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Bach: Complete Orchestral Suites /Boston Baroque · M Pearlman Hybrid SACD

5.0 out of 5 stars 1 customer review

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Audio CD, Hybrid SACD, 18 Dec 2008
£61.06 £17.97
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Product details

  • Audio CD (18 Dec. 2008)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Format: Hybrid SACD
  • Label: Telarc
  • ASIN: B0001XAJUM
  • Other Editions: Audio CD
  • Average Customer Review: 5.0 out of 5 stars 1 customer review
  • Amazon Bestsellers Rank: 683,578 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
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Track Listings

Disc: 1

  1. Overture
  2. Bourree 1 - Bourree 2
  3. Gavotte
  4. Menuet 1 - Menuet 2
  5. Rejouissance
  6. Overture
  7. Courante
  8. Gavotte 1 - Gavotte 2
  9. Forlane
  10. Menuet 1 - Menuet 2
  11. Bourree 1 - Bourree 2
  12. Passepied 1 - Passepied 2
  13. Overture
  14. Air
  15. Gavotte 1 and 2
  16. Bourrée
  17. Gigue
  18. Overture
  19. Rondeau
  20. Sarabande
  21. Bourree 1 - Bourree 2
  22. Polonaise
  23. Menuet
  24. Badinerie

Product description

Amazon.co.uk

There is no dearth of recordings of the Bach Orchestral Suites, but Martin Pearlman's Complete Orchestral Suites goes right to the top of the list of recommended performances. Pearlman and his Boston Baroque play on period instruments but there is never any stridency in the strings, none of the odd pressured quality that can creep into "historically informed" readings. The third and fourth suites, the most heavily scored, are given truly rousing readings, with the trumpets and timpani making a joyful noise and the oboes and bassoon audible and very welcome in the mix---the recording is well-balanced. The first suite has prominent wind parts as well, and Pearlman weaves them in and out of the orchestral fibre effectively, as the music indicates. The tricky second suite is often presented as a type of flute concerto, but Pearlman has the solo flute backed up by multiple strings in the grander passages and reduces them to solos when the flute has its own melodic line. Most importantly, he realises that the movements of all the suites are dances, and so the music, in its own, French Baroque way, swings. The recording is as fine as the performances, which is to say, remarkable. --Robert Levine, Amazon.com


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on 16 March 2014
Format: Audio CD
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