| Product Dimensions | 60.96 x 30.48 x 30.48 cm; 1.3 Kilograms |
|---|---|
| Manufacturer reference | WABT2 |
| Item Weight | 1.3 kg |
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2-year Accidental Damage insurance for a MUSICAL INSTRUMENT from £20 to £29.99
from London General Insurance Company Ltd. £3.19
from London General Insurance Company Ltd. £3.19
- From the moment your product’s delivered it will be covered for accidental damage and any mechanical/electrical faults not covered by the manufacturer’s warranty. Cover is for UK residents who are over 18 years old.
- No added costs when making a claim; no excess to pay or any charges for parts, labour or callout.
- Easy to make a claim by phone or email. If your product can’t be repaired, it will either be replaced or we’ll issue an Amazon e-gift card to the value of a replacement.
- Cancel anytime: Full refund within 45 days if no claim has been made, pro-rated refund thereafter less claim costs.
- For full product description, please read the Insurance Product Information Document and policy terms and conditions by following the link(s) provided. Please note that another insurance product which has different terms might be available on our website when accessed on a laptop or desktop PC.
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Product Description
Advanced Acoustics Wave 2ft Corner Bass Trap
The wave profile is one of a kind. This curvaceous and contemporary design will make your studio sound and look like a real professional outfit. They are the perfect match for our Wave Acoustic Tiles.
Class Leading Acoustic Treatment From Advanced Acoustics
A Vital Addition To Your Studio Treatment
The Wave Bass Traps are one of a kind. We spent a considerable amount of time developing, testing and perfecting this profile. We think this is one of the most striking and impressive looking bass traps on the market and they match perfectly with our Mini Wave Acoustic Tiles.
With the Wave Bass Traps form follows function, the design isn't there to just look good. The profile we have developed increases surface area without removing excessive volume and mass. Bass Traps are vital for any studio design and should be one of the top priorities of studio design. Once effective bass control has been installed standing waves are minimised and low end build up is brought under control. Low end energy congregates in all corners of rooms so by placing effective bass traps in the corners you can reduce the detrimental effect this has. When used in conjunction with our range of acoustic tiles the full scope of frequencies generated is taken care of.
Control That Bass
Low-end frequencies have very long wavelengths. These wavelengths have a lot of strength. This means that more foam is necessary to absorb these frequencies. This is why bass traps are absolutely needed in any room that is going to be used for recording, mixing or practicing. In addition the frequencies tend to build up in the corners of a room and this is why we have corner bass traps.
Professional Grade Genuine Acoustic Foam
The acoustic foam we use in manufacturing these and all our other acoustic tiles and products has been carefully developed to offer you optimum performance. The structure of the cells, the foam's density and the composition of the foam is perfect for offering even, controlled and balanced absorption.
- 2ft (610mm) long CNC cut Wave Profiled Acoustic Studio Foam Corner Bass Trap
- 12" (305mm) wide bass traps ensure that even very low frequencies are controlled and taken care of.
- All of Advanced Acoustics products are dispatched uncompressed and ready to immediately installed.
- Can be usd in conjunction with any of our acoustic foam products for optimal performance.
- Professional grade genuine acoustic foam which conforms to UK fire regulations
- Durable and long lasting acoustic treatment that won't crumble and turn to dust.
Key Reasons Why You Can Trust Advanced Acoustics
- All our products are manufactured in our factory in the UK meaning we have complete control over quality.
- All of our acoustic foam products are completely fire retardant and are safe for use in commercial and domestic applications.
- All our acoustic foam products are shipped in purpose made protective recyclable boxes, completely uncompressed, there's no vacuum packing going on here!
- We only use premium grade 32kg/m3 open cell acoustic foam.
- Our products are used by 1000's of customers around Europe.
- We have an excellent track record, we're not happy until you are happy.
- All of our products have been fully tested and come with certified lab results for peace of mind.
- All of our products are produced to exacting tolerances on our own CNC foam cutting machines.
- We've been producing our acoustic foam products since 2004, we've seen a lot of companies come and go, but we're still here producing class leading products.
How Much Acoustic Treatment Should I Use?
This is a very difficult subject to address. This is because every room is different. There are a lot of factors to take into consideration. As a generalization most rooms will need between 25% and 75% of coverage. This is only for the walls and ceiling. Most people forget when treating a room that the ceiling is just as important when it comes to treating a room as the walls are.
Here is a brief overview of suggested quantities of acoustic treatment:
- Control Rooms for rock, pop, rap, hip-hop, R&B, country, techno, MIDI music, etc. usually benefit from 50% to 75% coverage and mostly absorption. Bass Trapping is also an important part of acoustic treatment for this type of room.
- Control Rooms for jazz, art (classical),choral, acoustic, world and other forms of ensemble music usually benefit from 35% to 50% coverage.
- Mixing rooms usually call for quite a dead area around the mixing desk itself from 50% to 85%. Around the rest of the room it needs a little absorption between 20% and 40% along with some diffusion.
- “Live Rooms” will vary a lot. Some well-designed live rooms can get by with 20% coverage (or even less!). Most fall into the 25% to 50% range. The most successful Live Rooms usually have some degree of variability. This is done so that a studio is not limited to a certain number of styles of music. By making the room adjustable it gives the studio a high ability to accommodate different styles of music.
- Isolation Booths usually call for quite a bit of absorption – 75% or more. If the booth is to be used for very tight vocal booth then near 100% absorption may be necessary.
- Home theatres and dedicated listening rooms do require quite a large area of absorbing foam on the walls. This is mixed with some diffusion on the ceiling also.
Almost never will 100% absorption be needed and neither is it suggested. The room, no matter what it is going to be used for will still need some ‘liveliness’ in it. If 100% absorption is used the room will feel very close, tight and very very un-natural. The room could come to feel quite claustrophobic and extremely difficult to work in. By leaving a percentage of the area of the walls bare the exposed part can be reflective thus helping to stop your recordings or practise sessions from being overbearing. This will have the outcome of much better performances and recording results.
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