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Bach: The Keyboard Concertos, Vol. 2 CD

5.0 out of 5 stars 2 customer reviews

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Audio CD, CD, 30 May 2005
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£13.98 & FREE UK Delivery on orders dispatched by Amazon over £20. Delivery Details Only 1 left in stock (more on the way). Dispatched from and sold by Amazon. Gift-wrap available.

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Product details

  • Audio CD (30 May 2005)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Format: CD
  • Label: Hyperion
  • ASIN: B0009K9P7U
  • Other Editions: Audio CD
  • Average Customer Review: 5.0 out of 5 stars 2 customer reviews
  • Amazon Bestsellers Rank: 148,178 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
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Track Listings

Disc: 1

  1. Allegro
  2. Larghetto
  3. Allegro Ma Non Tanto
  4. (First Movement)
  5. Adagio E Piano Sempre
  6. Allegro
  7. (First Movement)
  8. Siciliano
  9. Allegro
  10. Allegro
  11. Adagio
  12. Presto
  13. (First Movement)
  14. Andante - Allegretto Tranquillo - Andante
  15. Allegro Assai

Product description

Product Description

Together with its companion Volume 1, these CDs contain all Bach's extant concertos that feature a solo keyboard. Most were written in the 1730s and are thought to be arrangements of earlier concertos, many of which are now lost (though two will be recognized as Bach's E major and A minor violin concertos and the sixth is an arrangement of the fourth Brandenburg). The fifth Brandenburg Concerto, with harpsichord, flute and violin soloists, dates from 1721 and is generally regarded as the first concerto for a solo keyboard instrument ever written. Bach made the keyboard part particularly brilliant and included a huge cadenza; he certainly knew how to establish a genre with a bang! Hewitt's Bach is by now self-recommending but only after playing Bach across the world with numerous ensembles did Angela decide that the Australian Chamber Orchestra were the perfect collaborators. After a month of concerts across Australia these recordings were set down in Sydney in February of this year and the frisson of artists operating at the peak of their form is clear for all to hear. One is immediately struck by the quality of chamber-music playing as phrases are passed from soloist to orchestra and, in the case of Brandenburg Concerto No 5 and the Triple Concerto, between all three soloists. Rhythms are buoyant, tempos lively, the spirit of dance is never far away in the fast movements and a perfectly vocal quality pervades the sung lines of the slow movements. These CDs will surely be the jewels in the crown of Angela Hewitt's magnificent Bach series.

Review

GRAMOPHONE EDITOR'S CHOICE CD OF THE MONTH (Gramophone Magazine) CLASSICAL CD OF THE WEEK (The Sunday Times) ALBUM OF THE WEEK (Musicweek) CLASSICAL CD OF THE WEEK (The Daily Telegraph) DISC OF THE MONTH (Classic FM Magazine) 'Her [Hewitt's] playing is absolutely captivating: she decorates the solo part with playful, come-hither ornamentation - twirls, flutters, arabesques - and yet it never disturbs the clear, logical path she forges through the course of each work. Her staccato touch has the force of sprung steel and yet her legato line is a miracle of smoothness and transparency. An absolute joy' (Metro) 'Hewitt's Bach is well-known for its expressive restraint, lucid textures and rhythmic grace. These virtues are abundantly present in her thoughtful, unmannered approach to the Concertos. Contrapuntal arguments are admirably clear and Hewitt's restricted use of the sustaining pedal ensures a pleasing clarity of dialogue. These virtues are mirrored by the lightly articulated bowing of the strings of the Australian Chamber Orchestra under the direction of its leader Richard Tognetti … My own prefernce lies just with Hewitt and her Australian musicians' (BBC Music Magazine) 'As always, she [Hewitt] really sparkles in the allegros, infusing the music with wit as well as technical bravura' (Sunday Times) 'The familiar argument that Bach would have written for a piano if only he had had one is nowhere given more persuasive advocacy than in Hewitt's singing melodic lines, her judicious range of tonal colouring and in her touch, which combines the crispness and full flavour of a fresh apple. Take a bite of any of these concertos, and you will want to make a whole meal of them' (The Daily Telegraph) 'The result of their historically informed modern-instrument take on the music is stunning, with crisp rhythms and singing melodic lines' (Classic FM Magazine) 'Her [Hewitt's] playing is absolutely captivating: she decorates the solo part with playful, come-hither ornamentation - twirls, flutters, arabesques - and yet it never disturbs the clear, logical path she forges through the course of each work. Her staccato touch has the force of sprung steel and yet her legato line is a miracle of smoothness and transparency. An absolute joy' (Metro) 'Hewitt's performances are brilliantly alive. Her subtle lyricism adds a rich, occasionally dark dimension, possibly not as Bach himself would have envisaged, but always with a deep sense of musical integrity' (The Scotsman) 'Here the Fazioli is heard at its exquisite best, its spongey bass chords pumping with clarity, its treble caressing a heart-tuggingly beautiful legato out of the slow movement, while the dainty strings sketch an almost tongue-in-cheek pizzicato in the background. Hewitt's sense of phrase is masterful … the statements have regal import under the authoritative hands of this queen of keyboard playing' (The Times) 'Her fingers dance as well as sing: in the outer movements, rhythms are buoyantly sprung, and this communicates itself to the members of the Australian Chamber Orchestra, whose slender string accompaniment in no way lessens their energy, while Hewitt responds by projecting the piano parts with all due attention to Bach's overall texture' --(International Record Review)


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on 5 February 2006
Format: Audio CD
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on 23 June 2015
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Amazon.com: 4.5 out of 5 stars 9 reviews
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5.0 out of 5 starstop bananna
on 14 March 2011 - Published on Amazon.com
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5.0 out of 5 stars2006 Gramophone "Artist of the Year"
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5.0 out of 5 starsFrom a long time Bach Fan.
on 3 December 2009 - Published on Amazon.com
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