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Across the Land and the Water: Selected Poems 1964-2001 Hardcover – 3 Nov. 2011
Across the Land and the Water is a stunningly beautiful selection of poetry by W. G. Sebald.
Across the Land and the Water brings together poems from throughout W. G. Sebald's life as well as additional works found after his death. Arranged chronologically, from his student days in the 1960s to the longer narratives he worked on in the 1980s, these poems are suffused by the themes which dominated Sebald's books. Here you will find subtle vignettes on nature and history, death and memory, journeys and landscapes, each short piece filled with insight, sensitivity and brilliance.
'An important book . . . full of things that are beautiful and fascinating' Andrew Motion, Guardian
'When you read Sebald you are transported to another realm. Reading him is a truly sublime experience' Literary Review
'Gracefully unsettling. The poems invest every landscape with an archaeologist's sense of the pain, toil and loss secreted in each layer of soil' Independent
'One of the most important writers of our time' A. S. Byatt
'Delightful' Economist
'Show a humane and complex intelligence and deserve a place next to Sebald's prose output' New Statesman
W. G. Sebald was born in Wertach im Allgäu, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted, A Place in the Country.
- Print length240 pages
- LanguageEnglish
- PublisherHamish Hamilton
- Publication date3 Nov. 2011
- Dimensions14.4 x 2.5 x 22.2 cm
- ISBN-100241144736
- ISBN-13978-0241144732
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Review
Astonishing writing. A true poet at work (Evening Standard)
When you read Sebald you are transported to another realm. Reading him is a truly sublime experience (Literary Review)
Sebald reminds me of the humanist tradition of Günter Grass or Heinrich Böll, company he unquestioningly belongs to as poet, essayist and prose writer, one of the greatest artists of our time (Gerald Dawe Irish Times)
The poems . . . show a humane and complex intelligence at work and deserve a place next to Sebald's prose output (New Statesman)
About the Author
W.G. Sebald is one of very few German writers of the last few decades to have attracted both a broad readership in the UK and an international following of journalists and scholars alike. He has proved a huge inspiration not just to younger writers but also to artists and photographers fascinated by the use of imagery and images in his work. His books include Austerlitz, The Emigrants, The Rings of Saturn and After Nature.
Iain Galbraith is a widely published translator of German into English. He won the John Dryden Prize for Literary Translation in 2004.
Product details
- Publisher : Hamish Hamilton; First Edition In English. Hardback. Dust Jacket. (3 Nov. 2011)
- Language : English
- Hardcover : 240 pages
- ISBN-10 : 0241144736
- ISBN-13 : 978-0241144732
- Dimensions : 14.4 x 2.5 x 22.2 cm
- Best Sellers Rank: 1,538,797 in Books (See Top 100 in Books)
- 786 in German Poetry (Books)
- 4,450 in Criticism on Poetry & Poets
- 12,246 in Biographies on Novelist & Playwrights
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What a waste to have lost the possibility to continue delighting us so bloody soon.
My first book was Austerlitz and immediatly after i have bought all the others ... and they seem very few .
Anyway, these are all books that you revisit the minute you finish them.
They immediatly become part of our BEST FRIENDS.
The poems were composed throughout his life alongside the prose works for which he is perhaps better known. They reflect some of the preoccupations of his prose, perhaps demanding even more of a reader but offering rewards as great.
Published a decade after his death, this anthology pulls together poetry from various periods of his life. Stretching over 37 years it contains poems from two early collections Poemtrees and School Latin, these are followed by his later writing Across the Land and the Water and The Year Before Last ending with the appendix containing two poems Sebald wrote in English, making this a wonderful addition to any Sebald completist's library.
If, on the rare occasion, I get to interview someone who writes novels & poetry, one of my default questions is how they perceive themselves, a poet who turned to fiction, or as a novelist first. This question seems to me relevant when dealing with the work of this writer & better still seems to have been answered by Iain Galbraith (translator notes), who writes - Sebald once stated that "My medium is prose", a statement that is easily misconstrued, if it wasn't for the subtle distinction added by this writer "Not the Novel", in fact Galbraith goes on to say that " far from disavowing his fondness for the poetic form, it is through it that we can begin to sense the poetic consistency that permeates his literary prose and also of his writing as a whole." This makes sense as many of the themes ( borders, journeys, archives, landscapes, reading, time, memory, myth, legend etc.), that would be recognised in his later acclaimed work feature in those early poems.
Epitaph.
On duty
on a stretch in the alpine foothills
the railway clerk considers the essence
of the tear-off calendar.
with bowed back
Rosary Hour
waits outside
for admittance to the house
The clerk knows:
he must take home
this interval
without delay.
(from Poemtrees)
That's not to say, that this collection doesn't stand up on its own, anyone without knowledge of this writers oeuvre, will still find this a fascinating read, will like myself try to prise understanding from the words written, unlike the epic quality of his later prose work, a lot of the poems are sparse and compressed, they allude to places and by association events, things, people, although the later ones seem to loosen up, unwind slightly, it's merely by degrees. As I said in "Unrecounted" you're making connections, trying to find routes into its dialogue, but this is ideolectic, the patterns here are those of an individual, there are probably reference points, but like all reference points, they act as signposts to something - not the thing itself.






