I long been a believer that "genre fiction" can be just as meaningful and well-written as some of the more obviously literary novels, and this book, (which I first read around ten years ago but re-read from cover to cover recently) is a perfect example of the concept.
The storyline is utterly compelling, with well-developed, memorable characters and some well-handled twists. The basic premise is an intriguing one. All gods and similar mythological creatures are real, created out of people's belief in them. As waves of explorers and immigrants have come to America over the centuries, they've brought their gods with them, but with little belief left in Thor or leprechauns or whatever, they are mostly eking out a fragile existence on the fringes of society, as con artists or prostitutes or physical labourers. At the same time, new gods are coming into being - gods of the internet, of electricity, of cars etc, and having far more success. That rather bizarre set-up is handled well and believably, and both old and new gods are fun to read about. If you like mythology (and I love it) you'll have lots of fun trying to work out who some of the more obscure characters are based on, and making frequent trips to wikipedia. Gaiman has clearly done his research.
Despite all the Gods drifting around and the fantastical nature of some scenes, much of the plot and the setting is very realistic, even gritty. The main character is a seemingly ordinary man called Shadow, who becomes embroiled in the old gods' plot to regain their power and prestige, after a meeting with a Mr Wednesday, whose real identity readers with a passing knowledge of myths can probably take a guess at. Shadow starts the novel in prison for bank robbery, and the prison scenes and later fights and interrogations would not be out of place in something like The Wire. This is urban fantasy at it's most urban, with a definite adult feel.
Sometimes, the plot is full of action and revelation. At other points, however, it becomes slow and meditative, which seems quite unusual for a novel of this kind. Shadow spends large parts of the middle section hiding out in an oddly perfect snow-covered town in the north of America. This section could easily have dragged, but my interest in the character and the quality of the writing kept me engaged, and I ultimately felt the book was better for being willing to slow down. It gave it a real epic quality.
Beyond the plot though, there are allsorts of big questions being explored. Why does every society have gods? What role do they fulfil in the human psyche? What is the nature of belief? What does it mean to be American? How does it feel to leave one country and culture behind and join another. They are the sort of questions you'd normally expect to be dealt with in a deadly serious Big Novel, but actually feel fresher viewed through this prism of gods and adventures. It's helped by the fact that Gaiman's writing style is consistently strong, and would actually translate perfectly to something less fantastical.
Finally, one of my favourite things about the book is the way the main storyline is intercut with both stories of random gods' everyday lives in modern America (I was particularly intrigued by the Queen of Sheba) and stories of the people who came to America and brought their gods with them. Of the latter, the standout was a story of an African woman brought to America as a slave, bringing some voodoo type gods with her. In one chapter, it honestly delivers the most powerful reminder of how horrific slavery was that I've ever read. Most of the others are lighter, but still fascinating.
In conclusion, I'd definitely recommend this book to anyone that likes intelligent fantasy, as well as some people who think fantasy isn't really for them. Gaiman's one of my favourite authors, and this is probably his best book and a wonderful introduction to his style.
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“Gods die. And when they truly die they are unmourned and unremembered. Ideas are more difficult to kill than people, but they can be killed, in the end.”Highlighted by 7,411 Kindle readers- All we have to believe with is our senses: the tools we use to perceive the world, our sight, our touch, our memory. If they lie to us, then nothing can be trusted. And even if we do not believe, then still we cannot travel in any other way than the road our senses show us; and we must walk that road to the end.Highlighted by 6,212 Kindle readers
- Religions are places to stand and look and act, vantage points from which to view the world.Highlighted by 6,123 Kindle readers
- We do not always remember the things that do no credit to us. We justify them, cover them in bright lies or with the thick dust of forgetfulness.Highlighted by 5,467 Kindle readers
- He wondered whether home was a thing that happened to a place after a while, or if it was something that you found in the end, if you simply walked and waited and willed it long enough.Highlighted by 5,062 Kindle readers
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- Reviewed in the United Kingdom on 15 June 2014
- Reviewed in the United Kingdom on 23 May 2011
