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Animatic Apparatus, The: Animation, Vitality, and the Futures of the Image Paperback – 25 May 2018
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Paperback, 25 May 2018
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At once theoretically dazzling and fearless, The Animatic Apparatus shows how the production of life in animation deconstructs ontology as such: There is no death in animation, because there is no being, no existence, to begin with. But an-ontology is not the end of living. Instead, carefully tracing how the medium of animation has come to operate as a supermedium, Levitt finds animation to be the key not only to modelling the contemporary condition but also to formulating an ethical relation to it. Animation offers nothing less than a toolkit for new assembling of lives upon the active void of contemporary media. --Thomas Lamarre, Author of The Anime Machine: A Media Theory of Animation. Professor of East Asian Studies and Communication Studies, McGill University
About the Author
Deborah Levitt is Assistant Professor of Culture and Media Studies at Eugene Lang College, The New School. She is a media historian and theorist interested in film and digital media including CGI, VR, and AR and has published on Giorgio Agamben, media and biopolitics, and animation theory. She lives in New York.
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