Amelie [DVD] 
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Amelie Poulain has led a sheltered life - educated at home by over-protective parents, she retreats into a fantasy world of her own. When she finally leaves home and finds work as a waitress in a Parisian café, life is pretty uneventful until a chain of extraordinary events leads her to the discovery of a tin box containing a schoolboys long forgotten mementos. It is then that Amelie discovers her true vocation in life helping others find love and happiness which she sets about in her own unique and magical way. When Amelie falls in love herself, she realizes that making neat solutions in not as easy as it seems... DVD Special Features
Commentary by director Jean Pierre Jeunet
Dolby Digital 5.1 or DTS 6.1
Anamorphic 2.35:1 widescreen 16:9
Jean-Pierre Jeunet's Amelie could have been marketed as a simple love story, but this would be missing a huge part of its appeal. It is in fact only the second half of the movie where romance begins to blossom, and even then it is in an unconventional way. With its use of special effects to express the main character's internal emotions, this could also have been mistaken for a French version of Ally McBeal; however, unlike Ally "woe is me for I cannot find a man" McBeal, Amelie is not distressed by the lack of men in her life, in fact the whole idea of sex seems to amuse her no end. Basic pleasures such as cracking the top of a Crème Brule offer her all the sensual satisfaction she needs and her existence in the "Paris of Dreams" is the stuff of fairy-tales. Indeed, this cinematic treat must have worked wonders for the Paris tourist board; Jeunet's beautiful interpretation of Parisian life includes all the vibrant colours you would expect from the director of Delicatessen.
But Amelie is much more than a simple "feelgood" movie. The pixie woman herself is a shining symbol for our times. Set at the time of Princess Diana's death, Amelie is struck with a plan to offer goodness back to the world--to become the Mother Teresa of France. The film never offers a motive for this do-gooding--like all great martyrs Amelie simply is and does as she pleases to please others. She demands no thanks for her offering of love, simply hiding in the shadows and gaining the warm glow of satisfaction from the knowledge that she has managed to change someone's life. Her selflessness is a breath of fresh air in a dog-eat-dog world where we ignore our neighbour's troubles, and each other's loneliness. Featuring a strong supporting cast who play fully rounded characters, as well as the beautiful imagery and typical French humour which borders on the black, Amelie will leave the viewer feeling like the happiest person alive.
On the DVD: Disappointingly low on features for such a well-loved release, this disc has one treasurable special feature: a commentary (in English) by the enigmatic Jean-Pierre Jeunet which is pure joy (it's also refreshing to hear an accent other than American--a rarity for the DVD format). The disc comes with a choice of Dolby Digital or DTS sound adding to the enchantment of the piece; the anamorphic widescreen print enhances the rich colours so loved by Jeunet.--Nikki Disney
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Top Customer Reviews
I can't add more about the film that dozens of reviewrs havn't already mentioned , but I must point out the utterly beautiful cinematography of this film with gorgeous intense saturated colour and a 'hyper real' atmosphere in every shot. If you enjoy the 'lomo' style of photography you'll adore every shot of this movie - the whole film is a lomograph. The soundtrack is perfect also, matching the spirit of the film and complimenting every moment perfectly.
I must say I'm shocked by reviewers who could give this only one star, and I find it somewhat depressing. What a grey, dull, cynical world they must live in, where belief cannot be suspended for a moment and one must be locked forever into a hard unchanging reality.
As the film says, 'the times are hard for dreamers.'
Jeunet's eye for spotting rare and beautiful moments that happen around us every day, doesn't miss a trick. In 'Amelie', he reminds us of the simple pleasures that we all enjoyed as children, and forgot about as we grew into adulthood. It is this theme, more than any other that repeats constantly during the film.
The people in Amelie's world are quirky and eccentric, yet set in typical mundane lives. Everyone has a hidden wonder beneath them, and in Amelie's quest, nobody is spared. Dreams are fulfilled, lovers are united, broken hearts mended and lost treasures are reconciled with their once-jaded owners, and the clever and intricate methods by which Amelie performs her tasks will leave you smiling from ear to ear.
For instance, a scene that will stay in my heart is when Amelie helps a blind man to cross the road. As she does so, she starts describing in vivid detail, the scenes surrounding them both as they walk down a busy Parisian street. Such a simple gesture, yet handled by Jeunet, it becomes a treasured moment. The scene only lasts 10-15 seconds, but will leave you feeling warm, and almost saddened at the everyday sights that you take for granted and never notice.
All in all, the acting (Audrey Tatou in particular), is amazing, the camerawork and direction is stunning (only to be expected of Jeunet's work, such as "Delicatessen" & "City of Lost Children") and the ideas behind the film are ingenious and yet very simple.Read more ›
Don't worry about the subtitles, there's no problem in following screenwriters Guillaume Laurant and Jean-Pierre Jeunet's plot. Director Jean-Pierre Jeunet's doe-eyed heroine Amélie (Audrey Tautou) has had a lonely childhood and an unsatisfying love life. Her father is a glum recluse, who never offered her any physical contact, warmth or love (but who cherishes his garden gnome) and her neurotic mother was killed by a suicide jumper who hit her on the way down outside Notre Dame. As a result, Amélie has become wrapped up in her dreams as a way of escaping her lonely life. By day, she waits table at a Montmartre brasserie frequented by many eccentric characters and at night, she goes home alone to a little box flat with a rear window from where she can spy on her neighbours and dream of what their lives must be like. Until one day when she discovers a box of discarded toys left behind in her apartment 40 years ago and begins a search for the man-boy who once owned them. Finding that she can make a difference to other peoples lives, Amélie's own life is given a new purpose and a new vocation but can she find love and happiness for herself?
Some critics have complained that Amélie's is a right wing exercise in nostalgia and that Director Jean-Pierre Jeunet's depiction of Montmatre is too lushly perfect, whilst others have criticised it for being nothing more than a rip-off of Jane Austen's Emma.Read more ›
But... for those of us unable to speak fluent French the problem is simple: the sheer speed of it's superbly witty dialogue leaves you grappling to read the subtitles and, in so doing, seriously diverts your attention away from the equally quick-paced, stunningly directed visuals. Dubbing would have helped at one level but has been wisely avoided as it would totally destroy the key feature of the film - i.e. it is, and could only be, French! The solution?... invest in your own copy. After a couple of times through (with the ever-ready option to "rewind" its more complex scenes), the memory banks take over leaving you free to relish the full impact of this quite beautiful, multi-layered work of genius.
Most Recent Customer Reviews
This entertaining and strikingly original film has been a considerable box office success and has been a popular purchase on DVD. Read morePublished 20 hours ago by I. Giles
A lovely film - very quirky and unusual and full of great characters, especially Amelie herself (played brilliantly by the lovely Audrey Tautou), who never seems to do anything in... Read morePublished 1 day ago by Mr. Steven J. Parkes
Brought for daughters A level French under recommendation from teacher. She is happy, therefore I am as wellPublished 19 days ago by Sue Foster
An arty film; both in plot and in cinematography. This is by far one of my top 3 films of all times. Read morePublished 1 month ago by glubslime