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Arcadia Paperback – 10 May 1993

4.7 out of 5 stars 37 customer reviews

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Product details

  • Paperback: 144 pages
  • Publisher: Faber and Faber; Main edition (10 May 1993)
  • Language: English
  • ISBN-10: 0571169341
  • ISBN-13: 978-0571169344
  • Product Dimensions: 14 x 0.8 cm
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (37 customer reviews)
  • Amazon Bestsellers Rank: 32,809 in Books (See Top 100 in Books)
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Review

"There's no doubt about it. 'Arcadia' is Tom Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and ... emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow."
--Vincent Canby, "The New York Times"

There's no doubt about it. 'Arcadia' is Tom Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and ... emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow. "Vincent Canby, The New York Times""

"There's no doubt about it. 'Arcadia' is Tom Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and ... emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow." --Vincent Canby, The New York Times

Book Description

Arcadia is one of our greatest contemporary plays, set in two distinct centuries Tom Stoppard explores the nature of truth, time, sex and attraction with absorbing and tragic humour.

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Customer Reviews

4.7 out of 5 stars
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Top Customer Reviews

Format: Audio CD Verified Purchase
This is a splendid production of 'Arcadia' by L.A.Theatre Works, recorded in 2009 using an earlier script version than the (barely noticeably) revised edition published in the same year. I thoroughly enjoyed listening to it with, for me, only one minor reservation. Lady Croom was portrayed as rather shrill and not played nearly grandly enough, that is to say, in the way one would imagine Lady Bracknell to sound like, given that this is how her character reads in the script, with her acerbic comments and Wildean aphorisms. Other than that, the performances are commendable and there are only the rarest and slightest of clues in pronunciation that the cast is American and not British.

The cd production has been altered since the printing of the cover information. There is, in addition to the production, an interview but rather than the one advertised with Ira Nadel, Professor of English at the University of British Columbia, there is instead a half-hour discussion between producer Susan Lowenberg and Steven H Strogatz, Professor of Applied Mathematics at Cornell University, who gives a very interesting and approachable explanation of chaos theory and other mathematical insights within the context of the play.

I do recommend this audio book as being well worth listening to if, like me, you haven't had the opportunity to see a stage production, or if you are studying the play, as it interprets the brilliance of the script to a very high standard and in a most enjoyable way.

Jim Simpson
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Format: Paperback
The play itself if fascinating and definitely worth a read, but I would certainly suggest buying a different edition.

The Faber and Faber edition is simply poor quality, with many errors and typos, even getting characters names wrong towards the end. I studied this book for A Level and almost every copy in our class had fallen apart within the first month, with pages falling out completely or hanging by one corner. I understand that books studied by students undergo a lot of wear and tear, but this is simply badly bound.

I hope this saves someone else having to selotape up their copy.
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Format: Paperback Verified Purchase
I love this play! I had to study it for my course and once I started reading I could not stop! This is a work of genius and Stoppard has proved to be a fantastic writer. It is witty, humorous and extremely interesting. I would recommend this to all play and drama lovers. It contains an interesting combination of themes and ideas which make it even more readable and interesting.
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Format: Paperback
I saw this play in the 1990s, but it largely faded from my memory. I had the impression of it being a difficult, entertaining and serious play. I went to see it again in August 2009. I could grasp that it was an excellent and even important piece of work, though I confessed to my friend that the full message eluded me. He wisely commented that Stoppard would be disappointed if we did grasp it all.

Since then, I have bought a copy and read it. Unlike many plays, the reading was clearer than the staged version - though the sequence of seeing the play on the stage first doubtless influences that opinion. It is so packed with clever, fizzy ideas that it is difficult to understand them from the fast, witty dialogue. On the page, one can slow down and turn back. It is a play to be highly recommended, a towering intellectual achievement, maybe (probably) a rung above `Copenhagen' by Michael Frayn.

To summarise the plot of the play would take many paragraphs, and would possibly spoil it for those who have not seen or read it. Instead, it is fruitful to highlight the theme of Time.

`Arcadia' opens with a scene from 1809, as you can tell from the dress and language. So we are shifted back in time by 200 years. The very first line of the play, from a curious, intelligent, naïve girl called Thomasina to her tutor raises a laugh from the audience: "Septimus, what is carnal embrace?" This leads into the comic, slightly farcical, country-house drama that Stoppard loves - as in `The real inspector Hound'. The entangled relationships and attractions are a thick thread in the tapestry of the story, running in parallel between the early 19th Century and modern times.
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Format: Paperback
Arcadia is a play, set partly in 1809 and partly in the present day (it was first staged in 1993) in a large country house inhabited by the Cloverly family. The play has the two parts which are played out in separate scenes but within the same stage setting, a large room furnished primarily with a large table, the contents of which form an integral part of the plot. It jumps back and forth between the two separate but interlocked stories: the first story concerning Thomasina and her tutor Septimus, the remodelling of the gardens and a not inconsequential sexual indiscretion in the gazebo; in the second part Hannah and Bernard are separately researching events at the house, and trying to figure out who the elusive hermit might have been. The presence, or not, of the poet Byron, and his part in the events concerned, is a cause for much debate. In the final part of the play you have characters from both parts of the story on the stage together, crossing over each other and drawing together the strands of the tale.

I so enjoyed reading this play and will jump at the chance to see it on the stage some time. It is not something you can sum up easily but everything about it was so clever. The writing is just wonderful, every exchange is important, the characters are all real people, it is very witty and made me laugh out loud several times. The thing that strikes me the most though is even just reading it I could visualise how it would look on the stage, and how it makes perfect use of the medium. Many plays are just people telling a story on a stage, this play uses the stage and the coming and goings of the actors to it's fullest effect.
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