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Annie Leibovitz: At Work (German) Hardcover – 25 Jan 2009

4.6 out of 5 stars 30 customer reviews

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--This text refers to an alternate Hardcover edition.
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Product details

  • Hardcover: 240 pages
  • Publisher: SCHIRMER/MOSEL VERLAG GMBH; 01 edition (25 Jan. 2009)
  • Language: German
  • ISBN-10: 3829603827
  • ISBN-13: 978-3829603829
  • Product Dimensions: 19.2 x 3 x 24.7 cm
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (30 customer reviews)
  • Amazon Bestsellers Rank: 2,733,136 in Books (See Top 100 in Books)

Product Description

Review

"Undoubtedly one of the world's best photographers. Annie Leibovitz at Work is a must have collection" (Aesthetica) --This text refers to an alternate Hardcover edition.

Review

"Prepare to be inspired." --This text refers to an alternate Hardcover edition.

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4.6 out of 5 stars
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Top Customer Reviews

Format: Hardcover
Any fan of Annie Leibovitz will want to read and cherish this book. The words and images will mean the most to young people dreaming of having a career in photography who wonder about how she got started.

Annie Leibovitz's photography has surrounded and informed us for so long that it has become part of the landscape, perspectives that we employ and too often take for granted. In Annie Leibovitz at Work, she takes us behind the camera a little to understand her motivations, her family, her career, her assignments, her purposes, and how those iconic images were constructed. I enjoyed the book very much but I found that it had two flaws that bothered me: She is a usually little too coy in holding back details that her disclosures make enticing. The page sizes are too small to properly display the images. The print quality is excellent, but you can only do so much when images intended for full magazine pages or portraits are displayed in 3 inch by 5 inch formats. A minor weakness is that some of the images she talks about aren't portrayed (presumably either a space or a permissions problem, but it is disappointing whenever it happens).

Here are some of the poignant stories in the book:

1. Taking the last portrait of John Lennon and Yoko Ono before John was murdered.

2. Photographing the Rolling Stones on tour while trying to keep a nervous independence from the parties and the crush of fans at the end of a concert.

3. John Cleese nearly suffocating to get the picture of pretending to be a bat hanging from a tree.

4. Capturing Al Sharpton at the beauty parlor.

5. Arnold Schwarzenegger changing his image through her photographs.

6. The story behind the pregnant cover of Demi Moore.

7.
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Format: Hardcover
This is basically a bunch of anecdotes. But there is something not right in the tone of the writing that had me suspicious early on. It seemed to me almost dumbed down and far too often contained the kind of 'off the cuff' generalisations that photographers come up with in the flow of conversation that never makes it onto the page when thought about further. Such as, 'A lot of my work is post-decisive moment... it would be nice to be more spontaneous'. Since she's a declared fan of Cartier-Bresson it's hard to explain why she'd make the common mistake of suggesting that the 'decisive moment' is an issue of spontaneity - it's not, it's a formal concern and is often only discovered precisely at the edit stage.

Reminiscing on her student days she argues, 'You can be a little sloppy with a wide-angle lens. The 55 mm made me very aware of what I was puttng in the frame. It was good discipline in learning how to see and compose.' This is laughable. Check out Wingorand and Meyerowitz and the great reportage photographers, someone who pulls off the feat of capturing a great photo with a wide angle doesn't do so being a little bit sloppy, the job is so much harder and more demanding than using a longer focal length. Longer lenses simplify the task.

Well, Liebovitz is a busy, commercical photographer and it turns out the book was in fact ghostwritten by Sharon Delano. (Find the note just inside the back cover.) More issues suggest to me Liebovitz didn't even find time to proof-read the text. If she had she might have questioned the oddity of images being ommitted that are being written about in some detail. Thing is she strkes me as a profoundly intriguing personality and it's a great shame that little or none of that has made it into this book.
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Format: Hardcover Verified Purchase
This book is less about the technical aspects of photography but the personal experiences and relationships she has made throughout her career. Very insightful and interesting with loads of great prints.
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Format: Hardcover
Really intresting and inspiring information on her recent and not so recent work.

Definatly worth buying if you like her work- i bought it as im a photography student. Its useful to know how great photographers of today started out and what they have achieved.

Not a large variety of pictures in this book, it is more written therefore if you want bright and bold pictures buy her other book which is also really invaluble and inspiring
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Format: Hardcover
...I am a photographer and what I love about this book is the way Annie L answers all of the questions one might put to her if the opportunity ever arose.
She is obviously very familiar with a huge swathe of works of other photographers and she makes no secret of her search for inspiration from photographers she admires when she approaches her subjects. This book reminds us to look at great works and remember how young photography is as a medium, that ground was still being broken as recently as the 90's.
It is not the definitive picture book - but it is beautifully printed and the reproductions are small but top, top quality. It should be a companion to her two picture books - not a replacement.
Her searing honesty - "my work is 90% moving furniture" - and her total acceptance that a photograph can only be a moment in a life of a person and not capable of 'capturing' that person is consoling to those of us who have been working in portraiture, often with the impossible brief to 'define' someone with one image.
Her biggest gift to young photographers is her attitude to equipment and in the very early part of the book she talks about having to learn to live with her camera - "...there aren't going to be any pictures without it." Cameras are just tools of the trade and she's not a brand slave - it's just about the right tool for the job, that's so refreshing.
I couldn't put this book down once I picked it up.
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