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Ah Um
 
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Ah Um

9 Feb. 1999 | Format: MP3

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Product details

  • Original Release Date: 16 April 1993
  • Release Date: 9 Feb. 1999
  • Label: Columbia/Legacy
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:12:05
  • Genres:
  • ASIN: B001GTP70C
  • Average Customer Review: 4.7 out of 5 stars 40 customer reviews
  • Amazon Bestsellers Rank: 17,405 in Albums (See Top 100 in Albums)

Customer Reviews

4.7 out of 5 stars
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Top Customer Reviews

By A Customer on 2 Jun. 2001
Format: Audio CD
Ah Um is one of Charles Mingus's most richly textured albums, dense and dynamic all at once. It is almost as if the whole of the jazz tradition to that date, and some vision of its immediate future, were crammed into three-quarters of an hour.
It is not as ambitious as The Black Saint and the Sinner Lady (1963) and still retains some measure of conventionality in the structures of some of its constituent pieces: introduction, ensemble statement of the theme, solos, development, recapitulation, closing statement.
Peculiar wails weave themselves in and out of ironic quotations from Ellington, from Mingus, from the blues, all cloaked in the enormity of the Mingus sound, thrust forward by rhythms and counter-rhythms tightly driven by Dannie Richmond. It contains the passionate, aching "Goodbye Pork Pie Hat". An indispensable album.
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Format: Audio CD
In a era that produced such original composers as Thelonious Monk and Herbie Nichols , Mingus' approach to composition always seemed more organic and embedded deeper within the roots of jazz than these contemporaries. (Nichols, in particular, had the musical knowledge to look outside of jazz for inspiration.) This is largely compensated by the sheer physical emotion of the music that largely consisted of material based upon the blues. The impact of Mingus is immediate and passionate. On top of this, he was influenced by the music of Duke Ellington and was a great believer in the need for sudden shifts in tempo and mood with which to colour his music. This approach probably reached it's zenith in "Mingus Ah Um" where his group deliever the definative performances of some of his most celebrated tunes.
From the opening gospel inspired number in 6/8 time through to the loving dixieland pastiche dedicated to a certain Mr. Jelly Roll Morton at the end, this is gripping stuff. The music ranges from exciting bebop such as "Boogie Stop Shuffle" through to "Goodbye Pork Pie Hat", a threnody to Lester Young.
This is not only an essential purchase for fans of the bassist, but should be in every jazz collection. The whole performance is driven along by the great Dannie Richmond on drums and the energy he provides merits this purchase alone. A true jazz classic.
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Format: Audio CD
This is a rarity - a Mingus album with no duff tracks at all - everything is spot-on.The eclecticism of the music and its execution are breathtaking - if you need music to wake you up, try Boogie Stop Shuffle (so that's where they got the Mission Impossible theme from!).The gentler side of Mingus emerges beautifully on the slower tracks such as Pork Pie Hat.As for the recording - how did they manage such stunning sound? OK,it's remastered, but compare it to Monk CDs from the same time and it leaves them behind - vibrant,balanced,clear and dynamic - a must-buy!
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By A Customer on 29 Jun. 2001
Format: Audio CD
This rates as one of my top five Jazz albums of all time. A mix of longer structured pieces with a mid-sized band but tinged with bop-like improvisation and character. If you know all the classics (the best of Miles, Ellington et al) and are looking for something as good that's a little less well known this is certainly one to go for.
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Format: Audio CD Verified Purchase
This 1959 album by master jazz player and composer Charles Mingus is rightly acknowledged as one of Mingus' (and indeed jazz's) finest and most diverse set of compositions. Whilst the album does not have (or need) the vast expansive instrumental sound of Mingus' 1963 masterpiece, The Black Saint And Sinner Lady, its sparser feel is perfectly suited to Mingus' compositions here, particularly on the exquisite slower and moody numbers (of which there is an outstanding selection here).

Of the musicians Mingus assembled for the album, both John Handy's alto and Booker Ervin's tenor playing are particularly noteworthy and idiosyncratic, whilst Jimmy Knepper's trombone is featured in a number of outstanding solos (none better than his sinuous turn on the wonderful slow blues of Pussy Cat Dues, in this case over Handy's rare clarinet theme). Of the more up-tempo numbers, the famous opener, gospel-inspired Better Git It In Your Soul is an fine example, as Handy and Ervin's horns harmonise nicely following Mingus' sultry opening riff, whilst the 12-bar blues Boogie Stop Shuffle is probably the most vibrant number here, with all three saxes (including Shafi Hadi's tenor) making significant contributions to the composition's unrelenting pace.

For me, however, it is on the slower, blues-based numbers that the band's mood playing is particularly affecting.
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Format: Audio CD Verified Purchase
This album, along with three others (Miles Davies - Kind of Blue, Ornette Coleman - The Shape of Jazz to Come and Dave Brubeck - Time Out) were recently identified as key albums that shaped Jazz in 1959. Fifty years on, this album still has the power to amaze.

The opening track, Better Git it in Your Soul, is a joyous stomp, leading onto Good By Pork Pie Hat which is a calm and charming piece. There then follows Boogie Stop Shuffle - simply one of the most thrilling pieces of Jazz I have ever heard - with a driven bass line, fabulous saxophone and trumpet.

The treasures keep coming - Bird Calls (a tribute to Charlie Parker) bursts with the be-bop inspired dissonance Parker loved. There's even political comment: Fable to Faubus (a governor of Arkansas opposed to racial integration) seems to mock the governor for his attitudes.

This edition has three extra tracks over the original album. If you have only an early CD release or LP and love this album, this edition is worth buying for the extra tracks. This edition also contains a decent illustrated booklet with material from 1959 and later critical review which makes it worth buying the CD rather than downloading.
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