterfully manicured earlier on in the tome. Although I doubt very much whether Haines cares a jot whether you like him or not after having read the book, in the end, Haines comes across more as as a misanthropically disappointed individual than as a whingeing has-been that never quite was in the first place. He carefully describes the torturous treadmill of album recording / touring / promoting rigmarole, the often at times dire lot of the support band, bloated egos of some artists, daft decisions and awesome fickleness of fate. He also acknowledges his own failings (although not too often), but it's clear that Haines delights in being against just about everything, and if you read carefully, what he leaves out is the sense of what he is actually 'for'. A great book, with none of the kind of 'needless to say, I had the last laugh' tone of Alan Partridge's autobiography. I was never a fan of Britpop; reading this book reminds me why that was, and still is, the case!
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Reviewed in the United Kingdom on 25 July 2014
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If you have a fondness for the Auteurs, first well done, you're quite right; and secondly you should have read this by now. I haven't read many music memoirs, like political and movie memoirs they tread too carefully, those rules don't apply here. Gloves off, hindsight on holiday, Haines takes us through his experiences during the appalling Britpop era. He doesn't mind if he offends a few folk on the way, and he is subjective in the extreme. He doesn't mind admitting to his own shortcomings as well as anyone else's.
Reading my own views of Oasis, Blur, Echobelly as written by someone who had to exist in their orbit while he struggled with his own sanity and creativity (plus his own ill-treated 'Cellist') is a pleasure and entertaining in the extreme. If you're not a fan, you will be after reading this.
Reading my own views of Oasis, Blur, Echobelly as written by someone who had to exist in their orbit while he struggled with his own sanity and creativity (plus his own ill-treated 'Cellist') is a pleasure and entertaining in the extreme. If you're not a fan, you will be after reading this.
Reviewed in the United Kingdom on 21 August 2018
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A great read.. if you like Britpop or like music.. either way it’s a great read. Feel sorry for Luke as he had all that money and is just so so so bitter at the success that everyone but him seems to “enjoy” ..
Reviewed in the United Kingdom on 18 February 2009
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The best Rock Curmudgeon alive today. If you were even slightly a fan of all things Britpop - this is a must read. He hates everyone (except the drummer from Suede). His self-belief is unstoppable and his proclaimations of genius many. No one is safe from his scathing criticism,(yes, that includes YOU Justine Frishmann)and this book is all the more funny for it.
Recommended.
Recommended.
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Reviewed in the United Kingdom on 20 March 2021
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Loved the Auteurs, and Luke's column in Record Collector. This is a great bitchy read with humour throughout, lots to laugh and smile about.
Reviewed in the United Kingdom on 27 April 2016
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Witty, bitchy, honest, deceitful, vain, self-deprecating, laugh out loud funny, depressing, unable to spell Alfa Romeo properly. But for the last point it would be perfect.
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