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Bête Hardcover – 25 Sep 2014

4.6 out of 5 stars 12 customer reviews

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Product details

  • Hardcover: 320 pages
  • Publisher: Gollancz (25 Sept. 2014)
  • Language: English
  • ISBN-10: 0575127686
  • ISBN-13: 978-0575127685
  • Product Dimensions: 15.6 x 2.9 x 24.1 cm
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Bestsellers Rank: 553,923 in Books (See Top 100 in Books)

Product Description

Review

seamlessly blends a fate-of-a-country climax with passages of prosaic beauty, resulting in a truly thought-provoking read (Sci-Fi Now)

The ever-clever Adam Roberts has conjured up another cracker in his latest...a witty and super-intelligent dark comedy (The Daily Mail)

Roberts' prose is intricate and rich in scientific language and explanation, but it's also dryly funny and on-the-nose when it wants to be, making this book about so much more than a quirky sci-fi concept. (The List)

There's an Orwellian folsky feel to this narrative more Animal Farm than 1984. Twisted in are fragments of The Golden Bough, snippets of Greek myth, of Oedipus and the Sphinx,pop culture, low culture, classic and personal myth, making this novel where Roberts the professor and ARRR Roberts (his comedy persona) meet (SFX)

Roberts tackles issues of cruelty, morality, human identity and interference in nature with confidence and wry wit (The Big Issue)

Bête is a wonderful piece of social commentary and my favourite novel of Roberts for years. It's thought provoking, it has laughs in it and will impact your outlook on life a bit. (Upcoming 4 Me)

Bête is as smart and as satisfying and as challenging as anything any of the Adam Robertses have written. I wouldn't hesitate to recommended it-just promise me you'll keep it from the prying eyes of any interested pets. (Tor.com)

Graham is an irascible, reluctant, foul-mouthed throwback to an earlier era of fiction - and Roberts' best character yet. Bête is ferocious, powerful and Roberts' best yet. (Pornokitsch)

Bête is quite simply stunning. Roberts rivals the most elequent of writers, his prose is poetic and yet satirical and serious all at the same time. With each book he grows and Bête is the pinnacle of his work so far. It's one of those books that everyone will wish they had written and anyone will love reading. (SF Book)

Adam Roberts is an award-winning author at the peak of his powers and each new novel charts an exciting new direction while maintaining a uniformly high level of literary achievement. (Lovereading.co.uk)

The greatest science fiction novels take into account the changes on the people affected by the advances in technology, and Bête ranks with the best of them. What could have been just quirky and satirical - it is both - becomes so much more through intelligent writing that takes the reader through a whole range of emotions.Bête is a wonderful book that, once begun, insists on being read in one sitting; darkly comic, it's a deeply thoughtful, moving and uplifting story from a master of the genre. (Starburst Magazine)

This electrifying new book by Adam Roberts takes just such an idea and elevates it to truly nightmarish proportions. An idea that in its own way could change the reader's perceptions of the actual relationship between man and beast we think we know, perhaps in such a way that cannot then be undone by putting this book on the recently read pile. (Forbidden Planet International)

" Roberts... comment[s] on humanity's collective relationship with the biosphere, sometimes through his minor characters - "Animals have feelings and thoughts - it's just that only now have they been able to bring them out"... "Nature it's not nice, it was never nice. Niceness is what we humans built to insulate ourselves from - all that"... At times Bete takes on some of the characteristics of the postdisaster stories associated with British SF of the fifties and early sixties... Bete is good stuff" (Book Zone)

Robert's fascinating, discursive riff on ANIMAL FARM features a grubby, self-lacerating protagonist and lashings of wry humour (The Financial Times)

Book Description

An ISLAND OF DOCTOR MOREAU for the 21st century. An SF novel that draws in the never more timely issues of Artificial Intelligence and our relationship with the natural world.

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4.6 out of 5 stars
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Top Customer Reviews

By D. Harris TOP 1000 REVIEWERVINE VOICE on 17 Oct. 2014
Format: Hardcover
This book is a kind of essence of Adam Roberts - heady with puns, rambling dialogue and clever references (many of which I didn't get, but I could see them going on and I'll be back to hunt them down).

All that, and a fantastically silly yet chilling plot. In the near future, thanks to tiny chips fed them by animal rights activists, the "Bêtes" of the title can talk, and are demonstrably conscious and intelligent. Consequently they're accorded rights and can't be slaughtered or owned. A catastrophe for farmers such as Graham ("Don't call me Graham!") Penhaligon who is bundled off to the nearest police station for killing a cow, and basically spends the rest of the book in a sulk, living as a wild man of the woods in Bracknell Forest. (Like Roberts' earlier New Model Army, one of the joys of this book is seeing the suburban landscape of the Thames Valley post-apocalypsed).

Graham is a Very Unsympathetic Character indeed: barely a page went by without me wanting to shake him. Yet, he is also compelling and sad (he'd hate anyone saying that about him). Two things humanise him - one event in his past, one which occurs in this books - but I won't give them away in this review. A third - his continual bad language, contempt for authority, his fellow humans, the bêtes, you name it - kept making me smile. Here is a man, I think, who could start an argument anywhere.

So the book - and Graham - tramps on, a virus (the Sclery) sweeps across the world (a bit close to reality, that) leaving houses and villages empty; the remaining humans crowd into towns, such as walled Reading, for safety from both disease and animals. It's a bit like a cross between one of John Wyndham's disaster novels and Animal Farm (which Roberts overtly references).
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Format: Kindle Edition Verified Purchase
‘Bete’ a beautiful novel that is often funny and very moving. The ‘betes’ of the title are animals fitted with microchips that give the creatures human knowledge, language and awareness. Or do they? One of the book’s big questions is the point at which the animal’s consciousness ends and the AI begins; what this question means for identity and indeed life after death - if life is what it is.
These questions are grounded in a recognisably human story that begins with bullish farmer Graham and a cow due for slaughter who has been ‘chipped’ by animal rights activists and is as a result begging eloquently for its life. Only Adam Roberts could have pulled off such a scene, with its blend of comedy, left-field intellectual argument and dread. That the outcome haunts Graham in more ways than one is another layer of the dark humour that seethes beneath the surface and regularly erupts along with Graham’s viscerally witty rage.
Graham himself is a bit like a Geoffrey Household character who has been chased into a John Wyndham novel with special effects by Ted Hughes. A wilful, self-destructive rogue male, Graham watches as the familiar English landscape is slowly and believably altered around him. Instead of the nano-nightmare favoured by many contemporary SF writers, we see a gradual shifting of the terms of employment as animals slowly take over agriculture and begin to exert their own mysterious influence. As with everything from our concern about rural infrastructure to climate change, one of the novel’s most powerful narrative drives is the sense that everything is already too late.
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Format: Kindle Edition
Adam Roberts is a clever writer, which is not all praise. He writes extremely well and is almost always readable, but his cleverness is sometimes his downfall.

This book, ostensibly about the impact of AI (intelligence not insemination) introduced into animals via a chip implant, is also about what it is to be human. Not just consciousness but also temporality. We all die. We all grieve as we discover in an unlikely and moving love story that takes Graham by surprise. We all forget. But AI does not. It and its memories can live forever in a chip or the cloud. So here's the thing: is Roberts focusing on some dystopian future where animals implanted with chips acquire speech and in doing so challenge us in our notions of our place in the world and our right to eat animals? Or is he reminding us that we grieve when those we love die and we forget.

All a bit heavy? Well there is the fun side: irascible, foul-mouthed and very human don't call me Graham; a talking cat; numerous allusive references (Get Carter , "your'e a big man...", Neil Kinnock's "well alright then", and many more) and some great characters both human and animal. And an ending that is ironic if a bit sudden. I won't give it away.

So here is my problem: the book is always well-written, often funny, very imaginative, with a plot that almost seems to hang together, but it seems to be a little uncertain about what it is trying to do. I was unclear whether Roberts was in any sense trying to make a point about our relationship to animals, or about the dangers of AI, being fashionably dystopian, or making a point about death and loss or had he not really been able to decide what he wanted to do.
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